Tony joins the
Sontarans in battle.
If you’re a Doctor Who fan
who’s not keen on the Sontarans being used for comedic purposes, you’re going
to want to pick up The Eternal Battle. This one’s serious Sons of Sontar all
the way through, and it has them doing the thing they’re always shouting about
– waging endless war.
But here’s a question: can
you have too much of a good thing? Even if you’re a cloned species whose whole
reason for being is to fight and die in glorious war, can you get battle-weary
and exhausted with the constant slaughter?
That’s part of the key
premise of Cavan Scott and Mark Wright’s new Fourth Doctor story. The Sontarans
we meet here have been fighting an enemy now for so long that even their
commanding officer, Field Major Lenk (played by the now-incomparable Dan
Starkey in full-on Kevin Lindsay mode, rather than his TV-traditional Strax
tones) is tired of the fight. Perhaps more significantly than even that
paradigm-shift for the Sontarans is the reason behind it – everything you know
about a Sontaran’s reason for being is about to be put to the test and
inverted, including the source of their greatest glory.
Imagine that – Sontarans
exhausted of war, robbed of the potential for glory, yet still forced onward,
fighting a never-ending battle. That’s the scenario into which the Fourth
Doctor, the Second Romana and the Second K9 drop, unannounced, when the Doctor
fancies a quiet holiday in the Lake District, looking at a museum of Pencils
Throughout The Ages – we kid you not, though Scott and Wright push the humour
through in Tom Baker’s Doctor’s delight in the seemingly mundane and arcane: we
can imagine him giving Romana a grand lecture on the power of a humble pencil,
how one can create myriad worlds of wonder and imagination with it, though
fortunately any such speech is curtailed here before it becomes tiresome.
Nevertheless, the Sontarans appear to be dug in around the Lake District, in
the absolutely sheeting rain, using trench warfare in a battle against the
ultimate foe, which perhaps is not the kind of thing you expect to see on an
otherwise pencil-rich tour of the Lakes.
The Fourth Doctor in this
story appears to be pushed into overtly comical areas, partly we suspect to
test Romana’s patience – Lalla Ward gives us a really rather exasperated Romana
here, as she has done on a few occasions since she rejoined Tom Baker for these
hour-long Fourth Doctor adventures – but also to compensate for the unfunny
Sontarans, and bring some lightness to what would otherwise be an unremittingly
grim premise.
As to what that premise
actually is, beyond unhappy Sontarans in an eternal battle – to tell you too
much would be to spoiler you (even though the spoilerific capsule plot review
screams to be written), especially given the reveal at the end of Episode 1 as
to exactly who and what these Sontarans are fighting, but it’s necessarily less
than subtle that the dome-headed warriors are reduced to fighting battles in
tanks, and ducking down into trenches to wage their war in the relentless rain
– the stereotypical image of, for instance, the way in which World War 1 was
fought between different nationalities of human. It feels as though Scott and
Wright are teaching us something about the nature of incessant war, that even
the Sontarans, who usually embrace battle, strategy, and even crazed, suicidal
dashes for glory, are reduced, worn down, all thoughts of glory in them
extinguished by this particular form of warfare, this incremental
theft of everything that makes the individual, the nation, the species what it
is as they slide through pernicious mud bath days and frozen nights, inching
towards victory or – as Lenk is commander enough to know here – towards
inevitable numerical defeat and destruction.
The premise behind
the premise though? If anything, that’s at least as interesting as the
idea of Sontarans caught in an eternal, inglorious, unending battle for
survival – and yes, for a whole host of reasons, these are Sontarans who want
to live! In fact, Scott and Wright’s underlying theme actually underscores both
these ideas, that eternal battles, eternal warfare, robs conflict of any such
notions of glory, or valour, or even ‘success’ beyond the premises of the war
itself, and that any idea of warfare as an expressed ‘lust for glory’ are
hollow and false to any creature that values its own, singular life. That makes
The Eternal Battle a thoroughly bizarre but utterly fascinating take on the
Sontaran psyche – in their very essence, they were invented to be clones, bred
by the million and sublimating individual grandeur and glory to the idea of
‘the greater good’ of their jingoistic empire. Take that away from the
Sontarans, make them feel the need to individually survive, and you bring them
closer to our own general experience of warfare. You come perilously close to
‘unSontaraning’ them, and you give them something to learn, not for the glory
of Sontar, but in the humbling, defeatable, isolated, individual long dark
night of the Sontaran soul.
Why – within the structure
of the story – anyone would do such a thing is rather fascinating, though the
shift from the extended battle sequences which make up the majority of the
story to the ‘solution’ section does come as quite a stark contrast, like for
instance the gear shift in The Power of Three when we move from the box-invaded
Earth to the ship in orbit. But again, Scott and Wright know their Who
upside-down and back to front, and in a sense, the premise behind the premise
of this story is fundamental to the Sontarans’ original purpose: if they are
the ultimate warriors, after all, they teach us something about warfare and the
mentality required to promulgate it. There’s almost a sense at the end of this
story that the style shifts from late Tom Baker era to late Jon Pertwee, the
Doctor engaging in philosophical arguments with an enemy whose technology has
gone more than a little wrong with appalling consequences, and the shift
between those realities of the endless war and the broken-down technology feels
odd, but the ending actually makes us feel sorry for the Sontarans, trapped as
they are in their endless cycles of violence, bigotry and conquest, because
whatever the Sontarans we meet in this story learn, whatever Lenk and his
subordinate, Stom take from the experience of The Endless Battle, we know it’ll
be just a blip in Sontaran development, the lesson ultimately lost on the species
as a whole.
The trick, hopefully, is
not to let the lessons of The Eternal Battle be lost on OUR species as a whole.
The Eternal Battle, like
the Sontarans themselves, is compact and powerful, giving us a new way to
understand their species, and our own. Pick it up and get in the trenches with
the Sons of Sontar today.
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