Showing posts with label Issue 71. Show all posts
Showing posts with label Issue 71. Show all posts

Friday, 5 July 2019

Articles Welcome to Issue 71 - WATNOW: From Out of the Rain



Contents Guide

Articles
About Us Updates
Where Are They Now Cast?

Big Finish Reviews+
Paternoster Volume 1
Tenth Doctor Adventures Vol 3
UNIT Incursions
By Tony J Fyler

Beyond the TARDIS
The Worzel Book by Matthew Rabjohns
Years & Years by DJ Forrest
The Watcher Productions: Strange Tales Video reviews
SJA: The Last Sontaran by Andrew Allen

Connections
Years and Years

Interviews
Taking Confessions with Jason Arnopp

The Mothership
Rainbow Across Her Hearts Poem by Matt Rabjohns
Ode of the Third Doctor by Matt Rabjohns

Fans Fiction
The Strangest of Days by Jeff Goddard
The Lady C Adventures: The Mystery of Mayhurst Manor
By Sarah Cambridge

TW Reviews
Sync by Tony J Fyler
Sargasso by Tony J Fyler

Who Reviews
Delta and the Bannermen by Alex Wylie
Attack of the Cybermen by Alex Wylie
Curse of the Fenric by Matt Rabjohns
The Monster of Peladon by Matt Rabjohns
Time and the Rani by Matt Rabjohns



Editor’s Note

This past month (June) saw me toying with what to do with the website. I’d been thinking for a while how to bring new life into it, and quite by chance, at the end of the month, I was rewarded with three new writers – Alex Wylie, Matt Rabjohns and Jeff Goddard. Jeff has written for us before in the Fans Fiction section and delivers us yet another Doctor Who story, which you are going to require hankies for. Check out their blurbs on the About Us page – links on the Contents above.  

We bid a farewell today – to our wonderfully talented fictional writer, Christopher E. Fain who steps down from writing for us to work on his own projects, and we wish him all the very best for the future. Chris kept us entertained with his writing works ‘Heaven and Nature Sing’ and ‘Tango of the Exiles’, which encapsulated Torchwood with Sherlock and Doctor Who, all rolled into one, and every single story, I couldn’t put down. Lyn was one of my favourites. I hope one day that Chris is able to create more character stories and send one over to us to read and share.

We have so many new reviews to entertain you with. I was going to write one for Un Bore Mercher, but I think I shall wait until Keeping Faith returns this Summer, and post it then. Only fair, really.
It’s bloody good though – the series. Will there be a third, I wonder?

What were your thoughts on the Russell T Davies’ new drama series Years and Years? Check out our thoughts on the series, and feel free to add your own comments below the article. Also, pop on over to our Connections this month and find out just how many cast and crew names you recognise from Years and Years!

Tony has been once again busy with the Big Finish Reviews, and our new reviewers have plenty to say in Who Reviews.

Congratulations as ever to the winners of the recent Soap Awards – especially to our friend Nathan Sussex, who bagged the Soap Villain award for his role as Buster, in Hollyoaks. Will he reprise his role for a return visit?

So, with so much to read this month, I best not keep you.

Croeso i, Issue 71 – WATNOW: From Out of the Rain

Djak


Articles WATNOW: From Out of the Rain Cast? by DJ Forrest





Written by Peter J Hammond

First broadcast 12th March, 2008.

At the old picture house, The Electro, which has undergone restoration work to bring it back to life - as a museum piece, Ianto with Owen and Gwen watch a film on the projector, of days gone by in Cardiff. Suddenly, the reel changes to a Travelling Show, and a Ring Master beckons people to the show. His ghostly appearance is not the only surprise on the film. Ianto spots Jack, dressed in uniform, gun to his head, a sideshow.

Back at the Hub, Jack hears music. Old organ music, found at side show attractions of a bygone era caught on the air. As quick as it comes, the sound has gone. Along with the images on the museum cinema screen. Two characters from the film disappear into the night.

When Jack discovers that a Travelling Show has arrived in Cardiff, through old film, he finds a novel way of catching them.



Julian Bleach

‘Ghostmaker’

"Ladies and gentlemen, girls and boys, have we got a show for you tonight! A once in a lifetime show. Amaze your ears, astonish your eyes, then run along home and tell your friends and neighbours. A once in a lifetime show, never to be forgotten for the rest of your lives. So, why not step inside?"

The Ghostmaker stepped from the reel with Pearl and terrorised Cardiff, stealing the last breath of those they came into contact with, as their audience to forever watch their travelling show performances. He was most curious as to why, when he came upon Owen Harper, that there was nothing to steal.

Bleach has a deep voice, that effectively has scared many children and 'big kids' over the years in his performances as Davros, the Nightmare Man and as the Ghostmaker. Appearing in all three Whoniverse programmes: Torchwood (2008), Doctor Who (2008 - 2015) and SJA (2010). As well as appearing as Davros at the Doctor Who At the Proms in the same year.

Julian Bleach is fourth actor to play Davros since Michael Wisher, David Gooderson and Terry Molloy. He was voted the Best Guest Actor by Doctor Who Magazine readers for his performance in Stolen Earth and Journey's End two parter in 2008.

Since Torchwood he played Claquesous in Les Misérables in 2012. Eddie and Doctor in Psychoville in 2010. He played The Grand Master for 29 episodes of M.I. High (CBBC) drama series from 2008 - 2013. In the Borgias played Niccolo Machiavelli for 11 episodes from 2011 - 2013. Played a Ballet Instructor in Avengers: Age of Ultron in 2015. Was uncredited as the voice of Davros in the video game Lego Dimensions in 2015. In 2016 played Geoffrey Salter in 7 episodes of Close to the Enemy. Played Roquat in Emerald City for 4 episodes and is currently playing the role of Dracula in Heirs of the Night currently in post-production (2019)


Camilla Power

‘Pearl (The Living Mermaid)’

"I want to drink her tears."

Pearl followed the Ghostmaker out of the reel and onto the streets of Cardiff in search of revenge for those who put her travelling circus out of business. She wanted to taste the tears of their victims.

Did you know that Camilla Power is the distant cousin of Irish actor Tyrone Power?

Since Torchwood, Powers has played roles in Doctors as Elsa Atherton in 2011, Injustice as Caroline Newall in the same year, Whitechapel as DI Mina Norroy a year later, Father Brown as Dominique Baxter in 2013, Lewis as Tara Faulkner in the same year. Played Sandra in Black Mirror in 2016, and the last entry in the same year was in a film short called Truck, playing a character called Alison.
Camilla is the distant cousin of Irish actor Tyrone Power


Craig Gallivan

‘Jonathan’

"I've been compiling old footage of Hope Street and the Electro for the opening night. But the circus clips weren't on it."

Jonathan was the projectionist, who watched through endless reels of bygone days for the museum opening. When he discovered the reel containing the travelling show, he attempted to remove it. After replaying the reel at the museum, was horrified to discover that it was still there, and worse still, he couldn't switch off the camera. Characters from the show stepped from the reel, and before the end of the day, more characters stepped from the reel, watched by their permanent audience - his Mum and Dad.

Craig is better known for his role as Luke in the hit TV show Stella for 54 episodes, running from 2012 - 2017. Prior to Torchwood, he played Callum Watson in Footballer's Wives for 7 episodes in 2006.


Stephen Marzella

‘Dave Penn’

“What good is a cinema without a film?”

 Dave and his wife ran the Old Electro picture house, now museum, and became victims to the Ghostmaker and his travelling show, by being a permanent audience for them. He wanted everything right on the night, so a lack of film in the film room was not on his schedule.

Since Torchwood, Stephen Marzella, although credited with a 'v' in the episode, has been in Caerdydd as a detective, Da Vinci's Demons as a Father of the cloth, been a solicitor in Coronation Street, and a DI, a Pharmacist and Vito Carbone in Hollyoaks for 4 episodes, and played Ivan Bloom for 3 episodes of Doctors. There’s nothing listed after 2018.


Hazel Wyn Williams

‘Faith Penn’

“He said he'd be here on time.”


Hazel played Dave's wife Faith at the Old Electro. She too became a permanent audience member for the travelling show.

There's no mention of any other roles after Torchwood in 2008. Prior to this role however, Hazel played Parch Eleri in Pobol y Cwm, Gwenno in Border Country and a Magistrate in Y Pris.


Lowri Sian Jones

‘Nettie’

"I'm at the bus stop, Mum. By Hope Street. No, Gemma's brother couldn't bring me home. His car don't work. Well, what about Dad? Can't you wake him? Mum?"

Nettie was waiting on the last bus home when the Ghostmaker and Pearl found her.

There are no further mentions of her credits after Torchwood, and nothing before.


Eileen Essell

‘Christina’

“He asked if I would like to join the travelling show. He took a kind of flask out of his pocket. It was polished like silver. I asked him his name. Oh, I shall never forget it. I never shall. He said he was the Ghostmaker. He wanted to take my breath and put it in his flask. He said I could travel with his circus. I would be in his audience forever. I turned and ran away as fast as I could. People went missing from the village that night. My mother, my father.”

Christina was one of the very few survivors of the Travelling Show, but for years she dreaded their return. She reminded me very much of the old woman in The Spiderwick Chronicles.

Eileen Essell was born on 8th October 1922 and became a stage actress after leaving University and spent 13 years in theatrical productions up and down the UK. She gave up her career after she married to have a child, and later made a living as a teacher at the Central School of Music and Drama in the City University. After her husband died a friend encouraged her back into acting in a play he was producing and out of chance, an agent was in the audience. Eileen became a Hollywood actress when she became an octogenarian with roles in Finding Neverland in 2004, The Producers and Charlie and the Chocolate Factory in 2005.

Her television roles since Torchwood have seen her play Aunt Blossom in The Secret Diary of a Call Girl, an old woman in Clone, Dee Bradley and Annie in Doctors, Mrs Wilberforce and Doreen Tyler in The Bill, Maria Golofsky in Law & Order: UK, Miss Gwen Ganderton in Land Girls, and in 2012, an old lady in Remnants, a film short.

Eileen passed away on 15th February, 2015 age 93.



Anwen Carlisle

‘Restaurant Owner’

“Sorry, we're closed. Do you hear me? We're closed.”

The restaurant owner opened the door to the Ghostmaker and Pearl. It was the last thing she ever did.

Anwen's roles are short credits only beginning in 1996 in Figure of Eight as Trixie for the Wales Playhouse television series. Played Alice in Relative Values in 2000, but after her role in Torchwood, appeared for one episode of The Indian Doctor in 2010 as Cate.


Caroline Sheen

‘Nurse’

"We don't know. The paramedics found her. It freaked them. She was lying in an open doorway looking like this."

Is the Nurse who reported to Torchwood about Anwen the restaurant owner collapsed outside her business.

A piece of trivia: Caroline is the cousin of actor Michael Sheen. Since Torchwood Caroline has played a Hassled Woman in Hotel Babylon, an Ensemble Factory Woman in Les Misérables, an opera singer in Nativity Rocks! and in 2019 has played Carys for four episodes of Pitching in.


Yasmin Wilde

‘Senior Nurse’

“Those words, from out of the rain. I'm sure I've heard them before. Oh, I remember, It was Christina. She was a patient. At Providence Park, it’s a psychiatric hospital. She was a full-time patient, been there since she was a child. She was a strange one. Whenever anything, any kind of entertainment show was laid on, she became scared. She’d run away and hide. She said they were coming to steal her last breath. Poor love.”


Senior nurse explained to Torchwood about Christina.
.
Since Torchwood Yasmin has played Mary Hussein in Holby City, two characters in Doctors, between 2009 - 2013, Min in Doc Martin, Hana Rachid in Silent Witness and Rani in Damned in 2016. In The Trial: A Murder in the Family documentary, played Joanna Walker in 2017, and Ruth in Back in the same year. Nothing after this time.


Lisa Winston

‘Mother’

It's the 1920/1930s and Lisa is the mother who saw The Joshua Joy Travelling Show in the field at the start of the episode, but when she turned her back after her daughter had taken a ticket, both her daughter and the show had vanished.

There are no credits before or after the Torchwood episode.


Gaia Davies

‘Daughter’


Played the little girl taking a ticket from the Ghostmaker in the field where the circus was performing. She vanished leaving her mother alone in the field, distraught after losing her child.

There is no mention of any credits before or after her Torchwood appearance.


Alastair Sill

‘Dad’

‘I thought, I thought I saw something.’

Slammed on his brakes as thought he would hit someone in the road, but on second glance, nothing was there, until...

After Torchwood, played a 'man' in California Eden, a film short in 2013. Nothing more after this time.


Catherine Olding

‘Mum’

“Don’t be stupid.”

Doesn't believe her husband has hit anyone or anything until a face appears at the window and scares her half to death.

Since Torchwood, played Lisa in Bad Company in 2010, and Wife in Dead Dad, a film short in 2015.


Tom Langford

‘Young Boy’



Tom plays the young boy who was given his last breath back, by Captain Jack Harkness, after Ianto liberated the flask from the Ghostmaker.

After Torchwood, and in the same year, Tom played Frederic Lake, in The Next Doctor. There are no further roles after this time, and all his roles have been within the Whoniverse. Cute kid!




Big Finish Reviews+ The Paternoster Gang - Heritage 1 by Tony J Fyler



Tony joins the gang.

Full disclosure – I’m a Paternoster Gang fan through and through. This release, and the news that there will be at least three more sets of adventures with the gang to come, was always going to be like Christmas to me.

If you’re not instinctively a Paternoster Gang fan, this first set has one real job – to convince you that the Paternoster Gang on audio has more scope to give you pleasure than they had on TV, playing second-fiddle to a wandering Time Lord.

Well, first of all of course, this spin-off series puts Madame Vastra the Silurian, Jenny Flint, her maid and wife (#ItsComplicated), and Strax, their Sontaran butler and grenade-fetishist, front and centre. That means there’s less clutter here than on-screen, because the gang are not fighting for breath around the margins of stories focused on a Doctor and a companion, both of whom by the nature of the show are designed to take the spotlight. Here, the spotlight has shifted to the Paternosters, and their world can expand to fill that light. So for non-fans, perhaps perversely, putting them front and centre can dilute some of the things about the gang that don’t ‘click’ in mainstream TV Who.

Secondly, Big Finish has form in delivering compelling, funny, tense, character-driven stories of odd goings-on in Victorian London – in Jago & Litefoot, the company turned two well-written subsidiary characters into thirteen hugely-loved box sets that would have undoubtedly gone on had Trevor Baxter not sadly died. So arguably, The Paternoster Gang #1 would be worth a punt in any case because without a doubt, Big Finish knows its business, and it’s aiming both to satisfy existing fans and win new ones with these Paternoster Gang stories.

But let’s get to the specifics of this set.

The Cars That Ate London! by Jonathan Morris is a story that’s part social allegory, part historical extrapolation, part bizarre sci-fi horror story, that allows the Paternoster Gang to ease into your consciousness as a unit in their own right. Morris gives us a semi-traditional pathway into the story – as Holmes and Watson had Inspector Lestrade to get baffled and involve them in cases, the Paternoster Gang have Inspector Cotton to fill that role and occasionally cast them into intrigue and adventure. The Cars That Ate London! draws attention to several issues that were pertinent in the Victorian era and are pertinent again now – electric cars and power stations being the two most central. Electric cars in Victorian London? Apparently so – never underestimate the openness of the Victorian mind. There were trials of electric cars that long ago, it was just that petrol-driven versions were more reliable, more economical and less altogether creepy than their electric counterparts. Here, electric cars are a viable option being pushed by a kind of Victorian Elon Musk (Alien Musk, maybe?), who has a vision of a world free from the pollution and oil-dependence to which the development of petrol cars will lead.

In a development that taps into more current fears about self-driving cars, when your ecological salvation starts driving into crowds and getting car-nivorous, things are clearly out of hand. When it emerges that the vision of a polluted future it is exactly that – a vision­ – we quickly shift gears from identifying an oddness to dealing with some timey-wimey alien influence here, and the Paternoster Gang are what you need if that’s what you’re facing. That’s a fundamental of this series – where Jago & Litefoot had a strong tendency towards the more human and supernatural sides of the Victorian nature, the Paternoster Gang are more or less all about the alien. In The Cars That Ate London!, the nature of the alien issue is on the small side, but the impact of just a tiny bit of dickering about with time and established causality clearly has the potential to spiral massively out of control, and so has to be stopped.

The story’s both pertinent, vaguely prophetic and briskly told, while there’s plenty of time and scope for character moments. If you’re not keen on Strax as a ‘comedy Sontaran’ in Doctor Who, it’s time to embrace the comedy that comes from his ‘potato out of water’ situation and the fundamentals of his character. Here, for instance, Jenny’s been trying to teach the solo Sontaran to speak ‘cocker-knee’ so as to move with less stompy obviousness among the communities of the East End. Ultimately though, it’s Vastra who’s most cogently able to deal with the threat here, as it’s her, of the three, who’s able to be most ‘Doctorish’ when such a thing is needed. Nevertheless, there’s room for all three of the gang to have their moment in this introductory story, and it leaves you not only feeling like you’ve had a rollicking Victorian adventure with a relatively new bunch of audio friends, but pondering what we in the 21st century are actually going to do about the balance between our need for technology and our need to protect the planet for generations to come.

A Photograph To Remember, by Roy Gill, is the most poignant of the three stories in this set, taking us into the world of memorial photography – photos of dead people, posed as though they’re alive, to give a kind of ‘life-memory’ of their subject. At first, that feels a little macabre to 21st century mindsets, but to the Victorians, it made a particular kind of sense. You wouldn’t want to remember someone looking dead, would you? That would be simply ghoulish!

That conceit leads us into the meat of this episode, which involves a hefty chunk of Paternoster world-building. If Holmes had his Moriarty, then it turns out our Paternoster Gang have their own equal-and-opposite power stalking the streets of London – the Bloomsbury Bunch. One Silurian, one human, one Sontaran. Their dynamics are radically different, and so are their aims, but whether they can actually be defined as evil in this adventure is up for debate. They have plans, absolutely, but the plans they have spiral wildly out of control, leading from what is basically an inept filing system to a fairly full-on zombie apocalypse, with additional bodyswapping fun!

Unravelling the threads of their plans from the consequences that are their first visible results, through the zombie – or more accurately, revenant – apocalypse, to the again-tiny bit of alien gubbins responsible for the whole thing is a process that takes up most of the episode, giving it the feel of a rational investigation against a ticking clock. Adding in the Anti-Paternosters’ personalities, relationships and power structures is a glorious complication that ultimately pushes everything to a knife-edge. If part of the first box set’s job is to broaden the Paternosters’ world into something on which they can more comfortably (and, for those who weren’t fans of theirs on TV, less irritatingly) stamp their personalities, and where they can be the enjoyable focus of their own adventures, then the delivery in Roy Gill’s story of an equal-and-opposite group with a different dynamic is a key part of that broadened canvas.

Also, purely in terms of casting, bringing back Christopher Ryan as the Anti-Strax who’s in charge of the Bloomsbury Bunch is a stroke of right-feeling genius. It will be interesting, based on this first story, to see how their relationship to one another develops in future.
And finally, when is a ghost not a ghost?

Well, practically always, admittedly, but particularly when they’re drifting about the place looking all ethereal before they’ve technically shuffled off this mortal coil.

In The Ghosts Of Greenwich by Paul Morris, there’s an enormous scope to the storytelling, taking us from disreputable drinking dens and human pals of Strax (the invention of a character called ‘Old Smallpiece,’ played by Trevor Cooper, who can serve as another story-conduit for the future is another stroke of genius here), to the Royal Observatory, a potential time-thief, and the glorious contradiction that is the line of meridian – a seemingly arbitrary line drawn on the ground that can determine what the time is for the rest of the world. It’s highly-structured drama, with a solidly spooky starting premise that builds to proper alien creepiness and power, for a standoff finale that proves the Paternoster Gang can handle the big angry alien threats as well as the smaller misused technology episodes.

Bottom line, if you liked the Paternoster Gang as sidekicks to the Doctor on TV, you’re going to love them here as their world is expanded and they’re allowed to live lives more centred in their own day-to-day adventures. If you didn’t, and even if you hated comedy Sontarans and lesbian lizards, you’re going to need to check this box set out – Big Finish, as we may have mentioned, knows its stuff. It’s worked hard to place the gang very firmly in their own world, and in that world, they’re shiny and funny and clever and kickass and tender and caring and funny some more. There are challenges to their set-up, there are Sapphire and Steely elements of creepiness and there’s even a degree of steampunk sensibility that makes this first box set feel like the start of something really rather special.