Tony’s sharpening his
scythe.
The Reaping is the Sixth
Doctor’s entry in to a loose trilogy of Big Finish stories charged with doing
something unusual with a companion, and something remarkable with the Cybermen.
When you consider that it
was released shortly after the Tenth Doctor’s first series aired, along with
its re-vamp of the Cybermen for a whole new generation, there’s so much that’s
revolutionary and archetypal about the Cybermen in The Reaping it will fairly
blow your hair back when you listen to it.
Here we find Cybermen
using controlled human slaves not by any cumbersome headsets as in Classic Who,
but by the simple application of earpieces, as was seen in The Rise of the
Cybermen/The Age of Steel just that year. Here we find Cybermen remembering who
they were as humans, as seen in Army of Ghosts/Doomsday. But, perhaps most
significantly, here we see Cybermen who can (at least in theory) convert via
one simple needle, rather than all the bulky equipment of Attack of the
Cybermen – it’s barely a Cyber-step to imagine the needle being full of
Cybermites or even Cyber-Pollen. And here too, we find the Cybermen having
moved on (again, at least in theory) from converting living humans into
weaponising the dead. We have Cybermen from ‘the future’ arriving in 1984, putting
a community under siege in their own homes, so as to be more effectively
upgraded, (the ‘reaping’ of the title). It’s all very New Who, and some of it’s
definitely prophetic of what was to come in the Cyber-future.
In a very unusual move for
Big Finish, since Nick Briggs reportedly dislikes them, this story also gives
us a rare appearance by proper eighties Cybermen. Perhaps reflecting the
dislike, there’s less on-the-nail clarity about the voices of these Cybermen
than that of some other variants to appear in Big Finish audios, but arguably
that’s because the eighties Cybermen, and Cyber Leaders particularly, were the
first in many years to have a distinctive vocal performance through the talents
of David Banks, and so it’s harder to precisely recapture them than it is to
bring to life any previous version of the metal monsters from Mondas.
In terms of
Cyber-evolution though, despite all these prophetic advancements to Cyber-kind
made by writer Joseph Lidster, as a Cyberman story, Dan Abnett’s The Harvest
probably just steals the pennant.
But in terms of companion
drama, Lidster runs away with it, The Reaping and his own The Gathering beating
each other to a pulp to see which can make us cry harder. While The Gathering
might steal it in a photo finish because, as the only Tegan Big Finish story
Janet Fielding planned to ever do at the time, it gives the mouthy Australian
some razor-sharp things to say to the Fifth Doctor, and an appalling, everyday
destiny to confront, refusing any alien techno-shenanigans to help her evade
it, The Reaping is no slouch in the punch-packing department.
Imagine you had a daughter
and she walked off one day. And you never saw her again – no note, no postcard,
nothing. That’s the fate of Janine Foster, Peri’s mother. She accuses Howard of
killing her daughter, goes into mourning, and helps her friends to get over
their loss, growing into a kind of surrogate family unit around the gap that is
Peri. Then, years in her relative future but only four months later as far as
Janine’s concerned, Peri turns up out of the blue to attend the funeral of her
best friend’s father. Questions and recriminations follow, flying in both
directions, as both women feel the rawness of grief for their family friend,
Anthony Chambers.
Sadly, it turns out for
Chambers (Stuart Milligan) that he’s less dead than he should be, and soon the
confused Cyberman is stomping around, terrifying his children, Nate (an
ex-flame of Peri’s) and Kathy (her best friend), while the Doctor is
befriending the homeless man who’s been charged with his murder, and almost
poisoned by the Cyber-controlled cops of Baltimore. In terms of the
Cyber-story, again, there are prophetic elements here – it bears more than a little
resemblance to the underlying plot that would go on to become Victory of the
Daleks, a last desperate throw of the dice involving the Doctor and his Tardis
to re-invigorate a dying race of universal supervillains. But the real punch of
The Reaping is in Peri, her friends and family – it gives us the chance to see
Peri in her natural, pre-Doctor environment, her friend, the boy she liked, the
family and the family friends that made the life of Perpugilliam Brown what it
was when she first met the Doctor. Nicola Bryant revels in the chance to play
Peri in these surroundings, but of course she’s a very different Peri to the
one that fitted into this world. She leads a patrol against the Cybermen,
bringing the Doctor up to speed while he attempts to do the same to her – a
sign of their equality of instinct now in the universe. It’s a beautifully
understated, natural performance from Bryant, and it makes The Reaping punch
above its weight. Claudia Christian as Janine too is well pitched,
confrontational through habit, self-protecting through grief, she mellows as
the story goes on and the truth of what’s happened to her little girl is
brought home to her.
As a Cyber-story, The
Reaping has plenty of solid scary elements – Cybermen from the grave, a
potentially time-twisting Cyber-plot, the like of which is still fresh today
(witness some version of the same idea being used by Cavan Scott and George
Mann in 2016 as the backbone of their comic-book event, Supremacy of the
Cybermen), and the idea of instant conversion in your coffin are all big
additions to the idea-pool of what Cybermen can and should be able to do.
But really, it’s the human
drama of The Reaping – the return of Peri to face the consequences of her flit
into time and space with the Doctor – that really punches hardest. We rarely
get to see such a thing (or at least we rarely did before the soapification of
New Who), so there’s something thrilling about hearing a Classic companion
going home to face her mother. But of course where there are Cybermen, there
will be a body-count, and while it sneaks up on us, the body-count of The
Reaping is actually very high: by the very end of it, Peri has nowhere to go
home to, no-one left to understand her back home, and her only real refuge in
the universe is with the man in the multi-coloured coat. Colin Baker’s Sixth
Doctor, at the end of the story, shows a very much softer side to Peri than he
habitually did on-screen, and we gain an appreciation of quite how and why they
work together, quite why she stays with him, and quite why they need each
other.
The Reaping is a great
story, with plenty of Cyber-creepiness, but even more companion action and
drama. Pick it up today and marvel at its emotional scope, and the future
destiny it mapped out for the Cybermen.
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