Tony waves goodbye to
Oliver Harper.
The Oliver Harper trilogy
of stories is a remarkable insertion into the First Doctor’s history – adding a
whole ‘previously unseen’ companion to the roster and hugely building up what
we know about one of the TV show’s least developed companions, Steven Taylor,
in the process. Oliver transforms, over the course of three audio stories by
Simon Guerrier, from a nervous man haunted by the legal realities of his time
and place (1960s London and the cut and thrust of the city’s commodities
market) in The Perpetual Bond to an enthusiastic puppy-dog citizen of the universe
when freed from its restrictions in The Cold Equations. The combination of
Steven and Oliver becomes fascinating in The Cold Equations, because Steven,
wounded by the deaths of The Daleks’ Master Plan, feels almost defeated by the
inevitable crushing eventuality of death in the universe, while Oliver, fresh
and deathless in his adventures, is full of bouncy positivity and a refusal to
give in to Steven’s inevitable logic.
In The First Wave, his
third and final story, the difference between Oliver and Steven is sharply
delineated all the way down the line, from the fact that the Doctor only takes
them to the planetoid Grace Alone because in The Cold Equations, the Tardis
crew learned they would go there and commit a crime – historical inevitability coming
to kick them in the destinies – to Steven’s increasing exhaustion, when pursued
by an alien aggressor. He’s convinced it’s simply his ‘time’ to die, and so is
prone to giving up to that inevitable fate. He feels, in a theme that runs
throughout The First Wave, that they’re all on ‘borrowed time.’ Oliver though
has no concept of that borrowed time, and so saves Steven’s life in this story
when the space pilot wants to literally just lie down and die.
In terms of the actual
alien threat on Grace Alone, it’s something that terrifies at one remove for
most of the story – Steven and Oliver spend the first half of the story running
away from an implacable and unnamed menace they believe is following them, and
has already killed the Doctor.
It’s only when we go back
into their memories that we discover exactly what that pursuer is, and how it
‘killed’ the Time Lord – and when we do that, you’ll be go from fascinated to
punching the air, because the villain of this piece is one that features in
much later Who than Hartnell’s, and is dreadfully realised on screen. That
means there’s a double thrill here, hearing this particular villain encounter
the Hartnell Doctor, and finally fulfilling the potential of their nature and
psychology on audio, getting a breath of fresh air in a story that doesn’t
especially reboot them, but simply does them right.
Guerrier delivers a story
that comes down to the difference between Oliver’s and Steven’s point of
view. When the Doctor, with his somewhat
hardline ‘We can’t rewrite history, not one line’ stance, comes down on
Steven’s side, preferring to take the consequences than allow them to go
untaken, Oliver shows him, for the first real time in the Doctor’s life, that
there is another way – a more actively meddlesome way, a way that involves
telling the universe that while you’re there, you have as much right to a say
in what happens as anyone else. You could make a fairly bold case for this
story to fit perfectly into the Hartnell Doctor’s history as the point at which
his meddling with the web of time became rather looser and more free, inspired
by the actions of the young puppy dog from London who decided the future could
go hang because he was there, and could rewrite what happened simply by his
actions.
While The First Wave
impresses throughout, as all the Oliver Harper stories do, it’s actually not
until what is essentially its epilogue that it reaches the same emotional ‘No
no, I’ve just got something in my eye’ pitch as The Cold Equations. Without
spoilering the ending for you, it’s a sequence that extends beyond the end of
the story, and forward throughout a handful of Hartnell’s, to almost the
closing moments of The Tenth Planet.
Peter Purves, throughout
the three Oliver Harper stories, delivers us Steven Taylor in spades, according
to Guerrier’s playbook. It’s a Steven who is all the things he should have been
on-screen, but rarely got a chance to be. The traveller ready for anything, the
trained space pilot, the man haunted by recent deaths, and keenly aware of his
own inevitable mortality alongside the Doctor (a sense which, to give the
sixties writers their due, they did deliver in a blistering scene at the end of
The Massacre of St Bartholomew’s Eve). In The First Wave, he continues his
unbroken streak of fine work at Big Finish, adding real human flesh to Steven’s
bones.
Tom Allen as Oliver gives
us a great, believable new companion for the First Doctor, who in The First
Wave completes an evolution from being too scared to say boo to a goose to
being the teacher, the one among the all-male Tardis crew to grasp the nettle
of the future with both hands and declare his own importance, saving the Doctor
and Steven’s lives in the process.
The Oliver Harper trilogy
is a run of three stories you’ll listen to again and again, as each has its own
joys – The Perpetual Bond has a return to sixties London, a monster that’s not
a little mad but still creepy, and a plot that makes us ask uncomfortable
questions about the business ethics of banks, traders and the like. The Cold
Equations is an absolute love letter to Steven, his training, his actual
skills, and the difference that both the Doctor and Oliver Harper have made to
his outlook on the inevitabilities of the universe. And The First Wave gives us
a thrilling, saddening, epic conclusion, and the first encounter between the
Doctor and a villain that has gone on to be rather better served on audio than
it ever was on screen. It gives us a lesson in the importance of standing up
for what you believe is right, whatever even your clever friends think. And it
gives us the sense of being a previously unseen turning point in the Doctor’s
life, as he learns from the example of the city trader-cum-citizen of the
universe that is Oliver Harper.
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