Who Reviews Planet of Fire by Tony J Fyler

Tony Fyler blasphemes against Logar.

List Of Things To Do:

Give Turlough a proper backstory at last.

Write Turlough out.

Write Kamelion out before Peter Davison leaves: the wretched thing cost a fortune and has proved unusable.

Write in new American companion, Peri.

Give the Master a story in the third Davison season.

Ideally, go somewhere sunny and glorious, allowing for extensive location filming.

Do something interesting, storywise.

Yes, technically, we made this list up, but it’s entirely possible something similar was pinned to the commissioning document for Planet of Fire writer Peter Grimwade. There was a lot to get covered in the story – two companions out, one in, plus the Master, plus location shooting. The idea of a story that could tie all that together brought out an urge that has recurred for at least four of the five decades of the show’s history.

Since the 1970s, Doctor Who has frequently played out the question of science vs religion. From The Daemons in Jon Pertwee’s era, through The Masque of Mandragora and The Face of Evil in Tom Baker’s, and on to Ghost Light and Battlefield in the time of Sylvester McCoy, The Impossible Planet/The Satan Pit in the time of David Tennant and The God Complex in the Matt Smith Era, the Doctor, while having plenty of faith in people and what they can achieve through positive emotional and intellectual connections, has never been one to blindly accept the notion of deities.

The Peter Davison entry into the battleground between faith and science though is one of the more distinctly-stated positions. Distinct largely because the believers in Planet of Fire are ruled by the High Priest Timanov (played with the magisterial humility of a grand vizier by Peter Wyngarde), who is no harmless advocate of peace, love and charity, but is quite prepared, and even honoured, to cast unbelievers ‘into the flames’ of his home planet, Sarn, because he honestly, explicitly believes they must lead ‘such unhappy lives’ in their faithlessness.

So – no grey, agnostic areas there then.

The story opens with two agnostics actually climbing the Mountain of Fire which is sacred to Logar (the god worshipped by Timanov’s flock), and becoming the Hitchens and Dawkins of Sarn when they discover precisely nothing there. But the smoke from the mountain is being interpreted as a signal that the ‘time of fire’ is at hand. There’s vocal opposition to Timanov’s assertion that the people must do nothing when the river of fire (molten lava to you and me) erupts from the planet and floods the inhabited areas. And so, essentially, the faith versus science underpinnings of Planet of Fire are set in place. Malkon, ruler of Sarn by virtue of a ‘birthmark’ of two triangles on his arm, is uncertain which way his heart pulls him, though Timanov is on hand to guide him closely. Essentially, the destiny of the people of Sarn is Malkon’s to decide, and the debate over faith versus science takes place in his mind and his subsequent actions.

Meanwhile, Earth archaeologist Howard Foster has dredged up some statues buried at sea – and a peculiar metal object, imprinted with two triangles on it. And in the Tardis, Kamelion has gone a bit doolally having plugged himself into the Tardis computer. Turlough discovers he’s receiving a signal from Trion… wherever that is.

Howard’s step-daughter, Peri, steals the metal thingummyjig when he strands her on a boat, and Turlough rescues her from drowning. Kamelion tries to take the Tardis to what he calls ‘the point of contact’. Spotting the double-triangle on the metal object, Turlough reveals he too has the mark on his arm.

So where are we? Things not looking good for Kamelion. Some sort of backstory hinted at for Turlough. Peri in – check. Something interesting, storywise? Actually yes – the time of fire on Sarn will prove either that Timanov’s god listens to him, in which case the unbelievers will be cast to the flames, or that it doesn’t, in which case, it’s the priest who will be sacrificed. Either way, somebody’s going to get crispy.

The Tardis follows Kamelion’s pre-programming, and takes the Doctor, Turlough and the unconscious Peri to Sarn, and when the wretched silver statue turns first into a facsimile of Howard, and then, as soon as the Doctor and Turlough leave the ship, into the Master, things get complicated.

There’s a delicious point to the arrival of the Tardis on Sarn – something like it’s arrival, in very vague language, has been written into the prophecies of Logar, and Timanov is quick to use it to his advantage in the knife-edge debate, demanding that Malkon should decide to burn the unbelievers in this time of prophecy fulfilled.

With the double-triangle design scrawled on bits of Sarn, Turlough reveals that the ‘Mesos Triangle’ means there are people from Trion there – Trion being his home planet.

It emerges that the Master, having experimented with his Tissue Compression Eliminator and accidentally shrunk himself down to the size of a Borrower, has flown himself to Sarn with the intention of using the planet’s numismaton gas fires to regrow his body – the flames can have an amazing rejuvenating effect. He’s reconnected with Kamelion simply to have a big set of hands to do the heavy lifting his plan requires.

When the Doctor gets involved with the religion vs science debate, he becomes firmly one of Sarn’s great debunkers – explaining the religion and the iconography of Logar point by point as the arrival of a crashed ship from Trion, the emergence of an astronaut in a fire-resistant spacesuit, and the leaving of Malkon, then a baby, on the Mountain of Fire – not a gift from the god, but the son of a political prisoner from Trion (and marked with the Mesos Triangle as such). Even when the facts are laid out in front of his eyes, Timanov refuses to accept them. His life’s meaning is so bound up in his faith that he will never accept the scientific, materialistic realities of life – a cogent moral from Grimwade: some people won’t believe the truth, no matter what you do. Turlough works out that Malkon is actually his brother – when he was sent to exile on Earth, the baby was in the ship that crashed on Sarn. And with the military on its way, Turlough makes the decision to face up to his family’s actions and reputation. When they arrive, it turns out the government on Trion has mellowed, and a general amnesty will allow him home without any further sanction. The boy who was consumed with anger and frustration to the point of striking a bargain with the Black Guardian has grown into a man ready to go home and help forge a better world than the one that sent him away.

Meanwhile Peri twists the Doctor’s arm to let her stay on board. She’s done well, and shown she has spirit – when the Master told her ‘I am the Master, and you will obey me,’ her instinctive response was ‘Yeah, well I’m Perpugilliam Brown and I can shout just as loud as you can!’ Despite not understanding the weird and wonderful world she’s on, she has fought the Master and helped the Doctor to defeat his plans to not only grow back to his normal size, but use the numismaton gas to grow ‘a thousand times stronger.’

The Doctor has allowed the Master to enter the numismaton flow, and then simply added calorific gas to the flow, turning the nourishing flames into licks of intense heat, seeming to immolate his old school friend. And Kamelion, fearing he will never be free of the Master’s influence, has asked to be destroyed. The Doctor, though saddened by the request, kills him with the Tissue Compression Eliminator.

Turlough backstory – check. Turlough out – check. Kamelion out – check. Peri in – check. Master – check. Location – check – both the Sarn shots and the footage of Peri drowning and being rescued were filmed in Lanzarote.

Something interesting, storywise – definitely check. While not for a moment definitively saying that faith is bad, Grimwade painted a backdrop against which the science vs faith debate could be played out, where faith which denies evidence and rationality, and which is willing to sacrifice life to preserve the perceived integrity of its story, is shown to be a dangerous thing.

Doctor Who has frequently had a moral that inspires those who watch it, or makes them proud, or makes them think, or does all three at once. On a planet where in the 21^st century, people are beheading people, or shooting cartoonists, or denying the evidence of evolution and paleontology, or telling women they have no right to choose what happens to their bodies, or telling gay people they have a lesser kind of love, because a faith-story is more important than life, than free speech, than verifiable evidence or personal, sexual freedom, Who-fans could do worse than to make sure Planet of Fire is shown - everywhere.

Who Reviews Planet of Fire by Jeffrey Zyra

“Kamelion, my slave, resist the girl. Have I travelled a billion light years through time and space to be thwarted by this brat? Resist the girl! Kill her immediately.”

Written by Peter Grimwade

The Doctor and Turlough are responding to a distress call which takes them to Lanzarote on Earth. It appears the signal is coming from an artifact that is alien in nature. They find the artifact by chance when Turlough rescues a drowning Peri. Peri had the artifact in a bag to take to shore and Turlough notices it’s from Trion and tries to hide it from The Doctor who appears before he could hide it. In the TARDIS Kamelion set the coordinates for Sarn a planet that is in danger of exploding from the volcanos that are on it. 

On Sarn Kamelion is in better contact with The Master and takes his form. The Master needs the healing factors of the gas from the volcanos to heal him from an accident he had with the Tissue Compression Eliminator. The problem is The Doctor is in the way and causing a rift from those that believe in Logar and those that don’t. The Master after chasing Peri around Sarn makes his presence known and to the horror of The Doctor wants to use the people of Sarn for his own bidding. So, it’s up to The Doctor to take on The Master yet again and save the people of Sarn from being killed on a planet that is nearing its end.

Planet of Fire is the last time the Fifth Doctor faces off against The Master. It is also the last story for Mark Strickson as Turlough and the first story of new companion Peri played by Nicola Bryant.  Planet of Fire has a lot going on and has an interesting plot even if it isn’t one of the best stories from Season 21. But I like it. I always have and it’s not because of the Peri in bikini scene.  It just has that guilt pleasure to it and Anthony Ainley gives a really good performance and for once he isn’t that much over the top. 

Planet of Fire is also a good Turlough story. For once since the Black Guardian trilogy had ended Turlough had been regulated to standing in the background and not used all that much.  A forgotten character that was not developed much after the trilogy.  But in Planet of Fire he takes center stage and shows some signs of being a decent character. I liked how we learn more about his background and what happened to him on Trion. This gives the viewer some sympathy for him as he finds out his father was killed in the crash on Sarn but does find out that he has a brother. This causes him some conflicts with The Doctor and almost costs them their friendship as The Doctor warns him to not keep secrets if it can help stop The Master. Turlough also has a decent send off. He is torn about going home or going with The Doctor. When he finds out that he is no longer a political prisoner and is allowed back on Trion the choice was easy.  He goes back home with his brother and thanks The Doctor for everything. It seemed like a strained friendship with The Doctor not really trusting Turlough but the farewell said otherwise.

The story is not that bad. The Master uses his old robot Kamelion to do his bidding by bringing The Doctor to Sarn in order to help him. What he didn’t count on was having to chase Peri on Sarn to get a part of the TARDIS back. This part lasted a bit too long and could have been shorter.  I did like The Master who is the size of a doll using that control box.  What gets me is how does The Master make that control box?  Did he have it laying around in case he was ever shrunk down to size.  It seems pretty convenient to have all those parts that size for him to make a control box that operates his TARDIS and to control Kamelion. But it is a pretty cool control box and on the BBC budget too.

Anthony Ainley is pretty good in Planet of Fire and he isn’t over the top that much at all. He actually comes across as really evil and even playing as The Kamelion Master he came across really believable. It’s a shame that in most of his performances he hams it up a bit and plays the part over the top. Just like in Keeper of Traken when he is given a chance to act his characters come across more believable. Ainley and Davison were a good combination and worked well together. They had the same chemistry as Pertwee and Delgado and this pairing was the best for the 80’s version of The Master. It is sad to see the final meeting between these two as their stories together were one of the highlights of the Davison era.

I really like Planet of Fire. Sure, it is not the greatest story of the Davison era but it is not the worst either. It is a story that challenges a civilization religious belief as they eventually find out it was all false. That can’t be easy as a generation of faith had been debunked in a matter of moments. Planet of Fire was also the swansong for Kamelion. The unreliable and never worked right robot was put out of its misery. That was a wasted moment as they could have used a different guest star as Kamelion every week. Planet of Fire is one of my favorite Master stories from the 80’s and one that should be revisited more often.

Grade B+

Who Reviews Planet of Fire by Tony J Fyler

Tony Fyler blasphemes against Logar.

List of Things to Do:

Give Turlough a proper backstory at last.

Write Turlough out.

Write Kamelion out before Peter Davison leaves: the wretched thing cost a fortune and has proved unusable.

Write in new American companion, Peri.

Give the Master a story in the third Davison season.

Ideally, go somewhere sunny and glorious, allowing for extensive location filming.

Do something interesting, storywise.

Yes, technically, we made this list up, but it’s entirely possible something similar was pinned to the commissioning document for Planet of Fire writer Peter Grimwade. There was a lot to get covered in the story – two companions out, one in, plus the Master, plus location shooting. The idea of a story that could tie all that together brought out an urge that has recurred for at least four of the five decades of the show’s history.

Since the 1970s, Doctor Who has frequently played out the question of science vs religion. From The Daemons in Jon Pertwee’s era, through The Masque of Mandragora and The Face of Evil in Tom Baker’s, and on to Ghost Light and Battlefield in the time of Sylvester McCoy, The Impossible Planet/The Satan Pit in the time of David Tennant and The God Complex in the Matt Smith Era, the Doctor, while having plenty of faith in people and what they can achieve through positive emotional and intellectual connections, has never been one to blindly accept the notion of deities.

The Peter Davison entry into the battleground between faith and science though is one of the more distinctly-stated positions. Distinct largely because the believers in Planet of Fire are ruled by the High Priest Timanov (played with the magisterial humility of a grand vizier by Peter Wyngarde), who is no harmless advocate of peace, love and charity, but is quite prepared, and even honoured, to cast unbelievers ‘into the flames’ of his home planet, Sarn, because he honestly, explicitly believes they must lead ‘such unhappy lives’ in their faithlessness.

So – no grey, agnostic areas there then.

The story opens with two agnostics actually climbing the Mountain of Fire which is sacred to Logar (the god worshipped by Timanov’s flock), and becoming the Hitchens and Dawkins of Sarn when they discover precisely nothing there. But the smoke from the mountain is being interpreted as a signal that the ‘time of fire’ is at hand. There’s vocal opposition to Timanov’s assertion that the people must do nothing when the river of fire (molten lava to you and me) erupts from the planet and floods the inhabited areas. And so, essentially, the faith versus science underpinnings of Planet of Fire are set in place. Malkon, ruler of Sarn by virtue of a ‘birthmark’ of two triangles on his arm, is uncertain which way his heart pulls him, though Timanov is on hand to guide him closely. Essentially, the destiny of the people of Sarn is Malkon’s to decide, and the debate over faith versus science takes place in his mind and his subsequent actions.

Meanwhile, Earth archaeologist Howard Foster has dredged up some statues buried at sea – and a peculiar metal object, imprinted with two triangles on it. And in the Tardis, Kamelion has gone a bit doolally having plugged himself into the Tardis computer. Turlough discovers he’s receiving a signal from Trion… wherever that is.

Howard’s step-daughter, Peri, steals the metal thingummyjig when he strands her on a boat, and Turlough rescues her from drowning. Kamelion tries to take the Tardis to what he calls ‘the point of contact’. Spotting the double-triangle on the metal object, Turlough reveals he too has the mark on his arm.

So where are we? Things not looking good for Kamelion. Some sort of backstory hinted at for Turlough. Peri in – check. Something interesting, storywise? Actually yes – the time of fire on Sarn will prove either that Timanov’s god listens to him, in which case the unbelievers will be cast to the flames, or that it doesn’t, in which case, it’s the priest who will be sacrificed. Either way, somebody’s going to get crispy.

The Tardis follows Kamelion’s pre-programming, and takes the Doctor, Turlough and the unconscious Peri to Sarn, and when the wretched silver statue turns first into a facsimile of Howard, and then, as soon as the Doctor and Turlough leave the ship, into the Master, things get complicated.

There’s a delicious point to the arrival of the Tardis on Sarn – something like it’s arrival, in very vague language, has been written into the prophecies of Logar, and Timanov is quick to use it to his advantage in the knife-edge debate, demanding that Malkon should decide to burn the unbelievers in this time of prophecy fulfilled.

With the double-triangle design scrawled on bits of Sarn, Turlough reveals that the ‘Mesos Triangle’ means there are people from Trion there – Trion being his home planet.

It emerges that the Master, having experimented with his Tissue Compression Eliminator and accidentally shrunk himself down to the size of a Borrower, has flown himself to Sarn with the intention of using the planet’s numismaton gas fires to regrow his body – the flames can have an amazing rejuvenating effect. He’s reconnected with Kamelion simply to have a big set of hands to do the heavy lifting his plan requires.

When the Doctor gets involved with the religion vs science debate, he becomes firmly one of Sarn’s great debunkers – explaining the religion and the iconography of Logar point by point as the arrival of a crashed ship from Trion, the emergence of an astronaut in a fire-resistant spacesuit, and the leaving of Malkon, then a baby, on the Mountain of Fire – not a gift from the god, but the son of a political prisoner from Trion (and marked with the Mesos Triangle as such). Even when the facts are laid out in front of his eyes, Timanov refuses to accept them. His life’s meaning is so bound up in his faith that he will never accept the scientific, materialistic realities of life – a cogent moral from Grimwade: some people won’t believe the truth, no matter what you do. Turlough works out that Malkon is actually his brother – when he was sent to exile on Earth, the baby was in the ship that crashed on Sarn. And with the military on its way, Turlough makes the decision to face up to his family’s actions and reputation. When they arrive, it turns out the government on Trion has mellowed, and a general amnesty will allow him home without any further sanction. The boy who was consumed with anger and frustration to the point of striking a bargain with the Black Guardian has grown into a man ready to go home and help forge a better world than the one that sent him away.

Meanwhile Peri twists the Doctor’s arm to let her stay on board. She’s done well, and shown she has spirit – when the Master told her ‘I am the Master, and you will obey me,’ her instinctive response was ‘Yeah, well I’m Perpugilliam Brown and I can shout just as loud as you can!’ Despite not understanding the weird and wonderful world she’s on, she has fought the Master and helped the Doctor to defeat his plans to not only grow back to his normal size, but use the numismaton gas to grow ‘a thousand times stronger.’

The Doctor has allowed the Master to enter the numismaton flow, and then simply added calorific gas to the flow, turning the nourishing flames into licks of intense heat, seeming to immolate his old school friend. And Kamelion, fearing he will never be free of the Master’s influence, has asked to be destroyed. The Doctor, though saddened by the request, kills him with the Tissue Compression Eliminator.

Turlough backstory – check. Turlough out – check. Kamelion out – check. Peri in – check. Master – check. Location – check – both the Sarn shots and the footage of Peri drowning and being rescued were filmed in Lanzarote.

Something interesting, storywise – definitely check. While not for a moment definitively saying that faith is bad, Grimwade painted a backdrop against which the science vs faith debate could be played out, where faith which denies evidence and rationality, and which is willing to sacrifice life to preserve the perceived integrity of its story, is shown to be a dangerous thing.

Doctor Who has frequently had a moral that inspires those who watch it, or makes them proud, or makes them think, or does all three at once. On a planet where in the 21^st century, people are beheading people, or shooting cartoonists, or denying the evidence of evolution and paleontology, or telling women they have no right to choose what happens to their bodies, or telling gay people they have a lesser kind of love, because a faith-story is more important than life, than free speech, than verifiable evidence or personal, sexual freedom, Whovians could do worse than to make sure Planet of Fire is shown - everywhere.