Director of Atlantis,
Doctor Who, SJA, Merlin, Torchwood
As
a director, when you’re given a script to work with, what processes do you go
through before you begin filming?
Alice:
I usually have between 4-6 weeks prep before shooting, depending on how
many episodes the block is. In this time I will cast, choose locations and if
it’s a CGI -heavy show like ATLANTIS I’ll spend a lot of time with a storyboard
artist, sketching out FX shots.
There’s also the chance
to have a tone meeting with the writer, and catch up on what other blocks have
been doing. If you are working with actors on a series or serial, it’s
important to watch what they’ve been playing and how their storylines have
developed. Planning is really really important but when you get on set you have
to be prepared to throw it all out of the window. I’m in awe by Ridley Scott
who says he has every shot planned before stepping on set. It certainly would
make life a lot easier but on a show like ATLANTIS the three leads have such
great ideas, it would be foolish to not listen to them and then also consider
whether you are still shooting it the right way. I guess it’s the difference
between a TV schedule and budget and a film one. We do our rehearing on the
floor in about 10 minutes, whereas they probably have days beforehand.
The
programmes you have directed so far have a very science fiction/fantasy element
to them, but what is it about that particular episode or series that draws you
in to direct it? Are you a fan of the fantasy and mythological tales?
Alice:
I do love a genre. A few years you couldn’t move for cop shows, now it’s
vampires and zombies. I keep trying to have the discussion that it’s all about a
generation coming to terms with mortality without the religious promise of an
afterlife. That any life after death, even a shuffling, flesh-eating one, is
more tempting than not existing. People do start sidling away from me quite
quickly.
I binge on the writers and
shows I enjoy. Recently I’ve loved THE RETURNED, THE WRONG MANS, AMBASSADORS
and PEAKY BLINDERS. My kindle is full of Robin Hobb, Joe Abercrombie, Mark
Lawrence, Jilly Cooper, Agatha Christie, Mary Stewart, Mary Renault,
Christopher Fowler, Patrick Rothfuss and most recently Scott Lynch with amazing
Locke Lamora trilogy. (recommended by Katie McGrath who also took several weeks
of my life away with the GAME OF THRONES books)
I’ve also directed SILK;
amazing writing by Peter Moffatt who I’d work with again at a drop of hat. And
FRANKIE with the wonderful Eve Myles so I do realism occasionally. However this
year does seem to be lining up all sci-fan/fi again, which is delightful.
Having
worked on Doctor Who, SJA, and Torchwood, were there any memorable moments
during filming that you can share with us?
Alice:
For me the main thing was working with Russell. I loved his creativity
and joie de vivre. You knew immediately if he liked something – or if he
didn’t. Just a wonderful showrunner.
Had
you always wanted to be a director or had there been another role within
filming that you’d been involved in first?
Alice:
I’ve always wanted to direct. Well, since I started doing drama at
school. I just wanted to work with amazing actors, that was all. But I did many
different jobs on the way to getting here, just to work in the right area. I
ironed actors’ underpants, was a box office assistant, script reader, stage manager.
I was even an agent’s assistant. I tried acting at University but I was so wooden.
Good to know how exposing it feels though. All of those jobs showed me
something that informs on how I direct. Even if it’s just patience (the
underwear).
Out
of all the actors you’ve worked with over your career, who has been the best
person to direct, and who would you still love to direct on set?
Alice:
Impossible to answer. I’ve just been lucky enough to work with people
I’d like to work with again and again, if the opportunity arose.
Who
inspired you to become a director?
Alice: Kenneth Branagh. Nick Phillipou.
As
entertaining as the drama has been on the Saturday evenings, will there be more
Atlantis, and will it feature the same trio? Will we see Jason voyaging out on
a ship to find the Golden Fleece? Will we see more of Mark Lewis Jones at some
point?
Alice:
Well, it’s got a second series. As to the
specifics, you’ll have to wait and see.
What
are your plans for Christmas, will you be working or relaxing with family?
Alice:
Both. Starting an exciting project in December, and having a two week
break.
Fans
questions:
Pauline
Howard: Hello Alice what was your favourite Episode
of Merlin and Dr who
Alice:
Hello! MERLIN has to be SWEET DREAMS with the marvellous Georgia Moffett
and Kevin Eldon or SWORD IN THE STONE two-parter which ended S4. Oooh and I
really liked THE FISHER KING with Donald Sumpter. And the one where UTHER dies. Too many to say!
Claudia
Lindner: You have directed two wonderful episodes of
TW, Small Worlds and Out of Time, how come you didn't direct further episodes,
esp. in s2?
Alice:
Because it filmed at the same time as DR WHO S4. I loved doing
TORCHWOOD. Worked with the producer ,the lovely Richard Stokes again on SILK.
Jess
Emma Towey: Which of the programmes did
you most enjoy working on and why?
Alice:
I’m very lucky – I can only think of one show I didn’t enjoy working on.
Usually I have a great time, like the last block of ATLANTIS I did, we just had
a laugh everyday and I’m really proud of those episodes ( 10 and 11). But when
I did DR WHO I was also pregnant and I felt like the luckiest person ever. My
son Alfie is now 5 and he’s JUST starting to watch my shows – he loves HERCULES
in ATLANTIS and couldn’t quite believe it when he met Mark Addy recently.
©BBC Torchwood 2006
Too bad she only directed two eps of Torchwood. I'd love her to do more TW, perhaps if it comes back eventually. ;)
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