Showing posts with label Issue 04. Show all posts
Showing posts with label Issue 04. Show all posts

Saturday, 10 August 2013

Expo & Cons Blue Gillespie Farewell Gig Cardiff by Kirsty Price


Blue Gillespie

Buffalo Bar, Cardiff 3rd August 2013


It’s been 6 years of hardcore, thumping, rocking music, but now at the time of printing the end is here. Unless you are lucky enough to go to the final, final, final gig in Atlanta, Georgia, USA, on August 30th, Blue Gillespie bowed out on home turf on August 3rd, and I was one of the lucky people to be there.

Blue Gillespie formed in November 2007 and are a metal trio from Newport. They released two EPs and two albums, and are followed by loyal fans, called Gillespians.  The evening started off as usual with the normal stamping of your hand with a little rubberstamp and ink to show you had paid for this privilege, and entering the small but reasonably roomy area of Buffalo Bar, Cardiff, the atmosphere was automatically lively, fans and band members excited for what was to come.



The first on stage, which was decked out with a huge Blue Gillespie banner, was introduced by Gareth, saying how much this particular guy had supported them through the years, and that was Gareth Bennett, otherwise known as G. He played a really good techno set using a laptop which was interesting to watch. Once his set was over, Gareth David Lloyd then thanked him for the past 6 years of support, and the room cheered and clapped. There was then a 10/15 minute break for the audience to go and have a breather outside, or buy fresh drinks, but before long the boys started setting up.

There was a big group of Gillespians standing in front of the stage about to have their photo taken as a last memory or this epic night, when Rhys started to make us laugh, larking about, playing on his guitar setting up to go out with a bang. He did his usual larking and making a show of stripping off to change his top to a series of catcalls, whups and cheers.



After setting up fully the band introduced themselves, and launched into the loudness that is Seven Rages of Man. Being deaf meant this was extremely loud, so I retreated to the back of the room where it was quieter, but not too quiet so I missed stuff. Gareth and Rhys as per usual were headbanging inbetween lyrics, as were the audience, with Nic doing his best to headbang behind a set of drums with a huge pair of headphones on.



I managed to grab the boys, and Gemma Lloyd, Gareth's wife for their last words on the gigs. Here's what they had to say.

Nic : Thank you all. It's been a pleasure.
Rhys : Going out in Style. Great crowd, and awesome people. Loving my life right now. Thank you to everyone who was with us from the start, and those who joined us half way through. Either way, you all rock.
Gemma Lloyd : Amazing! Best last show ever. Hell of a journey, sad to see it end. Awesome to play together for the last time on home turf. Good times had by all.
And last but not least
Gareth : It’s been a hell of a ride, and now... We're out of demons.

At the time of writing, it is not quite over. Blue Gillespie have one last Hurrah to make, Alanta next, and it is there Blue Gillespie will play their final gig, and it is there they will bow out for the final time. But don’t stress you guys, Blue Gillespie will always be there. Whenever you have a demon you need to express, Blue Gillespie will be there, rocking as hard as they can.
So from us, your fans, your fellow Gillespians, Blue Gillespie - Thank you for all the hard rocking, headbanging and ridding us of our demons as well as your own.



Blue Gillespie wish to thank their families for all their support, the fans for their constant rocking, Justine for all her support and help throughout the years, Gemma for all patience and support. We've been very lucky to have had the support on a global scale which has helped fulfil our goals from the start. We trust that the Blue Gillespie legacy can be kept alive for our return in the future. Massive thanks to all who made our penultimate performance on Saturday. We love a crowd who puts as much into a gig as we do and you outdid yourselves! Thanks to G for his usual support excellence and to the guys who captured some superb images of the evening. We'll never forget it.

What the fans had to say about the night in question:

Anon : generally quite good overall, Rhys smashed it. He is a superlative musician, first a fantastic bassist and then a technically brilliant guitarist as he brutally demonstrated on Saturday.
Shar Doherty : it was one of the best times I’ve seen them, full of energy they definitely went out on a high
Kath Cordy : Saturday night was brilliant, the boys have come so far together as a band and matured really well.

Rosie Topping : From my usual spot at the front the music pounds through my body. As the music surrounds me, it’s emotional and inspiring. As audience and band, we expunge our demons and come together as one. This is Blue Gillespie and its Gillespians. 




Photos with kind permission from 
Blue Gillespie
Katie Jauncey

Friday, 9 August 2013

Expo & Cons James Marsters at Slayer ItaCon by Marco Donati


From August 2 to 4, fans from all over Italy and Europe gathered at Demidoff County Resort Hotel, just outside of Florence, for the first Italian convention of Buffy the Vampire Slayer and Angel, Slayer ItaCon. Among the guests, there was the ex-vampire James Marsters, who portrayed the unforgettable Captain John Hart in Torchwood. I've been a fan of the Buffyverse since childhood, and the venue was close enough to where I live that I didn't need to book a room at the hotel, so it was already a great opportunity for me. When James Marsters' attendance at Slayer ItaCon was announced as his only public appearance in Europe for this year, I knew I couldn't miss such a chance to meet for the first time one of my favourite Torchwood actors. So I ordered my pass, autographs, and photo-ops, and prepared for three exciting days of fun!

Opening Ceremony


On Friday afternoon, I took the shuttle bus from Florence train station to the hotel, I collected my pass and extras when I reached the venue, and I bought two pictures I wanted to get signed the following day at the merchandising desk. The only activities in my schedule for the day were the opening ceremony and the Q&A panel with all the guests, so I started queuing to get inside the Conference Room. Since the front rows were reserved to holders of the more expensive passes and I had the cheapest pass, I was basically at the bottom of the line, but I still managed to get a place in the fourth row of seats.


First, a compilation of videos from various TV shows the guests had appeared on were shown to the audience. For James Marsters, they showed a couple of clips from Buffy and the Supernatural episode he guest starred on. Then, the guests were formally introduced and appeared on stage through a side door. James was the last guest to enter the room. He greeted the staff of the con, thanked his fans for coming, and particularly addressed attendees who had had a long journey to get to the con, like fans from Russia and America. He joked about how good-looking Italians are, and he said that he was slightly frustrated not to be the pretties in the room as he usually is. Then the guests took their sits and the Q&A panel started.

All Guests Q&A Panel


On the second day of the convention, individual panels for each guest were planned. However, on Friday evening the guests (Nicholas Brendon, J. August Richards, Mark Lutz, and James Marsters) sat together after the Opening Ceremony for the first Q&A session of the weekend. The four actors kept joking with each other and laughing for the entire time, and it was a really funny and interesting panel. First thing James said, "I accept all kind of questions, please try to embarrass me, no one ever has succeeded in embarrassing me yet". Apparently, this is what he always says at the beginning of his panels. Although he added that he might not answer extremely weird questions, he still encourages them because it's fun to hear what fans' crazy minds are capable of.


The first question James was asked was about drinking on screen. A fan from Denmark asked what was the blood-like liquid he had to drink on Buffy, and he said it was a kind of strawberry juice so rich in sugar that a doctor had to be on set during his scenes in order to avoid anaphylactic shock and passing out, as experienced by the stunt guy who tried to drink several glasses of the juice. Still, that wasn't the hardest time he had with liquids on TV shows.


James recalled the scene in Torchwood series 2 premiere "Kiss Kiss Bang Bang", when he as John Hart was supposed to drink a whole bottle of vodka in order to allow John Barrowman's gag about rehab to work. After the first 14 bottles of water he drank for the scene, he went to the bathroom and threw up, only to return on set to drink more water immediately after. He laughed that his wife, who was visiting him on set at the time, considers his job the most disgusting in the world. But James explained that he prefers to risk and be sick than just pretending drinking, especially when the character is supposed to be extremely thirsty or hungry for blood, because it wouldn't look believable on screen if the actor faked. Nicholas Brendon joked that real actors drink real vodka when filming, though.

On a more serious note, James commented on the spreading of reality shows on television. He said that reality television's popularity is fictional shows' laziness' fault. "Fiction should be more entertaining than reality", he said, and if people prefer to watch reality shows it's because fictional shows are not making their job, due to poor writing and repetitiveness. However, he appeared convinced that in the end fictional shows will overcome reality television, if networks start to give more credit to original ideas and inspired writers.

Photo-Ops

Saturday was a busy day, since I had on my schedule two photo-ops, an autograph session and two panels to attend. So, I took the shuttle bus in the morning and reached the hotel early. The photo with James was the first of my photo-ops. Attendees had been divided into different groups depending on the type of pass, but the queue outside the Photo-Op Room was still very long, so I joined it as soon as possible, and I had the chance to chat with other fans while waiting. Anyway, everything run smoothly, and when it was my turn I had a few seconds to ask James if he was enjoying the convention and to thank him for coming to Florence, before he picked a nice pose and the photo was taken.


About a quarter of hour later, I joined the much shorter queue for the group photo with all the guests. In a few minutes, I entered the room, greeted them and shook their hands, and posed for my last photo.


James Marsters Solo Q&A Panel

After lunch, there was the individual panel with James Marsters. Again, VIP pass holders had early access to the Conference Room and I had to queue with the last group of people. This time I wasn't very lucky though, and I got a seat pretty far from the stage, but still the panel was incredibly entertaining and inspirational. Lots of topics were covered, from anecdotes from the set of Buffy to James' songs.


He was asked what he considers his biggest achievement in life apart from his family, and he answered that the theatre company he founded in Chicago and Seattle is one of the things he's most proud of, mainly because his company was the first to gain permission from Dr. Seuss' wife to perform the Lorax after the author's death. Also, he said that "everybody is beautiful enough to be stared at": since it's not normally polite to stare at people, basically people pay to stare at actors on stage, and James said that one of the risks of his job is the impulse to impress the staring people, overdoing, instead of be yourself and true to what you're doing. He added that everyone is beautiful as they are, but he works in a business that try to force others to feel imperfect and incomplete (especially through ads), even if the perfection it promotes is unreal and unreachable, and James said he has seen many good-looking actresses going insane over their appearances and many actors leading a dreadful life only to look glamorous.


When he was asked about his relationship with his fans, he explained that he's a fan too: he has always loved Star Trek, he even attended the first Star Trek convention ever wearing pointed ears, the typical blue uniform, and hand-made wood phaser, and he adores Leonard Nimoy to the point he can't properly talk to him even if they've met and know each other. So he said he understands the fans, and he thinks conventions are great, because they are a great way for like-minded people to get together offline and share amazing experiences, on a level that's only comparable to church. Finally, a fan asked him if he would change something about his life, and he said he wouldn't even consider it, since he tries to live without regrets, just always going for it, and the ups and downs he experienced made his life interesting.

At the end of the panel, James was asked by the hosts to sign the banner of the convention, and then he posed in front of the audience for a picture.

Signing


Immediately after the end of the panel, I rushed to get to James' signing. I got signed and personalised the two pictures I bought the day before, and I had a few minutes to chat with James. I had the chance to tell him how much I love Torchwood and Buffy and his performance in both tv shows. Also, I asked him a question I didn't have the time to ask at the panel, about his British accent. I asked him if he got some proper training with a dialect coach in order to learn how to fake a British accent for Spike and Captain John Hart, and he told me that his British accent was already good without training. He only had minor problems with the pronunciation of certain words like "bullets", and his colleague Anthony Stewart Head (Giles in Buffy) offered his help. However, he thinks that in the early Buffy episodes his accent wasn't perfect, though over time he mastered it to the point many English fans thought he really was British!


Unfortunately, James couldn't attend on Sunday, but overall Slayer ItaCon was a fantastic event, with a very warm and intimate atmosphere that larger events like Comic Con lacks. The guests interacted with all attendees, every fan was able to spend quality time with the actors and get to know them better, and I met some brilliant Buffy and Torchwood fans from all over the world. I will remember this convention fondly for a very long time! James was always extremely nice and open with his fans, and I'm really looking forward to seeing him at future events soon!

Thursday, 1 August 2013

Articles Jane Espenson


Born July 14th 1964, in Ames, Iowa, Jane Espenson wrote her first script before she had left junior school!  It was perhaps inevitable that Jane would grow up to become a television writer and producer! 

Many people will know Jane for her involvement in Buffy the Vampire Slayer (1998-2003) writing 23 episodes and producing 88.


Since 1994 Jane Espenson’s career has seen her involved in many familiar programmes, such as Star Trek: Deep Space Nine (1996), Ellen (1997-1998), Angel (1998-2000), The O.C. (2003), Gilmore Girls (2003-2004), Battlestar Galactica (2006-2009), Dollhouse and Warehouse 13 (pilot) (2009), Caprica (2010), Game of Thrones (2011), Once Upon a Time (2011 till present and her new project Husbands that also began in 2011 where Jane is co-creator, having written 14 episodes and is executive producer of the show.
Back in 2011 Jane was also involved in Torchwood: Miracle Day, having written four episodes and was co-producer of the full ten episodes with Russell T Davies. 

Torchwood: Miracle Day told the story of a world that never died except for Captain Jack Harkness, because where the world suddenly became immortal, Captain Jack Harkness was the only mortal man on the planet.

In episode three, “Dead of Night”, Rex and Esther have joined forces with Torchwood.  They break into Friedkin’s house and take his special ‘phone’ that links directly to the Families hotline. 
Captain Jack Harkness has a one night stand with Brad the barman (Dillon Casey) while Rex spends the night with Vera Juarez and recruits her to go to the seminar while Gwen goes and steals info from Kitzinger’s computer.
Oswald Danes is recruited by Phicorp on the condition he promotes their painkiller legislation. 

In episode five “Categories of Life” the government sanctions categories for those who should have died but didn’t, those who have persistent injuries or diseases and those who are normal and have no or minor injuries.  Category 1s and 2s were sent to Overflow Camps that resembled concentration camps, and consisted of hidden modules, that Rex later discovered were incinerators. 

In “Immortal Sins” we were treated to a moment in Jack’s past where in July 1927 he caught an Italian immigrant trying to pass himself off as Jack Harkness in order to get into America.  Angelo Colasanto was later released by Jack and the pair began a relationship that would eventually end when Jack was shot in the head after destroying evidence in a refrigeration unit that was housing an alien creature that he was sent to destroy.


When Angelo was caught and sent to Sing Sing prison and released a year later he hadn’t expected to see Jack Harkness waiting for him.  He thought he was a devil come to punish him for his sexual acts above the butchers shop, and the way to deal with the devil was to kill him.  But when Jack came back to life, the ordeal in the Butcher’s shop in Little Italy was to bring the attention of the Three Families.

At the end of this episode we discovered who wanted Jack Harkness, and it wasn’t who we thought. 

In the episode “End of the Road” Jack finally meets up with Angelo after all these years, but the man is in a coma and dies before the end of the episode. 
Oswald Danes discovers that there is a Category 0 which means that criminals such as himself will automatically be sent to the incinerator modules.
After locating the Null field beneath Angelo’s bed, a key piece to the device, that Jack can’t risk leaving in the hands of Shapiro, he begs for Rex to let him escape.  Gwen has already been deported back to the UK on Shapiro’s authority.  As Jack makes for a vehicle he’s shot in the stomach and Esther has to get Jack as far away from the authorities as possible, but as he’s evidently dying in the back of the car, the episode leaves us wondering if he’ll make it to the next one.

In the final episode “The Blood Line” we discover it was all about Jack’s blood and why it was important for Jack’s blood to change the course of history. It was also an episode for saying goodbye to some familiar faces, one belonging to Geraint Wyn Cooper, and Esther Drummond who during this last episode was fatally shot by the Families man in Buenos Aires.  Shapiro and the analysts in the CIA were blown up thanks to Charlotte and a well placed handbag, and a detachment of Argentinian soldiers are killed when one of the Families double agents detonates a suicide bomb destroying what we thought was Jack’s blood in the truck.
The finale had Jack ‘dying’ in a pit in old Shanghai, in order to reset the world back to normal. 

At the memorial for Esther, the device that Noah had been working on before he was blown up at the CIA headquarters gave Rex the details of the double agent.  When he’s shot and ‘killed’ by Charlotte Wills, it shocks the team but then surprises them when he suddenly gasps back life and stares dumbfounded at Jack, Rhys and Gwen.  Still with Jack’s blood coursing through his veins, looks like we have another immortal man in Torchwood.

Jane has a terrific imagination to conjure up ideas such as she has for Torchwood, along with her episodes for all other shows listed above.  And I can fully understand why it takes such a long time before hearing back from her.  This lady is unbelievably busy with every new project, and they are all brilliant.
Whatever her plans are next, I hope it’s with Russell and I hope it’s with another series of Torchwood.



Information sources:

Wikipedia
Google



Wednesday, 31 July 2013

Articles Welcome to Issue 4 - Ghost Machine




Contents Guide

Interviews
Jane Espenson
https://projecttorchwood.blogspot.com/2013/07/interviews-jane-espenson-by-dj-forrest.html
Shawna Trpcic
Jonathan Owen aka Banana Boat
Anthony Lewis aka Tommy Brockless
Justin Richards

Articles
Ghost Machine Breakdown
Lizzie Lewis report by Dr Owen Harper
Old Ed Morgan interview by Toshiko Sato
Young Ed Morgan interview by Jack Harkness
Jane Espenson
Anthony Lewis
Jonny Owen
Justin Richards

Locations
Ghost Machine Locations

Reviews
The Mind’s Eye by Kirsty Price
Almost Perfect by Christopher Fain
Mr Invincible by DJ Forrest

Fans Fiction
Tango of the Exiles part 1 by Echo Fain
Viva Torchwood part 4 by Doreen Freitag

Gadgets & Gizmos
Ghost Machine

The Coffee Shop
Tribute to Ianto Jones introduction
I Know Everything by Claudia Lindner
Ianto’s Shrine by Gemma Griffin
Caption Comp #1 & #2
Miracle Day Debate by Steve Taylor Bryant

Expos & Cons
Arcade Con with Rachel Barcoe
ItaCon by Marco Donati
Blue Gillespie final gig by Kirsty Price

Who Reviews
The Deviant Strain by DJ Forrest

Editor’s Note
The UK has had the hottest summer since 1976 apparently, and we’ve basked in glorious sunshine, which has been fantastic, finally getting out in the garden, rubbing suntan lotion onto a weevil’s noggin, and sitting with a notebook and pen under a large umbrella with a very tall glass of fizzy pop and ice cubes.

In July I sent Joshua out for a bottle of milk and he didn’t return until last week, needless to say – without the bottle of milk, but people had posted up their sightings of him from Warwickshire down to Basildon Essex. 

We learnt on 30th July that there isn’t to be another series of Frankie, so an iPetition is circulating Twitter and our FB Page, be sure to sign it. Although we all hope that the decision is changed, I’m sure Lucy Gannon will write another fantastic drama featuring our wonderful Eve Myles in that we’ll make darn sure pushes the viewing figures above the recommended!!!
We welcome a new writer to our team.  Echo Fain already writes for us, producing fantastic fictional pieces such as ‘Faith in a Higher Power’, ‘Terminus’, and this month wows us with ‘Tango of the Exiles’ a three parter which will span over the next three Issues. So welcome aboard the good ship #ProjectTorchwood!

Finally, I want to thank everybody who has contributed to our blogzine this month, to the writers on the team who have worked tirelessly, through sleepless nights and hayfever, through long hours at the computer/laptop/tablet when their brains are fudge.  To the actors, writers, novelists, costume designers, to the fans for their love of Ianto Jones, and to those who love to spin a yarn and share with the world.

Diolch yn fawr!

~Jack~




Tuesday, 30 July 2013

Articles Ghost Machine Episode 3 Series One


Created by: Russell T Davies
Written by: Helen Raynor
Produced by: Richard Stokes
Directed by: Colin Teague




It’s a damp evening on the streets of Cardiff, two operatives are running along the pedestrian walkway towards the High Street Arcade in hot pursuit of an unidentified alien threat.  Gwen and Owen pound along the semi quiet streets dodging hoodies on push bikes and out along towards the Arcade minutes before it closes for the day.  Toshiko back in the Hub feeds them details through their ear pieces where the alien threat is heading.  Jack Harkness is driving towards the location in the SUV.  Gwen is ahead of Owen charging along the walkway leading out towards the railway ticket office and ticket gates. Her visual has been identified on the CCTV as a white male wearing a hoody.  Gwen closes in on her target.  Jack having now parked up catches up with Owen. The chase is on.  After climbing over the ticket gate and losing ground on Gwen, the hooded male struggles on through a group of pedestrians but the gap is closing and Gwen is onto him, grabbing onto his coat and refusing to give up. 


But he slips the coat and breaks for freedom. 

Out of breath Gwen is annoyed to have lost the suspect but Toshiko is convinced that what Gwen is holding has the alien artefact.  Slipping her hand inside the coat Gwen brings out a curved device with a depressed circular button in the centre of flashing orange and blue lighting.  When her impulse tells her to press with both hands, the circular button, she’s instantly catapulted into another moment in time.

The sound of steam trains hauntingly whistle on the air, footsteps across the railway platform echo in the stillness of the night.  Gwen stands hands gripped on the machine, can only stare at the silhouette walking through from the tunnel towards her.

A young boy (Christopher Greene) wearing period school uniform of grey blazer, grey cap and short trousers and black shoes walks towards her along the railway platform, clutching a teddy bear that has seen better days, and under his arm is a wrapped brown paper parcel and he carries with him a suitcase.  Around his neck is a label on a piece of string with his name written in scribbled pencil: Thomas Erasmus Flanaghan.
Gwen, her voice soft but mildly scared at the contact, asks the name of the boy, but sees his name.  He says he’s been left, nobody knows where he is, and he wants to go home. He begins to walk back towards the tunnel as Gwen calls him back. 

Jack and Owen reach her, apologising for their delay, due to the locking of the gates in the Arcade.  As Jack focuses on Gwen he can see something has shaken her, when he asks her if she’s ok, she looks at him saying: “I’ve just seen a ghost.”

At the Hub Toshiko replays the events leading up to the railway station and the capture of the alien tech.  Everything rings true to events till Jack and Owen arrive and there’s no sign of the ghost, and the time span doesn’t give enough time for the ghost to appear and reset.  Gwen can’t understand it, it felt so real, her emotions and that of the child.

Owen as usual throws in his medical expertise describing Gwen’s emotional state, hallucinations and possible dementia.  Gwen snaps at him that she was not seeing things and is not going senile.  She saw the ghost, as clear and as real as she was standing next to Jack. She described the boy, from the name tag around his neck, to his clothing, and the railway.  Jack, considered this and with an unusual middle name that might prove easier to locate, suggests Toshiko go through the usual searches, births deaths, marriages, naval and army records.  As he relays this to Toshiko, Owen yells from the autopsy room.  “Found it!  He’s in the phone book.”
Owen and Gwen rapped the knocker as they stood outside Number 74, Brynaeron Terrace, Butetown, the home of Thomas Erasmus Flanaghan (John Normington).  His daughter answered the door.  Gwen showed her ID, introducing them as DI Gwen Cooper and DS Owen Harper.  They were following up an incident at the railway station last night.  It was a ruse which worked, and after they were introduced to old Tom, Owen went to make tea with his daughter, while Gwen sat and talked with old Tom.

He confirmed that they’d not been at the railway station, that they’d been watching the Come Dancing finals on the television.  Gwen noticed his accent was far removed from Cardiff.  Tom admitted he was a barrow boy, came from London, evacuated to Cardiff during the blitz in London.  He had been packed off by his mum and sister, who packed him some sandwiches, and wrote his name on a label around his neck.  They’d both told him not to cry, but were both crying their eyes out.  It was the last time he saw his mum and sister, although at that time he didn’t know that. They’d been killed in the blitz.  He’d kept his head down so much that those who had come to allocate him a home hadn’t seen him, and he’d been left at the railway station. 


After the war, there was no point returning to London, so he stayed in Cardiff, and was taken in by a couple with no children of their own and had stayed, he’d been 66 years in Cardiff.

As they left the house, Gwen couldn’t understand why she’d seen the boy, if he was alive?  Owen pissed off at the fact he’d been stuck with motormouth in the kitchen, was even more hacked off that Gwen’s phone rang.  Gwen checked her phone, it was Rhys contemplating a washing load and not sure about which drawer the washing powder went in. 

Back at the Hub Owen played a video game, Jack researched the CCTV data on Burnie Harris while Gwen, after tacking up details about the criminal mastermind listens to Toshiko reading off his list of convictions “One bottle of vodka and 3 pot noodles” they return their gaze to the alien tech that they still have no further idea as to what it is.  

The device is held in a small scale MRI looking scanner, which gives a breakdown of the device which according to Jack is amazing nanotechnology that makes NASA look like Toys R Us. 

Gwen noted that the device had flashed its lights when she’d pressed it, but as it sat in the scanner it was doing very little in the way of any activity.  As Ianto comes in with coffee and doughnuts, Jack enquires after Burnie, suggesting they pick him up, locate where he found the item and what he intended on doing with it. 

Gwen and Toshiko begin knocking on doors, but the comments regarding Bernie were less than helpful.  Nobody had a good word to say about him, from his Mam to his friends, some suggesting they ‘wouldn’t piss on him if he were on fire!’

The Scarlet Pimpernel of Splott had vanished.  Owen met them along the river, at the entrance to the canal with four pasties.  As Jack arrived the three despondent operatives had little news for him. 
Exasperated Jack decided they had to return to the railway station and run another test on the ghost machine, Gwen was a little put out that she’d have to do that all again.  Jack tossed the device to Owen who flippantly said he could see some flaws with it.  Annoyed Jack turned back to face them, irked about their lack of interest, thought they wanted a bit of a challenge.  As Jack began to stride off under the canal bridge heading through to the other side, the team following, the lights flicker on the device in Owen’s hand.  He calls them back but they keep walking and as he presses the centre button he’s sent back to a gruesome scene under the canal bridge in 1963.

From daytime, Owen is flung back to nightfall, it’s raining heavily and the usual pool of water that was there in daylight has vanished.  The entire canal tunnel is accessible.  A young girl comes into view wearing a pink coat and carrying a white handbag, a hairstyle on her of the 60’s era, no more than 17 years old, petite, panda eyes from crying, cheeks moist from tears; she looks at her reflection in her powder case.  She’s evidently distressed.  Owen asks for her name, as she sobs.  As if to answer that, a male voice echoes in the tunnel, and the girl reacts, turning directly towards the tall man walking towards her.  “Lizzie!  Lizzie Lewis!”
“You’re a bad man Ed Morgan, the girls said you were a bad ‘un and they were right.”
“I’m a bad man am I?” 


Young Ed Morgan (Christopher Elson), long coat had followed Lizzie back from the dance. 
He had a way with words, and although his voice was soft as he told her she wasn’t like the other girls, didn’t run with the herd, it was evident from the way he’d followed her, that he wanted something from her.  As his advances to kiss her deepened, she pulled away.  He reacted by slapping her, all witnessed by Owen Harper. 

Ed pulled a knife, teasing it against Lizzie’s cheek, and despite her desperate plea that she had to be home by 9pm, he dragged her towards the canal wall to commit his heinous crime. At that moment the ghost machine brought Owen back to present day. 

Back in the Hub Owen began to review all that he could about Lizzie and the incident.  Toshiko had brought up the evidence of police reports on the screen.

As Toshiko looked through the details on the screen for Lizzie Lewis and Ed Morgan, Jack realised that what the device was, sitting in the scanner was a quantum transducer, an amplifier, which picked up on emotions.  Whenever you sensed something behind you in an empty room, a touch of déjà vu, it was an emotion – a ghost!

Owen still unable to drop the interest in Lizzie Lewis (Emily Evans) angered Jack to the point he was instructed to go home.  There was no case to answer to, he couldn’t go to court with the evidence they had, as an emotion and seeing ghosts wouldn’t stand up in court. Gruffly he took the folders home.

As Jack strode out of the main area of the Hub he called back “Gwen with me”

Gwen located Jack in a shooting gallery somewhere in the depths of the Hub.  Somewhere she’d not entered before.  Out on the table Jack had set out different firearms and began unclipping the magazines setting them ready for use.  Having already discovered Gwen had never used a gun before, knew that although he hoped she’d never have to use one, it was well to know how to handle one.

Nervous and unsure Gwen looked to Jack to guide her.  Aside from seeing cops with guns on tv, Gwen had never before handled a gun. Jack snapped the first gun and magazine together and handed it to Gwen, wearing safety goggles and ear muffs; she turned waving the gun in Jack’s face.  Quickly averting an accident, he moved to point the gun down the range. “Target’s that way.”  Gwen remembering the TV cops raised the gun aloft.  Jack again took control. “Let’s leave the roof in one piece shall we?”


Instructing her to stand sideways to the target, focus on her breathing and raise her hand with the weapon, slowly, he carefully took control and standing very close to Gwen, his hand against her upper leg, his head close to hers, it used all of her own personal restraint not to do something she may regret later.  Pulling back the bolt which pushed the first bullet into the chamber ready to fire, Gwen’s eyes were on Jack, the gun it seemed was very much secondary to her feelings.  As Jack spoke directing her attention back to the practice, she sighted on the target and pulled the trigger. 
After that, Gwen practised using different firearms, each different in the way she aimed and fired, each a different weight.  Jack continued to guide and coach throughout. 
From shooting with one hand to a gun in each, she hit the targets making it an enjoyable lesson.  Enquiring into Jack’s personal details again, where he stayed, if he slept alone, if he slept, she lingered a moment, after asking Jack if he were ever lonely at night. 

Gwen returns home after realising she’s late, to find an empty flat.  Still with the quantum transducer in her bag she lifts it out, staring at the bright lights, she presses it to pick up the energy in the room, the emotions and finds only the memories of her time in the flat with Rhys.  From the moment she joined the force to the day she and Rhys were visiting her Mam for her 60th birthday and Rhys has problems with a busted zip.  Gwen’s solution has her laughing as she chases him through the flat with the stapler.  As the flat reverts to present moment, she’s interrupted by Rhys’ return from Dav’s.  His missus had had a barney and he didn’t fancy a night on the sofa. 

Owen relives the moments of Lizzie Lewis’ death over and over in his mind as he searches for Ed Morgan from details in the phone book etc.


The following day and with a list of Morgan’s to work through, Owen sits outside 46 Pryse Avenue, Cardiff, the home of Edwin Morgan. 
Selecting the relevant ID knocks on the door.  Ed Morgan (Gareth Thomas) is in his 60’s, unkempt character, sweaty and nervous and very much hates everyone outside of the door, smokes too much, exercises too little.  Suffers from Agoraphobia!

After giving the impression he was from the gas board, Owen was let into the house, but as Edwin showed Owen around, it was evident the man hadn’t got gas, only electricity.  Owen insisted they went into the living room, where Edwin led the way and sat in the seat by the window, Owen sat opposite.  Edwin was keen to know who had reported that he had gas, and more importantly who Owen was, perhaps to report him later. Owen sat forward on the chair and began his calm but calculated recollection of the night on Penfro street where Lizzie was murdered under the canal bridge.  His words were precise but calm, although from Owen’s demeanour it’s evident that he’d like to see the man punished for his crime. 
Edwin’s reactions are physical, his nervous reactions, hands gripping the seat, knuckles clenched and unclenching, beads of sweat on his face.  He’s kept the secret for years, how can someone know what he did, but just as before, how can he make it stop.  As Owen finishes, he leaps to his feet, ordering Owen out of his house, saying “You’ll get nothing from me, I told you before, you’ll get nothing from me.”  As Owen leaves, the door slams behind him. 

Outside and on his way back to the car, around by the park Owen sees a huddled over youth smoking a cigarette, as the boy lifts his head and makes eye contact, he realises it’s the lad from the railway station.  “Burnie Harris?”  The boy runs, and a ‘Trainspotting’ like chase begins across the streets.

Giving chase through the streets, up back roads and alleyways and over terraced back gardens Burnie is cornered in a locked and barbed wired back garden.  He begs not to be hurt as he has asthma.  In a pub, seated opposite Owen, with a pint each, he tells Owen his nickname came from burning his mates shed down after having a fly fag (cigarette).  As the Torchwood team enter the pub, Burnie begins to relate how he came upon the ‘ghost machine’. 
As the team realise he doesn’t have anything to help them and begin to leave, he calls after them “So you don’t want the other half then?”

In Burnie’s flat, they find the other half of the device, that fits together like Lego to the other one.  There’s also the biscuit tin Burnie mentions with the alien money and alien rock.  Gwen turns on Burnie saying he separated it himself.  As the team leave he calls Gwen back, begging her to stay, telling her he only used the other half once, and it showed him how he would die. So paranoid was he that he’d never used it again but worried whether he’d live to see his birthday or would he die before then.  Gwen assures him she would return and goes after Jack and the others as they make their way across the derelict car park towards their vehicles.  As she calls Jack, the device lights up and Gwen presses it.  Jack unsure what the device would do is too late to stop her.

Gwen is thrown into a night time situation, still in the same familiar car park but this time she is holding the knife and her hands are bloody.  But she defends that it was Owen that had the knife and that she couldn’t stop it. Snapping back to the present moment, Jack takes the item off her, shocked by her lack of control.  “Christ Gwen what were you thinking?”

At the Hub Gwen sits in Jack’s office going over what she’d seen with the device and what Burnie had told her in the flat. Jack proffered that it was one of many possible futures, there was no guarantee that what she’d seen would come true.  It didn’t make her feel any better however. 

Edwin picks up the phone dialling a number scribbled on a piece of paper then hangs up.  He dials the number again, Burnie is staring out of the window of his flat as his phone rings.

Owen and Toshiko are in a bar discussing Ed Morgan, Toshiko pleased that she’s managed to locate him, disappointed that Owen beat her to it, more so the fact that he’d paid the man a visit putting the fear of God into him. 
“What if Jack finds out.”
“He won’t will he?”

Edwin has episodes of paranoia, depression and agoraphobia and a few cases of attempted suicide that had him in a psychiatric hospital.  As Owen recounted what Edwin had told him in the house, he began to realise that he wasn’t the first person to have told Edwin about Lizzie since that night.

Jack phones Gwen, relaying the information from Toshiko that Owen had paid Edwin a visit and put the frighteners on him.  He’d also discovered that Burnie had been blackmailing Edwin.  Discovering that Gwen was currently at Burnie’s flat, instructed her to wait there, him and Owen were on their way.

While Toshiko began checking the data on Edwin the CCTV picked up the image of Morgan finally stepping foot outside of his house, knife in hand, heading towards Evelyn Street.  When Gwen doesn’t respond, Jack begins to worry. The car speeds towards the flat.

Out in the car park Burnie faces Edwin coming slowly towards him, knife drawn. 
“I knew you’d come for me, I’ve been waiting years for this to happen.  Been years.”  Ed squints making out another.  “You come for me too?”  Burnie turns to see Gwen coming towards them.  “I used to see it in people’s faces when they looked at me. They knew.  Tried to hide but...THEY KNEW.  I haven’t been outside for so long. Little bitch, you’re all the same, blame me, make me the bad one.  I’ve wasted my life for you.” 

Jack and Owen are closing in on foot, behind Edwin, Gwen keeps her eyes on Edwin and the knife, asking him to put down the knife.  But he doesn’t listen, he has to end what he started.  As Jack catches hold of Edwin, Owen takes the knife.  “I’ve got the knife Edwin.”  He taunts the man with it, pressing the knife against his cheek, the same as Ed had done to poor Lizzie, despite Jack’s caution.  Eventually, Owen lowers the knife and holds it back for Gwen, who takes it, and is relieved that all is fine and the future plan was averted. 

But....
Grateful that Owen hadn’t killed Ed, is suddenly shocked as the man comes towards her, pleased in some way, walking straight into the knife, killing him almost instantly.  Shock, stunned, Gwen is left standing with blood on her hands just like the vision showed. 

Back at the Hub, wrapped in a blanket for shock, Ianto pouring a stiff drink for everyone, Toshiko states that Edwin wanted to die.  Owen recounts what he did but stated that he didn’t kill him, and Gwen knows it wasn’t at Owen’s hands, as she killed Ed Morgan herself, but Jack feels that this isn’t Gwen’s fault, it would have happened sooner or later, the man wanted to die.

Looking at the device on Jack’s desk Toshiko asked what to do about it.  Jack looked down at the metal arched device, coupled together with the other and studied it on the desk, then in his hand. “The trouble with seeing the future is you can’t just sit and look at it, try and change it, make it different. It’s not meant for us. All these ghosts.”  He sighed heavily  “The suns nearly up.”  Holding the item out to his right.  “Ianto?” 
“Secure Archives!”  Ianto declared. Jack nodded. 

Jack and Gwen stood outside against the railings facing the Bay and the buildings across the water.  Still in shock from the events with Ed Morgan, it would take a lot more than Jack’s words of comfort to get over what had happened.