Tony’s breaking out all
over.
Torchwood on Big Finish
audio has been tied up with the Committee for its first two series and its
first special release.
Torchwood Outbreak is, in
a real sense, Torchwood breaking out of its mould. It’s free of the Committee
for the first time, forced to deal with an enormous problem, while still being
true to its characters. Let’s say this before we start – it’s quite a relief to
free Torchwood from its internecine war against the non-corporeal aliens who
take over pensioners. Torchwood Outbreak is Series 2.5 - it has the vibe of
Series 2, with Jack and Ianto establishing themselves as a couple, and Gwen and
Rhys very strongly in love, with Rhys just needing a smidgen of reassurance
that it’s him Gwen really cares for, not the swanky yank in the damn good coat.
The storytelling scale of Outbreak though is much more Children of Earth or
Miracle Day than it is Series 2. Hence Series 2.5.
As you might expect from
the title, Torchwood Outbreak is also Big Finish smashing a couple of ranges
together – it’s Torchwood to its bones, but it brings in a Survivors-style
threat, a plague virus that kills and causes havoc throughout Cardiff, and
beyond. That said, there’s something altogether more creepy about the Torchwood
infection than the Survivors version – imagine wires burrowing under your skin,
moving, burning, making you so nuts you tear yourself open to try and pull them
out. This is Torchwood, remember – there will be blood.
There’s also a really
weird progression pattern to the disease, which gives you intense feelings of
love for the most natural object of your affection, then turns that emotion
into an even more intense need to kill that person. There are hallucinations
along the way, and as Cardiff, and the Hub go into simultaneous quarantine
lockdown, we learn where the infection comes from, and what the nature of the
insidious plot behind the virus actually is.
Insidious plot behind the
virus? Of course. This is Torchwood. There’s usually an insidious plot behind
the grimness in Torchwood, and Outbreak doesn’t disappoint in that regard.
Where it might
disappoint is if you stop and actually think about it too hard. There’s an old
project from the Fifties which has been unearthed, in the failed destruction of
which – naturally – Jack was involved, alongside cheeky Torchwood ghost chappie
Norton Folgate, who seems to be here largely because of the joyful quality of
Samuel Barnett’s performance. The infection, which at first seems like a random
lab accident, quickly becomes something rather darker and more deliberate.
While maintaining a grand tradition of Torchwood figures of authority being
deeply amoral wrong ’uns, there’s something about the development of the story
in AK Benedict’s third episode of Outbreak that ventures dangerously close to
justifying the real-world ‘anti-vax’ conspiracy theory, which is based on
little more than idiocy. Granted, in the sci-fi arena and established as
fiction, it’s a solid, resonant plot device, but you might get just a little
uncomfortable with it before the end.
If we’re being really
picky, there’s a sense of some padding throughout the three episodes too. The
mid-section, with Jack locked up in the Hub after contracting the virus, Ianto
trying to work out what to do for him, and Norton switching sides almost more
often than he takes a breath, means Emma Reeves’ episode has a feeling of
Tochwood: The Shining more than anything that especially moves the plot along,
and in Guy Adams’ first episode too, there’s quite a lot of quirkiness involved
in the way people succumb to the outbreak – bus drivers suddenly imagining
they’re playing the violin etc – though that does, in fairness, add to the
Torchwoody strangeness of it all, and allows people not to see the true impact
of the citywide apocalypse coming.
What’s excellently done
throughout is the relationship between Gwen and Rhys, which is thankfully
allowed to drive quite a lot of the plot forward. With Gwen trapped inside a
hastily-erected ‘ring of steel,’ Rhys has to use his nous to break through and
reach her, and as the episodes unfold, their chemistry together is
beautifully…Welsh, Eve Myles and Kai Owen working if anything better together
on audio even than they did on screen, creating a real force of optimism and
brute bloody-minded force to stand, and occasionally smash things, against the
cynical forces of darkness behind Cardiff’s outbreak. PC Andy’s a force to be
reckoned with here too, the writers continuing Big Finish’s campaign to give
Andy a fair crack at rounded, deepened characterisation, and Tom Price
delivering on the character’s potential. He’s the voice of ordinary coppers
here, faced with a (fairly literally) demented situation, and only his own
resources of ingenuity to call on to deal with it. In many ways, he’s the voice
of human reason, outside the scope of Torchwood and its world-saving mission.
The ending of the story is
just a touch anti-climactic, and dependent on Jack – who uses up one of his
infinite number of deaths here (because after all, it almost wouldn’t be an
epic Torchwood story if he didn’t) – pretty much ‘deleting’ the virus, as he
can, because he’s Jack, leaving the story powering on, and on, and on, and
then, suddenly, not powering anywhere any more. While not detracting from the power of the
story overall, or its sense of worth, the relative ease of the eventual ending
is discomfiting given that people have died to get us to that point.
For all the
Shining-padding, and the anti-vax closeness (as we say, that does at least give
the plot here an extra dimension of breathtaking cunning and evil bastardy), and
the ‘Oh, that’s sorted then’ ending, Torchwood Outbreak is an engaging story,
that powers through its run time with a combination of growing weirdness,
panic, retaliation and cynical evil, as the forces of goodness, personified by
Gwen, Rhys, Ianto and Andy (Jack optional) battle to keep control of their
sanity and their city. Is it up there with, say UNIT: Extinction or Survivors,
Series 1? No – but it’s as good a way to spend some hours as UNIT: Shutdown or
Survivors Series 2. On that basis alone, it’s worth your money. The extra bonuses
here of freedom from the Committee, great written chemistry between Gwen and
Rhys and great performances from Myles, Owen, Price and Barnett make Torchwood
Breakout more than a solid addition to your collection, and more like the
must-have it’s striving to be.
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