Written by Dennis Spooner
Broadcast 16 January – 6 February
1965
The Romans
is the fourth serial of the second season in the British science fiction
television series Doctor Who, which was first broadcast in four weekly parts
from 16 January to 6 February 1965. The story is set during the era of the Roman Empire in the reign of Nero.
Now this is
the first time I reviewed the TV programme itself so here goes.
In this
story we see the Doctor, Ian, Barbara and Young Vicki living it up in a Roman
Villa, on holiday and not wanting to do anything but eat, study and shop, oh
and lie around on their sides, and who can blame them, well maybe everyone get
up I say and do something. The writer
seems to have the same idea, so enter two strange and not very bright slaves. Maybe it’s just me but I thought the Romans
got slaves from other countries, unless they can’t be bothered to travel
far??? As per normal with the first
doctor, his companions tend to get into trouble while he stays one step or cord
ahead.
Just when
you think it’s just a simple plot, up turns Nero and a raft of funny and
menacing times begin. Nero is smitten at
first with our Barbara, then upset at being spurned. Vicki seems to either act
as a Susan replacement or maybe a shadow
clone of his earlier granddaughter. The
Doctor adopts a role of a lute player after he is murdered and causes lots of
chaos and fun. Ian on the other hand
sees the real horror of slavery in Rome ,
THE GALLIES and THE ARENA. Poor Ian,
virtually everywhere he tends to get into fights and problems.
Special
effects and set design actually seems to excel in this story, maybe the budget
went up or the guys found some left over Roman stuff from another
production. As well the writer Dennis
Spooner, does a good job for the time at making the story seem relevant. Christopher Barry deserves credit for the
great directing in this story. Special
mentions has to go to William Russell for this story, as we see a rounded
character from a fantastic actor and Maureen O’Brien for finally getting Vicki
under control and becoming, a crew member almost seamlessly. But of course
William Hartnell steals the show and is a great foil to Derek Francis’s Nero,
never since I Claudius have I seen a better Nero.
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