Showing posts with label Steve Taylor Bryant. Show all posts
Showing posts with label Steve Taylor Bryant. Show all posts

Sunday, 17 August 2014

News Happy Birthday Jacqueline Joyce & Steve Taylor-Bryant


Steve is Editor of The Cult Den, as well as being a writer with us here on the blog. 

Jacq’s is a big fan of Torchwood and of our illustrious leader, Captain Jack Harkness.

Did you know on this day in 1968 episode 2 of The Dominators was broadcast?  It starred Patrick Troughton as the Doctor with companions Jamie McCrimmon and Zoe Heriot. 
Writer was Norman Ashby (pseudonym for Mervyn Haisman and Henry Lincoln) and Director was Morris Barry.

The story tells of the sadistic Dominators and their robot Quarks who threaten the pacifist planet of Dulko*



Others celebrating today are: Robert De Niro, Sean Penn, Donnie Wahlberg, Thierry Henry, Davy Crockett (1786-1836), Rachel Hurd-Wood, Mae West, Robert Joy.

Have an awesome day from all of us at Project: Torchwood. 

Resources:
©BBC Doctor Who 1963
Campbell (2000) Doctor Who Pocket Essential Guide



Thursday, 29 May 2014

Who Reviews The Rings of Akhaten by Steve Taylor-Bryant


Written by Neil Cross
Directed by Farren Blackburn
Broadcast 6 April 2013

It's Clara's first proper trip on the TARDIS and the Doctor takes her to the Rings of Akhaten, a collection of communities built around a sun. In a bazaar market Clara is appalled to learn that items are bought with sentimental items and not hard currency, believing that family heirlooms and the like should be cherished. After being split up from the Doctor Clara finds a young girl hiding. The girl explains she is Merry Gejeh, The Queen of Years, and is scared of singing at a ceremony in case she gets it wrong.

Songs are used to keep an angry God sleeping and, when a mummy awakens, Merry panics thinking she has done wrong. Using her Mother’s ring, Clara hires a space bike at the Bazaar and the Doctor and Clara race to stop Merry's soul being taken. The Vigil arrive and try and force the sacrifice of Merry to go ahead and the Doctor holds them all at bay long enough for Clara and the girl to escape before realising the mummy isn’t the God.

The planet sized sun is actually the evil monster and, knowing it can only be stopped by memories, the Doctor unloads his entire history into Akhaten but to no avail. Clara however has the leaf that caused her parents to meet and its endless possibilities overcome Akhaten and he implodes. This is the first time Clara realises she has seen the Doctor before - at her mother’s funeral - and tells him she is not a replacement for this strange girl he has been chasing.

Neil Cross had the unenviable task of giving Clara her proper 'Space' introduction into the world of Doctor Who and what a fantastic job he did. I never liked Amy Pond as a character and, after Amy and Rose, was worried about another young girl companion but with scripts like this from Neil Cross all my fears and worries have dispersed. The bazaar had a Mos Isley Star Wars feel to it and it was a visually stunning episode, backed up by a great story and plenty of nods to a bygone era of Who.

Superb sci-fi, superb Doctor Who, Neil Cross take a bow.

©BBC Doctor Who 1963



Monday, 28 April 2014

Who Reviews Journey To The Centre of the TARDIS by Steve Taylor-Bryant


Written by Steve Thompson
Directed by Mat King
Broadcast: 27th April 2013
Reviewed by Steve Taylor-Bryant


Due to the TARDIS’ reluctance to get on with Clara, the Doctor sets the controls to basic and decides to teach Clara how to fly when they get caught by a salvage ship. The Doctor awakes to see a crew of brothers and a crashed TARDIS but no Clara. The Doctor convinces the crew to help rescue Clara and, once inside the TARDIS, he locks the doors and sets the self destruct, warning that he will not switch it off until Clara is safe.

Not being able to help himself, one of the salvage crew tries to take an essential part of the TARDIS which infuriates the ship, killing the salvage man and locking the others and the Doctor in a series of tunnels. Clara, meanwhile, is being chased by a ghostly figure and runs. She finds herself in the TARDIS library and reads The History of the Time War, finding out the Doctor's real name. Clara eventually finds herself in the console room and is being mimicked by the mysterious figure which, it turns out, are echoes of themselves.

The Doctor saves Clara from the echo and they must venture to the engine room to repair the TARDIS before the Eye of Harmony explodes. They come across a void and, believing there is no hope for survival, the Doctor questions a confused Clara on how she keeps appearing in his life. Taking a leap of faith the Doctor and Clara jump, landing to find an exploded engine room trapped in time stasis for protection. A burn on the hand Clara had received during the initial crash was revealed with 'Big Friendly Button' scarred into her palm so they race back to the console room to undo all that had been done.

I love Steve Thompson. His writing on The Reichenbach Fall during the second season of Sherlock was immense so the chance for the talent of Thompson to take a closer look at the workings of the TARDIS had to be seen. The episode though turned into an old school sci-fi run around escaping aliens tale with the salvage crew and the family story becoming largely irrelevant. I did however enjoy the sideswipe at the social media haters with the Big Friendly Button. An okay episode but far from being a classic.

©BBC Doctor Who 1963


Saturday, 26 April 2014

Who Reviews Hide by Steve Taylor-Bryant



Writer Neil Cross
Director Jamie Payne
Broadcast 20 April 2013
Reviewed by Steve Taylor-Bryant

Professor Palmer and his assistant Emma Grayling are ghost hunting at Caliburn House, where Emma's psychic abilities have managed to lock onto an entity. The Doctor and Clara arrive, pretending to be from Military Intelligence, to see what the duo are up to. After noticing the spirit is in the same position in every photo, the Doctor and Clara embark on a flight in the TARDIS photographing the same spot throughout the history of humanity. This causes uproar with Clara who remarks, "We're all just ghosts to you" to a fascinated Doctor.

From all the photographic evidence they determine that the ghost is actually a time traveller called Hila trapped in a pocket of time where one second for her relates to a hundred thousand years in reality. A rescue mission is planned involving Emma's psychic link, a harness secured in the present time and a crystal from Metebelis III and so the Doctor enters the time bubble. He manages to save Hila but a creature is chasing them back towards Caliburn House and, by the time Hila is safe, Emma collapses from exhaustion and the Doctor is stuck with a strange creature in the time pocket.

Clara manages to get a reluctant TARDIS to help rescue the Doctor with a low flying entry into the time pocket, allowing the Doctor to jump aboard and return to the House safely. The Doctor works out that Emma's psychic link was so strong because Hila is a direct descendant of her and the Professor and, whilst examining the magnitude of what love can achieve, decides that the creature also deserves the same attention. The creature is brought through to the reality to be with its mate.

This was a ghost story and a love story all rolled into one superb episode. I have long been an admirer of the writing of Neil Cross and the humanity that he can bring to any situation and, with the love of the two creatures perfectly mirroring the relationship of Emma and the Professor, a multi time sci-fi story was firmly grounded in an emotional reality that we can all recognise and understand. The relationship between Clara and the Doctor also shows signs of human emotion with the uncaring Doctor conducting his experiment and Clara realising he will never be like a normal man.

The chemistry between Matt Smith and Jenna Coleman has been incredible since Asylum of the Daleks but has really grown through the second part of season seven and this episode is a perfect example of when cast chemistry truly works. Hide is second in my list of Matt Smith episodes, only being beaten by The Doctors Wife and in my Top Five of all NuWho episodes.

A gem of a story by a writer I tip for Moffat's replacement when the time comes.

©BBC Doctor Who 1963


Who Reviews Cold War Review by Steve Taylor-Bryant


Written by Mark Gatiss
Directed by Douglas Mackinnon
Broadcast 13 April 2013
Series 7
Reviewed by Steve Taylor-Bryant

A Soviet submarine in the early 80's begins to defrost an ice block it believes contains a Mammoth but it contains something much more evil. The submarine starts to sink and the defrosted creature escapes as the TARDIS materialises and a surprised Doctor and Clara stumble out to find they are not in Las Vegas where they were actually heading. The Doctor quickly gets his bearings and convinces the crew to take the submarine sideways to prevent a crash and a nuclear explosion.

The Doctor comes face to face with his old enemy The Ice Warrior in the guise of Grand Marshall Skaldak and begs the Russian crew to act in peace but one of the officers attacks Skaldak. With revenge being on Skaldak's mind, the Doctor and the crew chain up Skaldak whilst the Doctor tries to work out the next move. Skaldak activates a homing beacon knowing his race will find him.

Clara volunteers to talk to Skaldak and, with the Doctor’s words, explains that he has been frozen for five thousand years. Skaldak is sad for the loss of his people and in particular his daughter and escapes his suit. Martian law means the whole of humanity is responsible for an attack on the Ice Warrior and he arms the nuclear weapons ready to destroy the Earth. An Ice Warrior ship appears above the surface, pulls the submarine up and beams Skaldak aboard. In one last attempt at peace, the Doctor begs Skaldak to spare the humans and eventually Skaldak disarms the nuclear payload.

I was so excited to see the Ice Warrior come back into Doctor Who. The last time they had appeared on screen was 1974 and I was still a year from being born, so it had been a while. I am also a huge fan of Mark Gatiss and thought such a fan of the legacy of Doctor Who would produce something epic. However, I was very wrong and left disappointed with what was essentially a Dalek rewrite. The chance to do something special with a classic villain of the older days of Who was surely missed.

©BBC Doctor Who 1963

Wednesday, 30 October 2013

The Mothership Favourite Doctors by Steve Taylor-Bryant




6,11,8,9,2,4,5,1,7,3,10

No it's not a code to hack the CIA, nor is it my bank account details and even if it was would you really want my overdraft? Nope it's my Doctors in preference order.

I somehow get involved a lot on Twitter with debate on favourite Doctors, and very often those I am debating with get nasty with their incessant view that I am not entitled to my opinion. It is also quite difficult to get your point across in 140 characters. Don't get me wrong I love my Doctor Who but someone has to be the best and someone has to be the one I enjoy the least. So here we have it, my Doctors in order, my reasons why, and my favourite episode from each incarnation.


SIX
Whilst I started my viewing at the end of Tom Bakers reign, it is the other Mr Baker who takes my top slot. My reasons are quite simple and logical if you think about it. The Doctor was responsible for ending the Time War, he finished off both the Dalek race and The Time Lords, his own people, and if I was part of that much death and mayhem I would be very dark in character. Colin Baker was the Doctor during a very trying time at the BBC and I thought he played the character exactly as I would have, albeit without strong stories and a serious lack of investment in the show. And yes I really did love that outfit!

Episode -The Ultimate Foe from 1986's The Trial of A Timelord. Written by Robert Holmes and Pip and Jane Baker


ELEVEN
Matt Smith burst onto the scene from relative anonymity and from the outset was hilarious in his speaking. He talks fast and intelligent like a madman in a box should. Whilst not a fan of The Ponds, I don't like overpowering companions, Matt Smith takes the adventures written on the page and brings them life in a unique way all of his own doing. The punch lines, the speedy intelligence and the zany interaction with co-stars is incredible. Unlike most I talk to I am a huge fan of Moffat and his writing and Matt Smith works well with Moffat scripts but is charismatic enough to carry episodes written by lesser story tellers (see Chris Chibnall's awful Dinosaurs In A Spaceship)
                                                                                            
Episode - The Doctors Wife. Written by Neil Gaiman

EIGHT
Who else could make a film length Doctor Who with a shocking script and poor undercard casting work? Paul McGann brought humanity to the role that in the mid 1990's was exactly what was needed. He was caring, loving, and intelligent whilst not losing any of the eccentricities you demand from a Timelord. He played off Eric Roberts Master really well and made Roberts up his act to a level he didn’t know was possible. Much maligned at the time, McGann continues in book and audio form tremendously and of all the Doctors that could come back for the 50th anniversary it is McGann and his eighth incarnation I would like to see the most.
                                                                                            
Episode - Doctor Who The Movie. Written by Matthew Jacobs

NINE
I am a huge fan of Christopher Eccleston. He was great in Cracker, Shallow Grave, was the highlight of the awful Gone In 60 Seconds, and had worked previously very well with the man tasked to bring back Who, Russell T Davies. From the leather jacket, a nice departure from the zany wardrobes of the previous Doctors, to the quick changing moods, Eccleston's portrayal was a fitting return to form for a character so sorely missed for so long and the perfect style to introduce a new generation of fans. In future years, whilst he only did one series, Eccleston should be lauded in the same way that William Hartnell is for being the re-birth of Doctor Who. 
                                                                                           
Episode - Dalek. Written by Robert Shearman

TWO

Patrick Troughton changed Doctor Who forever. He left behind the serious scientific and almost always grumpy First version and introduced a zany insanity that I don't think had ever been seen on television before. Without Troughton you wouldn't have the humour that many actors in the role have used, and he is the reason Matt Smith is so perfect in the role. Patrick Troughton crosses the generations better than most. For example I can't watch SIX with all levels of my family but stick on Troughton and there is my mum, my kids and I glued to the screen.

Episode - The Ice Warriors. Written by Brian Hayles


FOUR

The booming voice, that scarf that every child of the 70's and 80's had their Grandma's knitting, K9, Romana, need I go on? Oh ok then. To many Tom Baker’s portrayal is The Doctor and they are entitled to their opinion and I see why they would go for him, but that being said Mr Baker leaves me wanting more. I know he had his issues with management, writers, co-stars, and well just about everyone, but he was Doctor Who during a golden period of writing for the show and the introduction of some of the best characters, and yet I feel empty on too many occasions and wish he had fulfilled the potential and promise we saw when he started in the role.

Episode -  The Talons Of Weng-Chiang. Written by Robert Holmes

FIVE
I really would love to put Peter Davison higher in my list. He was a superb actor and could have been a great Doctor, one of the best, but for incredibly weak scripts and really poor casting in too many episodes. Growing up through the Nathan-Turner era of Who was a mixed bag for a fan. Here we were with a young Doctor, a new show runner and hope. What we got was an actor who did his best but whose frustrations at what was going on around him leaked into his performances. Some of his episodes you can almost see Davison restraining himself from acting out physical violence on the cast, throwing his arms in the air and storming off set. A shame, a real shame.

Episode - Castrovalva. Written by Christopher H Bidmead

ONE
William Hartnell really should be higher up the list I know but it’s where he is purely through the fact I have not had the pleasure of seeing that many of his episodes. The ones I have seen I have enjoyed. His almost strict science teacher character gives me chills and makes me wish more episodes were still in existence. The Grandfather of Who, I salute you sir!

Episode - An Unearthly Child. Written by Anthony Coburn



SEVEN

Sylvester McCoy was a strange choice for the role. He comes across with very little personality, even now in television appearances, and a maybe more enigmatic character was needed to drag Doctor Who away from the brink of extinction. Sadly the powers that be must have known the end was nigh and with McCoy you can see that they had just about given up. There were some highlights, Ace played by Sophie Aldred being one of them, and not all of the screen time of Sylvester's was poor. No one deserves to be the star that finally finished off the show and the comeback for regeneration in the movie was a nice touch.
Episode - The Greatest Show In The Galaxy. Written by Stephen Wyatt

THREE
Jon Pertwee is a strange one for me. I cannot decide whether his portrayal is sheer genius or camp nonsense. He was certainly different to Troughton and gave Tom Baker a springboard to take Who in a different direction. His interactions with companions were certainly great and who doesn't love Elizabeth Sladens Sarah Jane? But for every great conversation and scene there was flouncing about and that bloody car! Maybe I've missed the point somewhat with Pertwee and a massive rewatch is due.
Episode - The Green Death. Written by Robert Sloman

TEN
Ah! The part of the article that is going to have fan girls screaming at me and fan boys threatening my life but David Tennant, really? The show had just been brought back in spectacular style and whilst Eccleston didn't want to continue, surely there was a better actor for the role? I am not questioning David Tennant’s abilities as an actor, I have really enjoyed him in other roles and thought he was superb in the bio pic Munich. But my god he took smarmy to a level never seen before. We luckily had a great introduction to Rose so we knew she was good as a companion but then the Tennant lady charm sets in and Doctor Who is suddenly a romantic comedy. Throughout his tenure he was constantly played off screen by superior actors that "got" their characters. John Simm as The Master made Tennant’s Doctor seem insignificant, Donna and Martha constantly stole the spotlight, and too many times it became the Captain Jack Harkness show. The cringe worthy two episode goodbye for David Tennant was neither deserved nor needed.

Episode - any with Bernard Cribbins as Wilf.  Writer I’d seriously stopped caring


Photo Source:
www.bbc.co.uk/doctorwho
www.davidtennant.com


Tuesday, 29 October 2013

The Mothership The Sixth Doctor by Steve Taylor-Bryant


Colin Baker had the role of Doctor Who at a point in time when the British Broadcasting Corporation was experiencing what can only be described as an explosion of internal politics. Producer fighting executive, new talented writers being stifled, little or no budgets for shows. After a brief 18 month hiatus the 6th Doctor returned with the warning of then General Director of the BBC Greg Dyke still ringing in its ears, "succeed or you will be cancelled", a threat that one Doctor and a couple of years later would become a reality.

It returned with new graphics, a new theme arrangement from Dominic Glynn and a shorter 14 episode single story arc. One of the, at that time, most popular writers Robert Holmes wrote the majority of the season and " The Trial of a Timelord " came kicking and screaming back onto our screens.

During the run up to that season under all that pressure, the weight of expectation from the fanbase, the legend of the role, and the ever increasing threat of the captain that sank the ship, Colin Baker handled himself with a dignity and style that I think only he could. I remember watching Wogan interview him just before Trial started about the politics and threats of cancellation and Colin spoke with such passion and support of the show you couldn't help but fall in love with him and all he stood for.

Strangely the first cancellation had occurred not just through viewer drop off but that the executives in the boardroom of Broadcasting House had deemed this portrayal of the Doctor too dark and violent. This is strange as it’s the reason this incarnation is my favourite. The Doctor is a Time Lord that single handily destroyed 2 races including his own to end the Time War and had the power to change history and save or kill people as he saw fit. Surely if you had that much guilt in your soul and that much blood on your hands and that much power to control on a daily basis your mood may be dark.

I loved the way Colin approached the role, intelligent, funny in a dry way, angry, loving and arrogant all at the same time. The chemistry between himself and the delightful Nicola Bryant as Peri led to Doctor/companion combination second only to a Doctor/Sarah-Jane combo. The incredible guest cast of television luminaries all added to the aura that once again surrounded the show and I don't think anything has come close to that high in 1986 until Messer's Moffat and Smith with the 2011 Series Six River Song multi story arc.

Colin Baker is THE Doctor, MY Doctor and always will be. He carried himself and the show with utter class and is still the man I would most like to meet for coffee and a chat.
Thank you Mr Baker Sir, you made my childhood and have led me into my midlife with incredible memories, the title of legend is too often bandied around these days but in your case is THE only word.




Photo source:









Saturday, 27 July 2013

The Coffee Shop Miracle Day by Steve Taylor Bryant




TORCHWOOD:MIRACLE DAY
By Steve Taylor Bryant
TheCultDen

It's time to go on the offensive again and stick up for a work of genius that is much maligned, even by avid fans of the show...Torchwood:Miracle Day.

Season 3 of Torchwood saw the show branch out into long story arc territory; surprisingly what Russell T Davies replacement on Doctor Who Steven Moffat got vilified for and, with Children Of Earth, the bar was raised in Torchwood and in sci-fi drama itself. Following the best that the show had ever offered, Children of Earth, was always going to be a tough task. You had to do something different, go somewhere new with it, and therein lies everyone's problem...

They don't like change!

Using a ten episode format was considered a risk, as was pretty much moving lock, stock and barrel to the States. Ten episodes may have been slightly long but I don't agree with those that say the story dragged.  I honestly think it's a quick and easy insult to say that and, if there is a problem, it lies elsewhere.

People moaned about the casting before the show was even on our screens.  Doubt built up to enormous levels that just weren't fair and I'm sure this harmed enjoyment and viewing figures. The thing is, in a world of 24 hour social network opinions, everyone is a casting agent or director. If they weren't, I'd be out of work and I am as guilty as others of thinking I could do a better job. The difference is that I will give everything a go and judge it on its own merit.

I knew it wouldn't be "Children of Earth" again but wasn't expecting people to view it as a two headed dragon either. My colleague here, Rick Austin, likened it to the reaction that a third series of Fawlty Towers set in Jamaica would garner and, whilst the point is valid, it saddens me that people are so judgemental before a show's release.

I have long called for a Torchwood/X-Files crossover. I thought an F.B.I link up with Captain Jack would be an exciting proposition so, when the concept for Miracle Day was announced, I for one was over the moon and was already defending my opinion to the naysayers.

One day, nobody dies. All across the world, nobody dies. And then the next day, and the next, and the next. People keep ageing. They get hurt and sick, but they never die. The populace of the planet dub this "Miracle Day" for the immortality they now seem to have. However, this leads to a negative result: a population boom, overnight. With all the extra people unable to die and continuing births, resources have become limited. It’s suggested that in four months’ time, the human race will cease to be viable. But this can’t be a natural event – someone must have caused "Miracle Day". It’s a race against time as C.I.A. agent Rex Matheson investigates a global conspiracy. The answers lie within an old, secret British institute. As Rex keeps asking “What is Torchwood?", he’s drawn into a world of adventure, and a threat to change what it means to be human, forever.

The casting was strong. Alongside the always great John Barrowman (Captain Jack Harkness), Eve Myles (Gwen Cooper), and Kai Owen (Rhys Williams), was a strong support ensemble with two massive highlights.  Among the great support cast were Alexa Havins as Esther Drummond and Lauren Ambrose as the dastardly Jilly Kitzinger. But the stand-outs every time they were on screen were Bill Pullman and Mekhi Phifer.

I thought Mekhi Phifer as Rex Matheson was inspirational casting. He shook off his 8-Mile Eminem shackles, built a chemistry that he seemed to lack in E.R. and played really well alongside John Barrowman's often quirky Captain.

Bill Pullman as Oswald Danes played a psychotic like he really was, whilst exploring depression, redemption and fame hunger with such style.

The story concept was believable and shocking in equal measure. The writing itself was of a level unseen in Sci-Fi drama before.  Russell was head writer and brought with him John Fay (Torchwood:Children Of Earth/Mobile) and filled the creative room with the best of American TV writers. Jane Espenson (Buffy/Angel/Eureka), John Shiban (X-Files/Breaking Bad), and Doris Egan (House M.D/Numbers) between them produced a complex but slick plot and told the story extremely well.

Not everyone will agree with me and that's their entitled opinion. But before you join the bandwagon of haters, ask yourself one question "Do I hate it because it's intelligent and I like my shows dumbed down and celebrity based?"

When "Made in Chelsea" is winning Bafta’s and people are moaning about the story arcs in Doctor Who and Torchwood being too complicated, then we live in sad times. I say to those fans wanting a series five of Torchwood - you should have been more receptive to the changes in series four. When your screens are filled with fake tan wannabes you only have yourself to blame.

Saturday, 1 June 2013

Articles Welcome to Issue Two - Everything Changes



Content Guide

Consequences – Interviews
David Llewellyn – The Baby Farmers
Sarah Pinborough – Kaleidoscope
Andrew Cartmel – The Wrong Hands
James Moran – Virus
Joseph Lidster – Consequences
Paul Kasey
Murray Melvin
Marnix Van Den Broeke

Articles
If Torchwood came back for a 5th Season...
If you could take home an alien artefact...
Everything Changes Episode Breakdown
Everything Changes Memories
Jack – Beyond Torchwood
Murray Melvin aka Bilis Manger
The Silence & The Slender Man by DJ Forrest

Expos & Cons
Doreen FedCon report – Eve’s panel Pt 1
Susan Bonkamp Wizards World Philadelphia Con

Fan Fiction
Viva Torchwood Part Two
Terminus

Gadgets & Gizmos
Everything Changes

Reviews
Sarah Pinborough – Kaleidoscope by Steve Taylor-Bryant
Andrew Cartmel – The Wrong Hands by DJ Forrest
James Moran – Virus by Dawn Christoffersen
David Llewellyn – The Baby Farmers by DJ Forrest
Joseph Lidster – Consequences by DJ Forrest

News
Project: Torchwood Made The News

Locations
Everything Changes





Reviews Kaleidoscope by Steve Taylor-Bryant


To say it was a pleasure to review this story would be an understatement. I like Sarah Pinborough's writing and she is one of only a handful that really "gets" Torchwood, and possibly the best candidate to write a non Captain Jack piece.

Set after Jack’s disappearance at the end of Season One we find a Torchwood in disarray, with no leader and alien technology issues. The team must keep the rift stable, pick a leader to replace the much missed Captain, and investigate a piece of tech that has given a young man named Danny the perfect life.

This story is very dark in tone and that is a good thing. My favourite Torchwood episodes are the dark ones, the ones full of indecision and complication. Sarah Pinborough starts her tale dark, gets darker, and ends it in a dark place.

As I have said I prefer the darker stories but at the same time it's not too dark for a fan new to Torchwood to pick up and enjoy. Sarah writes interactions incredibly well and parts are very humorous.

All in all a superb part of the Torchwood  family. It's just a shame it's so short.

Tuesday, 7 May 2013

Articles Welcome to Project: Torchwood Issue One May 2013




Contents Guide

Articles
About Us
Who Is Ben Loyd-Holmes
Who is Dillon Casey
Tribute to Richard Briers
Roleplayers Vs Cosplayers – Cosplayers
Roleplayers Vs Cosplayer – Roleplayers
TW Blooper Reel
Torchwood Crossover by Steve Taylor-Bryant

Expo & Cons
Doreen’s Fedcon Experience
Antje Strauch’s Fedcon Experience
Calgary 2013 by Susan Bomkamp

Fans Fiction
Viva Torchwood by Doreen Freitag

Interviews
Interview with Ben Loyd-Holmes by DJ Forrest
Live Interview with Dillon Casey by DJ Forrest
Interview with Joseph Lidster by DJ Forrest

TW Reviews
In The Shadows audio story by Christopher E. Fain
Lost Souls audio drama by Steve Taylor-Bryant
Red Skies audio story by Steve Taylor-Bryant




Editor’s Note

Now fully updated, bugs ironed out, please come in and look around at our First Issue.  Please leave comment and please call again.

Issue Two out 1 June 2013.  Be sure to visit our Facebook Page and leave questions for our upcoming guests.

Thank you for your continued support.
~Jack~


Content updated 24/01/19