What’s that smell, asks Tony.
Dan ‘The Strax-Man’
Starkey!
Paul McGann’s Eighth
Doctor!
Properly gothic villainy!
Class warfare!
Downton Abbey with demonic
forces at play!
In Victorian Edinburgh!
Buckle up, kiddies, the
BBC has a stonking new audio story for you from writer Andrew Lane. It’s got
everything you could possibly want, and a twist in the tail besides.
Victorian Edinburgh of
course has lots to recommend it as the setting for a Doctor Who story –
architecture, authoritarianism, a rising working class and potential strife
between the old guard and the new. That gives the place and time all the
essence of gothic horror it needs to thrill us, and Andrew Lane builds his
story on that basis – there appears to be a monster stalking the streets of
Edinburgh, and journalist James MacFarlane intends to get to the bottom of it,
come what may. When he runs into a flamboyant man known only as the Doctor, and
in the morgue at that, he gains a companion on his quest to find out exactly
what’s going on.
It’s rather more
complicated than even he suspects.
In The Scent of Blood,
Andrew Lane delivers on both the initial gothic premise of Victorian horror,
drenches the listener in Doctor Who history – this is very much a sequel story
in some respects, so you’ll need your Doctor Who Reference-Spotter’s Guide -
and takes us into a new way of thinking about a classic villain, and the
classic response to them, all while on a darkly-tinged romp round the streets
of a Victorian city with an increasingly febrile atmosphere of class warfare
boiling away. There are lords and ladies in Edinburgh, to be sure, and there
are frightened urban peasants – but that’s not the whole story either.
Everything we know about the
particular villain features here suggests a symbiotic relationship between at
least two creatures, but if that relationship is broken, can either survive
alone, and if so, how would that be possible? Lane tackles what we think we
know and adds new dimensions to it, which makes The Scent of Blood rather more
satisfying than it would have been had he been determined to simply re-tread
familiar ground in a different time and place. Here, he also takes aim at rigid
notions of good, evil, and what people will be prepared to do to save their own
from dark and dangerous fates. It’s like a Scottish Downton Abbey, but with
secrets, important portraits, and a raving mob in the town square.
Dan Starkey, TV and audio
Sontaran Supreme, has lent his voice to a solid handful of different Doctors
now, and his Eighth Doctor is pretty convincing – it’s by no means an
impersonation, but it has enough of a tinge of Paul McGann’s tone and manner to
be an active help in convincing you you’re listening to an Eighth Doctor story,
while Lane’s writing conjures a bouncier, earlier Eighth Doctor than his later,
Time War-troubled version. This is a Doctor looking for interesting things and
answers to mysteries, and finding them – and then having to decide where his
lines are drawn. After all, there are rules about what he should do in the
circumstances in which he finds himself in The Scent Of Blood.
But then, the Doctor and
rules have rarely gone together with any particular comfort. When he uncovers
the truth about what’s happening on the streets of Victorian Edinburgh, the
lines he has to draw are rather less clear-cut than they were when he met this
villain before, because the lines of harm, of damage are more blurred now too.
The Scent of Blood is a
vivid replaying of a particular scenario, with more complication, more
complexity and more of a sense of moral ambiguity than before. In its tone and
location, it channels traditional gothic horror very effectively – but as the
Doctor and MacFarlane discover here, sometimes you have to look beyond the tone
of a thing to find out what’s really going on.
What’s really going on in The
Scent Of Blood will surprise you, make you give a little cheer at its
references to Classic Who mythos, and sweep you briskly through its newer
elements to a satisfied smile at the end.
It’s an audio story that
feels fundamental to the Eighth Doctor, to what he’s learned and how he
approaches the universe. Give it a listen and revel in Lane and Starkey
channelling the McGann Doctor’s enthusiasm, open-heartedness and sudden
seriousness as he deals with a most unusual problem.
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