Tony summons demons.
Wouldn’t be the first time.
On the face of it, Demons
of the Punjab seems like a straightforward Back To The Future job, of the kind
beloved of Doctor Who Annuals and comic strips of the past: the Doctor, against
her better judgement but swayed by sentiment and the power of time travel,
indulges her companion in a trip to visit her own grandmother in the days of granny’s
youth. Deeply irresponsible of course – there’s probably even a paradox very
nearly named after it, but what the heck, let’s give it a go or this episode’s
going to just be us sitting around the Tardis being bored.
There’s even a somewhat
heavy-handed clue to the dangers of what they’re doing in the form of a broken
wristwatch – broken time? – which holds a mystery about Yaz’s family history.
Nevertheless, there’s
plenty that’s beautiful here – the scenery, the understated performances from
the likes of Amita Suman as Umbreen, Yaz’s granny-to-be, Shane Zaza as Prem, the
Hindu bloke she definitely shouldn’t be marrying, and the simmering politi-geek
anger from Hamza Jeetooa’s Manish – yes, yes, all sorts of yes, this is pretty
inspired casting, and the characters work to both bring us into a world with
which many viewers are likely unfamiliar, and involve us in the sharpened human
emotions of a region being broken in two by politics and religion, a previous
harmony being wrecked by law, borderlines and a heightened sense of the
differences between people.
The immediate human
dilemma is decently delivered – Umbreen is about to marry Prem, not only a
Hindu, but also very distinctly not the man Yaz knows as her grandad.
Experienced geeks hear his death knell immediately that was revealed – and
experienced romantics understand that their love is doomed the moment it’s
revealed that the broken watch is his.
But then, just when it
looks like this could stand on its own two storytelling feet as a pure
historical, showing us the creation of a wave of enmity among people – the
demons arrive.
Now, these demons at first
look like just what the…ahem…Doctor ordered in a series that’s been
significantly lacking so far in actual alien gittery – they’re big and imposing
and it seems they’ve killed a harmless holy man on the side of the road. Booo –
bad demons.
Finding out they’re a race
of perfect assassins is equally reassuring – we’re led to wonder who they’re
here for, and why. How can events along the new border between India and
Pakistan have enough interstellar impact to warrant sending the ultimate
assassins to kill someone?
All of this delivers an
extra twist of time travel, space travel intrigue to Vinay Patel’s script,
giving the Doctor a chance to Do Something Doctory – and she does, constructing
a complex piece of chemical testing kit out of what the Tenth Doctor would
deride as ‘a kettle and some string.’ Meanwhile, the human tensions are
deepened and sharpened well as Manish refuses to accept his imminent Muslim
sister-in-law, even to the point of stropping off from the celebrations the
night before his brother’s wedding.
The point of oddness in
Demons of the Punjab comes in the form of an alien infodump when the assassins
kidnap the Doctor and explain themselves. They’re reformed assassins, as it happens – and the audience’s shoulders
immediately slump on hearing that. Yes, yes, it’s great, reformed alien killers
now marking the passing of the lonely dead – it’s a thing of beauty, in fact,
and a marker that even those previously steeped to the earlobes in the blood of
others can evolve to be peaceful, respectful, universe-loving creatures. It
just also means you have to cross off another episode on your ‘No Proper Villain’
Series 11 bingo card. They fulfil a purpose in the story, giving the human race
something to which we can aspire, even as we’re shown during the time of
Partition as being petty and violent and divided against ourselves by notional
differences, but in some ways, it feels instinctively like Demons of the Punjab
would have been a better, more rounded story had there been no requirement for
potential alien aggressors. The benevolent, kind, alien example of how we could be is baked right in to the heart
of the show – that’s inherently what the
Doctor is supposed to be. Having the Demons underline that point not only
raises a storytelling element that excites the audience, only to disappoint
when the truth is revealed, it once again leaves the Doctor very little reason
to be here, and very little chance to be
the Doctor.
Once we know that the
Demons aren’t the threat, but that humans are, and that the death of Prem is
fixed just a little in the future and can’t be changed because it’s the only
thing that makes sense of Yaz’s timeline, Demons of the Punjab essentially
becomes a Rosa re-run – the Doctor and Team Tardis having to walk away, forced to not interfere with the more ghastly,
gruesome realities of history, and in this instance, having to let someone they
really like die for the sake of the bigger picture. Of the two stories, it’s
difficult to say which is intrinsically ‘better.’ Rosa deals with a more
well-known trigger-point in history, but the sense of history gathering its
storm-clouds is better realised in Demons. The alien involvement, which many
fans seem to find weak, is actually more intrinsic to Rosa than it is to
Demons, but arguably the depiction of the rising human tensions is more
effective in Demons. Both stories are eminently re-watchable and probably both
deserve a place in the roster of epic Doctor Who, certainly achieving standout
status in Series 11 as harsh human history lessons with warm beating hearts and
a bit of mostly ineffective alien jiggery-pokery. Probably, on balance, the
combination of a certain visual beauty, a music score that elevates the action
and gives the episode a unique feel, and the closeness of the story in pure
human terms to one of the members of Team Tardis, make Demons of the Punjab
more pleasurably re-watchable even than Rosa, and while they’re mostly
redundant, the Demons themselves stand as a wider underscoring of the point of
Umbreen’s life – she goes on to travel far from home, find love again and have
a life and a family she treasures, while the Demons show us the potential to
move beyond the savagery and violence of our hot-headed years, to evolve into
better people and better citizens of the universe. Ultimately, the real
‘demons’ of the Punjab are the forces of division, rage and violence, from
which – if we work really hard at it – we can make it our destiny to move on.
Decades later though, it
seems we still carry our demons with us, and that there’s still a lot of work
to do.
No comments:
Post a Comment