Tony goes looking for
God.
Finds…a whole bunch of
other stuff.
The ‘new’ Torchwood, from
Series 5, Aliens Among Us and now
into what presumably must be thought of as Series 6, God Among Us, is probably a fairly challenging proposition in and
of itself for anyone weened on the likes of series 1-3. It’s post-Miracle Day, back in Cardiff, having
apparently abandoned the implications and connections of Miracle Day and bringing in a whole group of new characters. By
the time we get to God Among Us, Part 2,
it’s probably fair to say that unless you’ve been following since Aliens Among Us, you might not have much
of a clue what the hell is going on. It’s like jumping in to Game of Thrones in Season 4. Many people
you’ve heard of might already be dead, and there’s always the possibility of
dragons.
Or indeed, gods.
The upshot is that aliens
invaded Cardiff, not through the whole showy ‘spaceships in the sky, take us to
your leader, let us kill your leader, now you belong to us’ schtick of the
B-movie, but through council appointments, cutting-edge businesses and
commerce. They settled in Cardiff because they were running away from their
god. As you do.
Now, God has found them.
Apparently, bad things will happen as a result, although the aliens themselves
seem mostly to have either been killed or to have sodded off along the way. So
now God’s here, more or less kicking her heels.
Just as well there’s some
entirely-other alien chicanery, time travel ghastliness and human duplicity for
her to get mixed up in, then, all things considered.
Oh yes, and both Jack
Harkness and Yvonne Hartman now run Torchwood. Gwen Cooper’s quit, but someone
who looks and sounds almost freakishly like her, but who’s also the herald of
God, now works for Torchwood. An alien mood-based shapeshifter…has been working for Torchwood, but
appears nowhere in evidence in God Among
Us, Part 2. One of the best of the new recruits, Mr Colchester, was
apparently dead at the end of God Among
Us, Part 1. And then, he wasn’t. His current status and the reason for it
is undetermined, but on he goes anyway – much like when Owen Harper died, and
then simply kept on going. It’s Torchwood, go with it. There’s Norton Folgate, a
gay hologrammatical member of 1950s Torchwood who pops in from time to time to
stir the pot, and Tyler Steele, a wannabe-Torchwooder who chose the wrong path
and backed the alien mayor, but who still hangs around now and then too, as
part of the extended Torchwood family. And there’s Sergeant Andy ‘Normal’
Davidson, still involved with the alien embuggerances of the gang, even though
his pal Gwen has put them behind her.
This is where you find us
as God Among Us, Part 2 opens. Come
play our game.
Flight 405, by Lou Morgan,
seems like standard Torchwood fare – there’s a plane that’s been crashing since
the 50s, and time-travelling Torchwood hologram Norton Folgate (played with a
joyful archness by Samuel Barnett) arrives to tell the team they have to solve
its problems and let it land because it has a McGuffin on board that could
theoretically end or save the world. It’s a story of time-twisting, cause,
effect, causality, re-animating bodies and not a little what-the-helling, as
Norton, Andy and Yvonne try and break the plane out of its inevitable time
loop, rescue the McGuffin and ideally not die – or indeed perpetually not-die -
in the process. But once you’re on board the plane, do you not become an
inevitable part of the sequence of events that lead it to be crashing but never
to crash, doomed to repeat a short sequence of actions time and time and time
again?
Barnett, Tracy-Ann Oberman
as Yvonne and Tom Price as Andy give strong performances in a story that – by
the very nature of its elements – sometimes makes your brain ache. It’s like Back To The Future, but condensed, with
less kissing at the Enchantment Under The Sea dance, more ‘If we don’t get this
thing off this plane, we’re all going to die…very, very eventually’ and quite a
bit more reanimating pilot-corpses.
So that’s nice.
As an episode, it’s very
involving – it easily allows you in to sample the mayhem and the humanity at
the heart of its concept, and you end up with a satisfying conclusion. What any
of it has to do with the whole ‘God Among Us’ arc is difficult at first to
understand. You’re gonna want to hold on though. Keep listening.
Hostile Environment, by
Ash Darby, is by quite some considerable margin the hardest hitting of the
episodes in this set. It’s homelessness, as experienced by thousands of people
in Britain today – just with a Torchwood twist. Hostile Environment imagines
homelessness policed by drone, where penalties range from immediate injection
with experimental drugs to death, and where those who don’t give immediate
practical aid to the homeless are encouraged to ‘tag’ them with a phone app –
the idea being that once tagged they get help, when in reality, the drones
arrive with their stark choice – drugs of death, putting the hostile into the
environment, empowered by hapless, deceived would-be doers of good. It’s
fitting that wannabe Torchwooder Tyler Steele takes this journey for us because
he’s always been particularly slick and morally complex, but the journey is a
harrowing one, while always giving us a new view on situations most people are
uncomfortable thinking about. You’ll find it hard to breathe listening to some
of Hostile Environment, and it finishes with a denouement that, while sad, is
probably truthful, and will make you think long and hard once it’s done.
Another Man’s Shoes, by
Tim Foley, takes the premise of many a frothy comedy – body-swapping – and,
while giving it its comedy due, also highlights the complexities of individual
lives, and how we don’t perhaps ever know quite as much as we think we do about
even the people we like, love or work with.
To tell you too much about one particular pair of body-swappers would be
spoilerific, but suffice it to say, two Torchwooders swap bodies and then have
a knee-trembler in a menswear fitting room, while their personalities are in
each other’s bodies. Romantic relationships are explored from new perspectives,
working relationships are redefined, retcon is deployed to hilarious effect and
secrets are unwittingly revealed, which bring the actual threat in the box set
into sharper focus. Could it be that the god of the aliens is not such a baddie
after all? At least not compared with the resurgence of another group with whom
we’ve had dealings in Torchwood before? Another Man’s Shoes is probably, when
you boil it down, mostly still comedy
froth, but being able to see things from whole new perspectives as regular cast
members do impressions of the idioms and mannerisms of their colleagues gives
some sense of the easy flexibility with which honesty is treated in every
day-to-day walk of life – and the consequences that brings with it.
Eye of the Storm, by David
Llewelyn, is one of those Torchwood stories that turns a run-of-the-mill
Torchwood day – alien power stations turning people to stone, sending out waves
of energy and stoking a tidal wave…as they do… - into something potentially
Biblical and cataclysmic that could wipe the Earth clean unless a handy
McGuffin is used that could sort everything out. From that straightforward base
though, David Llewelyn gives us a story where lies are uncovered, partnerships
dashed, allies revealed as having their own dark agenda, and quite possibly,
not everyone makes it out alive. There are hair-breadth escapes and dime-turns
and plotlines that turn out to be cyclical and the competition between God and
a group of would-be humanity-destroyers is played out over tea and chat, while
Torchwood does its best, as ever, to stand between the Earth and the Abyss.
Whatever happens in the
next Torchwood box set, the dynamic as it’s been set up over the last few sets
is probably set to change – or at least, if it doesn’t, it’ll rely on a great
deal of luck and some possible classic cliffhanger sleight of hand to get out
of the consequences of the end of this set. In some respects, it feels as
though God With Us could end on this
note, and wake up to a fresh new day in a fresh new arc when ‘new’ Torchwood
comes back to us. But the ultimate point
of God being among us has yet to be revealed and dealt with – or at least,
that’s how it feels.
Overall, God Among Us, Part 2, by virtue of the
epic arc that ‘new’ Torchwood is on, by virtue of being quite deeply embroiled
in that arc, and because the listener subsequently needs to know quite a bit
about the past that Torchwood’s had in order for the dramatic beats to land as
heavily as they should (and do, if you know the history), is potentially quite
heavy going. On the other hand, if you know all the history, there’s a sense in
which, as with the Eighth Doctor Ravenous
sets, you could easily become impatient during the individual stories here,
waiting for the arc-advancement to come along. It’s a tricky balancing act and
no mistake. Does it pull it off? Yes, but only because each story offers the
listener something in and of itself – a classic timey-wimey conundrum, a bleak
look at homelessness, comedy body-swapping with consequences, and a big
apocalyptic drama – and because the writers give some of the new characters
enough to do. Paul Clayton as Mr Colchester and Ramon Tikaram as his husband
Colin are worth their weight in emotional gold, Tracy-Ann Oberman and Tom Price
as Yvonne and Andy are glorious, Samuel Barnett’s Norton Folgate is both
waspish and en pointe, and Johnny Green as Tyler Steele has probably the most
scary, close to the bone tale to tell us this time out.
God
Among Us, Part 2 could
well fall between the stools of long narrative arc and individual ‘drama of the
week’ for some listeners, and it’s quite a financial investment, so if you’re
new to ‘new’ Torchwood, under no circumstances start here – go back and put the
hours in with earlier sets. If you do that, or if you’ve done that, there’s
plenty of protein for your money here, plenty to get your teeth into, and some
cracking performances to advance what you know, and think you know, about
Torchwood’s latest iteration.
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