Doctor Who: Series 7
Writer: Steven Moffat
Director: Nick Hurran
Broadcast: 29 September 2012
The
Angels Take Manhattan is the final travelling companion story with Amy and Rory
Williams, and what a finale it was.
There were also plenty of red herrings throughout the episode to throw
you.
The
opening sequence of the episode began with Sting singing one of my favourite
songs, ‘An Englishman in New York’ which set the scene perfectly in my
opinion.
It began
in Manhattan, New York; the Doctor, Amy and Rory were having a picnic in the
park. The Doctor was engrossed in a
crime novel of the 1930’s and refused to read further ahead to avoid
spoilers. When Amy persisted, he tore
out the last few pages from the book.
When Rory
goes off in search of coffee, he is followed by a stone Weeping Angel cherub
who sends him back to 1930’s New York where he meets River Song, who in typical
1930’s crime writing style is dressed like many detectives of that era, and if
you hadn’t guessed it already, River Song is Melody Malone.
Back at
the picnic in present day, Amy is reading the novel, wearing a round pair of
spectacles which I wonder if these were hers or the Doctor’s. There’s a really great scene of the pair
sitting back to back that reminds me of a couple of really great friends rather
than a static Doctor and companion.
Amy
discovers that Rory is written into the novel and wants to read further ahead
to find out why he’s in the 1930’s. The
Doctor insists she doesn’t as this would mean that anything she reads will be
destined to happen. Instead he will take
her in the TARDIS to the 1930’s to the exact time the story is set and rescue
Rory.
Rory is
captured along with River Song by a collector of fine art, a Mr. Grayle. Rory is thrown into a cellar where he meets
even more Weeping Angel cherubs (who completely creeped me out) who send him to
a strange hotel called the Winter Quay apartment building, while River is
grabbed by the wrists of a weakened Weeping Angel, who is unable to transport
her back in time. Using her Vortex
Manipulator River is able to send a beacon signal in order for the Doctor to
find her and Rory. She breaks her wrist
in order to free herself from the clutches of the stone statue.
When Amy
realises who the crime detective is in the story, she uses the table of
contents to locate Rory. The Doctor is
saddened when he discovers the last chapter in the novel is entitled “Amelia’s
Last Farewell” and doesn’t want to help River escape, feeling that the future
would be sealed as far as his companions were concerned. But when he discovers that River broke her
own wrist to free herself, fixes her using his own regeneration energy. As Amy discovers an empty basement, the
Doctor relies on River Song’s VM to detect Rory’s signature at a creepy looking
hotel with many windows. I have to admit
at this point, I really did think this was the end for the pair. There seemed little to no escape from any of
the Weeping Angels, who appeared on every level and on every landing and around
every other door.
The
Doctor realised that the apartment building was a battery farm, where people
right through history had been transported to in order for the Angels to feed
off their time energy.
As the
Doctor and crew arrived at the apartment building, Rory found himself drawn to
an apartment bearing his name on the door.
Entering he found an elderly version of himself in the bed. As the Doctor arrived in the room, he knew
then that Rory’s fate was sealed. There
was nothing he could do to change that.
Outside
of the building in the gloom and the rain, came a thunderous boom, which
reminded me of the T-Rex stomping across the complex in Jurassic Park. Then I realised what it was and have to admit
I burst out laughing, but if you are anything like me, the last time I saw the
Statue of Liberty stride across the city was in Ghostbusters, and that time she
was a true heroine. This time, she was
the worst possible nightmare, Weeping Angel style.
With
Angels everywhere in the apartment building and no chance of any of them
reaching the TARDIS for safety, Rory and Amy escape to the roof, where they
discover they’re not even safe there.
The booming sound of footsteps across the city has ceased. Behind them is the Statue of Liberty.
Rory
considers his options, Amy refuses to leave him. Rory surmises that if he were to throw
himself off the roof it would create a paradox and destroy the building,
destroying the battery farm. Amy jumps
off the roof with him. Again I felt that
this could have been another ending, if Rory’s plan had failed, but as much as
Doctor Who is scary, that idea wouldn’t have left the cutting room floor.
The
Doctor, with River, Rory and Amy find themselves near the TARDIS in a graveyard
in present day 2012, in New York. Rory’s
crazy plan had worked. While the Doctor
makes plans to take everyone home, Rory is drawn to a grave stone with his name
on it, but before he can do anything about it, a rogue Weeping Angel sends him
back 50 years into the past. This was one of those ‘Aaargh.’ moments. Amy is horrified. She refuses to leave Rory and allows the same
Angel to touch her so she can rejoin her husband and live out her days with
him. The Doctor is distraught and so am
I. His two companions are gone and this
time their fate is sealed. He can never
get them back.
River
Song ever the warrior reminds the Doctor that there is nothing he can do to
bring them back, but that Amy would have been the person to publish the Melody
Malone stories in the past. Realising
this, the Doctor races back to the park to recover the torn pages. He finds a passage written by Amy for the
Doctor. It’s a real tear jerker of a
passage so hankies at the ready. At the
end of the letter to the Doctor, Amy asks the Doctor to visit her younger self
and take her on amazing journeys in the TARDIS which rounds off the life and
loves of Amy Pond.
The
Angels Take Manhattan for me had so many red herrings I did wonder when I’d be
put out of my misery, from the first instance where Rory disappears in the
Park, to losing him again in the basement, to his fate sealed in Winter’s Quay,
then the jump from the same said building.
How many times could a man die in one episode???
It was
inevitable from that respect that Rory if any, would be the one to leave the
show that day. Odd as it may be, I found
I wasn’t ready to let go of Amy Pond. I
liked her quirky humour, her Scottish accent, her red hair. I wasn’t ready to say goodbye and when she
left I felt this hollow feeling inside of me.
Like that moment when Dumbledore died in the Harry Potter novel. I was NOT expecting that.
It is not
often you gel with a good couple of companions, and when they are on the screen
you feel an excitement and look forward to the countless journey’s they will
take with the mad man in the blue box.
But as with any of the Who companions, all good things must come to an
end. Goodbye Rory and Amy Williams, I
shall indeed miss you!
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