Tony
doesn’t know much about art…but he knows what he likes.
The Ten
Thousand are a glorious work of art – ten thousand would-be warriors,
represented in gold and glory as a monument not to war, but to peace. They’re a
symbol of everything the Doctor believes in, and everything we too would want –
peace, not war. Love, not hate. Unity and common cause, not strife and
violence.
Except…
Except when the
Eighth Doctor and Charley Pollard go to visit them (out of hours, naturally,
because it’s the Eighth Doctor), while their beauty and sculpted skill seems
undiminished, there’s something not…quite right.
When the time
travellers try to blag their way into seeing the famous artist behind the
monument to peace, they’re told she’s seeing no-one – fifty years on from
sculpting the ten thousand soldiers of the incredible display, she’s planning
something even bigger and better than the original.
This is when
having a time machine comes in really handy. They might not be able to see her now,
the Doctor reasons, but they might be able to see her then – back in the
day when she was putting the final touches to her dazzling monument to reason
and peace.
And so,
displaying that delicacy of trans-temporal touch that has become the Doctor’s
gift by the time he reaches his Eighth body, they do just that, popping back
those fifty years to meet the artist behind the Hall of the Ten Thousand.
Except
something’s still not quite right. In fact, something, in that time and place,
is altogether more wrong. Jaine Fenn gives us a good deal of context for the
monument when it’s a new commemoration of a peace between the north and south
territories of a planet that was set to tear itself apart. But then…there’s the
thing that’s wrong.
It’s Charley
who spots it, and it would be utterly spoilerific to reveal it for you here –
when you hear it in this new Short Trip, it’ll make you jump, and gulp, and
drive a wave of nausea all the way through you.
The Ten
Thousand are not, perhaps, everything they’ve always seemed. But perhaps – just
perhaps – they’re something more. More, and worse, and horrifying.
The story
itself is a delicate cat’s cradle of powerful emotion on the one hand – what
would you do to stop a war that would cost the lives of lots of people?
Where would you draw the line of suffering for peace? – and time travel
tinkering on the other. When you’ve seen a grim thing existing fifty years from
now, what can you do to make any damn part of it better? The Doctor and Charley
dart deftly through the minefield of causality, knowing they cannot do anything
terribly much to undo a dreadful act, but that maybe, just maybe, they can
prevent something worse from happening down the line. And, as it turns out,
that they might be able to salvage one thread of hope from a situation which,
make no mistake about it, goes from beautiful to incredibly grim in a handful
of heartbeats.
But hold on to
your celebrations. Writer Jaine Fenn does not intend to let you off the hook
quite so easily. From a premise that feels inherently straightforward – the
celebration of a peace that ended a war - Fenn takes you on a trip that gets
grimmer and grimmer, gives you a glimmer of hope, and then shows you the Eighth
Doctor lying to Charley by omission, and reveals the consequences of their
actions. There’s a kind of peace, a kind of justice at the end, absolutely, but
there’s not really anything that would warrant a full-on whoop.
The Hall Of
The Ten Thousand is a
fitting release for November – the month in which the UK commemorates those
lost in wars throughout history, particularly the wars of the twentieth
century. Its story is grim, going behind the simplicity of remembrance to the
reality of war, and particularly the reality of decisions made for ordinary
fighters by high-handed people who thought they were acting in their ultimate
interest. Whether they were right or not is almost a moot point, though it’s a
reality with which the Doctor and Charley have no option but to contend.
Ultimately, the story is a morally complex maze of action and restriction, of
what felt right and justified to stop a war, and what will break the heart of
anyone who fully understands the cost of that action. It’s a powerful piece
that never shies away from conflict, power or a punch in the heart. It’s not a
trip that will leave you smiling, but it’s one you need to take. Go – visit The
Hall Of The Ten Thousand today.
They have a
tale to tell you.
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