Showing posts with label The Middle Men. Show all posts
Showing posts with label The Middle Men. Show all posts

Thursday, 10 September 2020

Articles Welcome to Issue 84 WATNOW: MD: The Middle Men

 


Contents Guide

Articles

WATNOW: MD: The Middle Men Cast

https://projecttorchwood.blogspot.com/2020/09/articles-where-are-they-now-miracle-day.html

Who Reviews

Enemy of the World

https://projecttorchwood.blogspot.com/2020/09/who-reviews-enemy-of-world-by-matt.html

The Web of Fear

https://projecttorchwood.blogspot.com/2020/09/who-reviews-web-of-fear-by-matt-rabjohns.html

The Wheel in Space

https://projecttorchwood.blogspot.com/2020/09/who-reviews-wheel-in-space-by-matt.html

By Matt Rabjohns

The Fires of Pompeii

https://projecttorchwood.blogspot.com/2020/09/who-reviews-fires-of-pompeii-by-sf.html

Love & Monsters

https://projecttorchwood.blogspot.com/2020/09/who-reviews-love-monsters-by-sf.html

By Sarah Cambridge

Interviews

Nathan Sussex Catch Up

https://projecttorchwood.blogspot.com/2020/09/interviews-catch-up-with-nathan-sussex.html

The Mothership

Earl Cameron CBE

https://projecttorchwood.blogspot.com/2020/09/the-mothership-earl-cameron-cbe.html

 Locations

Day Two Children of Earth

https://projecttorchwood.blogspot.com/2020/09/locations-children-of-earth-day-two.html

 

Editor’s Note 

It’s been a busy old month, what with one thing or another. Still no let up on this Pandemic. Every day is looking more and more like an episode of Torchwood except for without the Weevils. Everyone panicking and taking three steps back the moment someone sneezes, or has a seasonal sniffle. 

So while the country decides on which of their seven children won’t be sleeping under the same roof come Monday, or which of your seven friends you won't be seeing till this whole pandemic is over, you can be at least assured that WE will keep you entertained with Torchwood.

This month, albeit it a bit late in the launching of, we have our Who Reviewers giving you a look back on some cracking episodes of Doctor Who from the Classic to the 10th Doctor. We have the long-awaited Profile of Earl Cameron CBE, and a brilliant catch up with Hollyoaks’ own, Buster Smith – Nathan Sussex – you won’t want to miss that. 

As ever, a massive thank you to my wonderful team, and to Nathan Sussex for an awesome catch up. See you all next month, which won't be that long, given the delay this month. 

So, without any further ado, welcome to Issue 84: WATNOW: MD: The Middle Men. 

Captain Djak  

Articles Where Are They Now - The Miracle Day Middle Men Cast?

 

"This is the truth for the whole world to see. We let our governments build concentration camps. They built ovens for people in our names. Now I don't care if the whole of society bends over and takes this like a dog, I'm saying no." Gwen Cooper

While trouble kicks off at the San Pedro Camp, Jack goes in search of Stuart Owens, Phicorp's Chief Exec and discovers that the answer to Miracle Day lies in a cryptic document, telling of The Blessing that originated in Italy. 

Rex and Esther are saved from further harm from Maloney, when his sidekick Ralph shoots the camp manager and aides their escape. Rex has discovered that the camp incinerates the 'undesirable' sick, the illegals, the criminals and his girlfriend, Vera. 

Gwen eventually rescues her dad from the camps and blows up the Cowbridge ovens, but returning to America, receives a message through her alien contact lenses about her family, and how they'll only be released unharmed if the unknown messenger has Captain Jack Harkness. 

 

Ernie Hudson

 'Stuart Owens'

"I'm not a bad man, Captain. I'm not a good one, either. I'm a middleman in every sense of the word. And faced with the thought of being who I am for God knows how long, I'm just as keen as you to find out exactly what's going on. Especially with the stock market threatening to collapse, a man like me needs insurance. You don't believe me. You think I'm the epitome of evil, the devil in a three piece suit."

If you didn't know already, Ernie Hudson played Winston Zeddermore in the second Ghostbusters film back in 1989. In this episode however, Hudson plays Stuart Owens, the Phicorp Chief Executive in Miracle Day and gives a fine performance of a man who was initially ignorant about the Miracle and what it meant, but keeps hitting brick walls when he goes in search of The Blessing. 

Since Torchwood, Hudson has played Dr Brad McDougall in Grey's Anatomy. Played himself in How I Met Your Mother. Played Ernie Hayes in Hart of Dixie, Jack in Beautiful People. Was the voice of Pedro in Beverly Hills Chihuahua 3: Viva La Fiesta! video, Captain Bailey in Deer Crossing and a CDC Director in Nosferajew in 2012. 

In 2013, a busy year for Hudson, he played, the Judge in Guys with Kids. Played Conrad Buell in The Last Resort, played Dr Ken Fields in The Secret Life of the American Teenager from 2008 - 2013, for 18 episodes. Was the voice of Agent William Fowler for 37 episodes of Transformers Prime series. Played Commander Randolph Boles in Scandal. Played Bludso in Ironside. Leroy in Doonby, Detective Swan in Dads, Pastor Avery in Dear Secret Santa and Frank Wolfe in Reckless. 

In 2014 played Walter in one episode of The Millers, played Admiral Frost in 2 episodes of Rizzoli & Isles. Played Brooks in Scorpion episode Pilot. Played Judge Lawrence Perry for 4 episodes of Franklin & Bash. Played himself in Hot in Cleveland and Benny in Living the Dream and finally Rich in American Storage. 

In 2015 played King Poseidon in Once Upon A Time, Joe in To Hell and Back, Bob Collins in Gallows Road and Ivan Stumpwater in The Adventures of Mickey Matson and the Copperhead Treasure. 

In Robot Chicken in 2016, Hudson played Detective Ernie, Judge Hudson, Jr. and was the voice of Dad. Was the voice of Lucius Fox in Batman: Bad Blood video. Was voice of Winston Zeddemore in Ghostbusters: The Board Game II video short. Played Uncle Bill in the 2016 version of Ghostbusters. Played Miles for 4 episodes of Modern Family and Jacob Mann for 9 episodes of Graves. Was back playing himself in The Grindhouse Radio in episode GHR: Ernie Hudson & Evan Ginzburg. 

In 2017 played Ned Conrad for 12 episodes of APB. Played Pete Tribeca in Angie Tribeca. Played 2 episodes of Twin Peaks as Colonel Davis. Played Ansell Jones in Survivor's Remorse and was the voice of Robbie Robertson in Spider-Man.

In 2018 played Hank Peterson in Lethal Weapon series for 1 episode. Played Darryl Ward in Blue Bloods episode School of Hard Knocks. Played Mr Hagerty in Ballers and Richard in Nappily Ever After. 

In 2019 was the voice of John Wayne Jetwayne Jr for 8 episodes of Hot Streets. Played General Stewart in Arrow. Played 5 episodes of LA's Finest: Behind the Scenes Extras as Joseph Burnett. Was the voice of Atticus for 7 episodes of Infinity Train. Was the voice of Israel Bacon in NBA 2k20 video game. And was Dr Lawrence Abel in Adventure Force 5. 

From 2015 -2020 Hudson played Jacob in 17 episodes of Grace & Frankie. Played himself in The Irate Gamer episode Ghostbusters. Played L.C. Duncan for 9 episodes of The Family Business. Was the voice of Buddy in Puppy Dog Pals for 2 episodes. Played 26 episodes of LA's Finest as Joseph Burnett (between 2019 - 2020).

 Hudson has just completed Ghostbusters: Afterlife which will hopefully be due for release in 2021. Has also completed filming of Redemption Day as Ed Paxton, and in post production of Wizardream as Lieutenant Schwieger. It's also been announced that Hudson is to play Wayne Proctor in Mr Beebee. 

 

Jason Brooks

'Press Secretary'

"The death of Vera Juarez demands a full investigation, but there will be no apology for the Category One process. Now, we exist in a permanent state of emergency. The White House stands by our disaster response as appropriate and as sanctioned by Congress. This is exactly what we would do in times of a famine or a plague or pestilence." 

Since Torchwood, played Ben Allen in Body of Proof and Tom in Christmas Spirit in 2011. Played Eric Wallace in Home Invasion. Played Mr Montague in Beverly Hills Chihuahua 3: Viva La Fiesta! video and Jeff in Santa's Little Yelpers, along with Jack Hall in Madison High television movie in 2012. 

In 2013 was producer of the documentary Rock and Roll's Greatest Failure: Otway the Movie. Also, in this year, as an actor, he played Captain Richard Lewis in Revolution, Officer Daniels in The Good Mother and Chuck Gridge in The Perfect Boyfriend. 

In 2014, played Lt. Commander Chase Seward in Asteroid vs Earth television movie, Ted Randolph in The Mentalist and Michael in Blood Lake: Attack of the Killer Lampreys, also a movie for television. He was the voice of Ronan O'Connor in video game Murdered: Soul Suspect. 

Not much happened in 2015 bar playing J. D. Miller in Guilt by Association. He played Sy Riggs in NCIS: Los Angeles in 2016, along with Nelson Duvall in How To Get Away with Murder. Played Trevor in The Stalker Club in 2017, Captain Miller in The Saint tv movie, Roger Nolans in A Lover Betrayed, Agent Wilson in Gangster Land and James Chance in Limelight.


Jumping to 2019, played Tom Mason in Killing Your Daughter and Owen Pearson in Hawaii Five-0 and Sergio in Devil's Revenge as his final credit to date. 

 

Ciera Payton


'Janet'

"I pulled everything I could find on the Shanghai deal. And you're due to chair the PhiCorp executive board at four o'clock." 

Janet, Owen's secretary discovers that although her boss is having sweet shenanigans with her behind his wife's back, he's also being doubly dirty, by transferring his secretary away from the office and off to a new post in Cincinatti, unbeknownst to her. Good ole Jack Harkness, looking out for the Underdog! 

Since Torchwood, Payton played a Hooker in Californication series in 2012, played Eve Johnson in Body of Proof and Angel in The Mentalist. Played Officer Martine Kent in 6 episodes of Days of Our Lives and Kelly in Common Law. 

In 2013 played Ellen in NCIS: Los Angeles episode History. Played Melissa in The Other Door. Stripper #2 in Paradise and Capri in Oldboy. As a writer, co-wrote Uncollared, a film short. In 2014, was adr: voice for Dear White People. As an actress, played Nikki in TV series First. Played Cassandra for 3 episodes of Graceland from 2013 - 2014. Played Laila in The Pilot episode of Wild Card. Played three episodes of Bad Teacher as Meg the Bartender, played an Actress in It Could Be Worse television series and Chris in Xxv (25) short. 

In 2015 played Raven in American Bad Boy. Played Eve in 2 episodes of Reconcilable Differences. Played Lucy Hall in The Runner and Tracy in Real Husbands of Hollywood. Played a Teacher in What's Bullying? and Ciera In Guiltless, short. 

In 2016 played a Foster Mom in 59 Seconds, played Laurie Perkins in NCIS: Naval Criminal Investigative Service. In 2017 played Bernice in Stain, now completed. Played Grace McMorris in 2 episodes of General Hospital, played Alyssa in Indoor Boys, Lydia in Ballers and Zia in The Walking Dead in the episode The King, the Widow and Rick. 

In 2018 played Benita Bangs in film short Dangerous Daze. In 2019 played a Guest on Noches con Platanito series. Played Sylvia in A Madea Family Funeral. Played Keia in Being Mary Jane, played Jameelah Hawkins for 5 episodes of She's Gotta Have It. Played 25 episodes of The Oval as Lilly Winthrop. Played Jane in SKIP: The Rhythm of Hope, currently in post-production. Played Karen in Respect the Jux, also in post production and played Lucia in Like Father, Like Son in film short also in post-production. 

 

Jonathan Spencer

 'Tony'

 "Did you see this day staff? They're illegal immigrants, all of them. They can't even spell. Look at this. This is wrong. This is wrong. This is wrong. It might make sense in Mexico, but not here. This is wrong." 

Tony worked in the office at the San Pedro Overflow Camp, and was quite a stickler for all things running smoothly, so immediately took a dislike to Esther. Can't think why!!! 

Since Torchwood, played a Gawking Parole Officer in Let Go. In 2012 played a Fan in Dink. Bam! video short. Played Flynn of the Future in Shake It Up series. Played Cousin Terry Murphy in Prodigy Bully. 

In 2013 played Casting Director for Legit. Played Lt. O'Flanagan, Bob and a Sewage Technician for InAPPropriate Comedy. Played Clappy in Waking. Played Polygraph Examiner credited as Jonathan Splencer, and Gordon in Melon Head. 

In 2014, played Man with Puppies in Cougar Town, played Carl for 2 episodes of Mixology. Played a Humorless Scientist in Delirium movie. Played Lead Clown in Kirby Buckets. Played Carl in The Fosters in 2015.

 

Spencer worked as a Casting Assistant for Siren in 2016. 

In 2017 played Ray in Vice Principals and played Connie Donovan in The Pipeline currently in post-production.

  

Eric Steinberg

 'Zheng Yibao'

 "There's nothing there. I looked, I found nothing. Nothing at all. Goodbye, Mister Owens." 

Yibao was an inside contact in Shanghai for Owen's and was sent in search of The Blessing. When Owen's contacted him for the final time, Yibao was standing on the top of a building that was forty five floors up, or possibly higher, who reported that there was nothing to find, it was a dead end. Then promptly jumped from the top of the building to his death. The idea being that to jump from that height would cause him to lose consciousness forever. Therefore, booking him into the 45 Club. 

Since Torchwood, Steinberg played Jon Musashi in The Mentalist in 2012 and Eric Louie in CSI: Crime Scene Investigation. In 2013 played Sub-Zero (Bi Han), in 4 episodes of Mortal Kombat: Legacy. From 2010 - 2014 played Colonel Wayne Fields for 9 episodes of Pretty Little Liars. Played Dr Woo in Anger Management.

 

In 2015 played Commander Gor in Supergirl television series. Played Cory in Second Chance. In 2016 played Rodissius in 2 episodes of Lab Rats: Elite Force. Played Professor Kim in 3 episodes of The Fosters in 2018. Played Captain Keo in Hawaii Five-0 series. In 2019 played Captain Urbano in SEAL Team series. In Ghost of Tsushima in 2020 video game, is the voice of Lord Shimura. 

 

Alexis DeLaRosa

 'Young Guard'

"What the hell was that?"

Since Torchwood, played Sam Morton in Hardcore Hearts in 2011. In 2012 played an NA Member in Ringer. Played Vince and Paparazzo in Hollywood Heights. Played Oscar Lima in Applebaum, and Cortez Cruz in Your Pretty Face is Going to Hell in 2013. 

In 2014, played Eddie in Castle. Voiced the additional voices in Call of Duty: Advanced Warfare video game. Played Agapito in Battle Creek in 2015. Played HPD Officer Derek Nuss in Hawaii Five-0. Played Miguel in CSI: Cyber and Man 1 in The First, film short. 

In 2016 played Jorge in Shameless US episode. Played Nico (CSI Tech) and Sammy Daponde for 2 episodes of Rosewood from 2015 - 2016. Played Agent Bosco in Ghosts 'n Stuff Inc.

In 2017 played Vic Manos in All About Manos for 3 episodes. From 2016 - 2018 played Tom in 3 episodes of The Last Ship. In 2020 played Officer #3 in Anderson Falls.

  

Brittnee Garza

 

'Worker'

 "They say one thing and then they say another."

Garza played the new office worker who stepped into Esther's seat when she returned to the office. Esther soon moved her on, with a convincing lie about the categorisation centre requiring help with processing. 

Quite a big gap between Torchwood episode in 2011 to 2014 when Garza played a Cashier in Agents of S.H.I.E.L.D. She voiced additional loop group voice in Jurassic World, although uncredited for this in 2015. Also, in 2015 played an Employee in short Sparked, Mia in short Love to Live. In 2016 played Carrie Williams in short Therapy.


In 2017 played Julia in film short Project Child: Initiations. Played a Cute Tourist in S.W.A.T. in 2017 and LadyHawke in Wizard and Starfighter short in 2018. Played Kelly in Cletus and Roscoe series. Played Susan Levin in The Price of Fame in 2019. Played Charlee Hunter in The Little Things short in 2020, in which Garza was also a writer and producer of. Played Kate in Perfect Chaos, also in 2020.

  

Lena Kaur

 

'Dr. Patel'

 "Category Ones are dead. That's the law. Under the emergency rulings for the sake of public health, dead bodies can be incinerated en masse."

Dr Patel worked in the Cowbridge Overflow Camp. 


Prior to Torchwood, many fans might have recognised her from her time on Hollyoaks playing the character Leila Roy for 128 episodes from 2008 - 2010. Since Torchwood however, Kaur has played Maya in Prisoners Wives in 2012, Dr. Barrett in Emmerdale. Played Britney in Dani's Castle in 2013 and Shalini in Three Shades of Brown in 2014 for 2 episodes. Played Nadia Ahmed and Rabia Rahil for 2 episodes of Doctors from 2012 - 2014. Played Silent Sue in National Theatre Live production of Treasure Island in 2015. From 2014 - 2015 played 11 episodes of Justin's House as Mac The Explorer. In 2016 played Bryony for 1 episode of Happy Valley.

  

Janice Kent

 
'Female Psychiatrist'

 "Of course, suicide is impossible now, but people are becoming inventive. They're finding ways to get as close to death as possible. That's the philosophy of the 45 Club. People who believe that jumping from forty five floors up or higher is the only guaranteed way to lose consciousness forever. It's sick, but just the same, the 45 Club is catching on."

Kent was the psychiatrist being interviewed on the television, that played in the background of Owen's office. 

Since Torchwood played Wendy Milgram for Criminal Minds series also in 2011. Played Bunny in Franklin & Bash in 2012. Played Evelyn Ross in Castle in 2015 and May in May and June in film short now completed. No credits after this date. 

 

Isaac Stephen Montgomery

'Stern Soldier'

 "Who the hell are you?"

 If I'm correct, Montgomery played the soldier who clocked Rex as he 'came outside for a smoke'. He wasn't a soldier they recognised, and Rex was soon arrested and taken in to see Maloney.

Since Torchwood, played Ash in MisAdventures of a Hollywood Housewife in 2012. In 2014 played Guard #2 in Agents of S.H.I.E.L.D and played a Bouncer in Jane the Virgin. In 2015 played a Club Doorman in Almost 30 followed by Oozi in Black-ish. In 2016 played Ref in Baskets. Played Cortez Butler in Unusual Suspects in 2017, with Marcus in Spades for 2 episodes. In 2018 played Prison Guard Silver for 1 episode of NCIS. Played Sgt. Rainer in Megan, film short. In 2019 played Darius Natrell in Bosch and in 2020 played a Security Guard in Emerson Heights. 

 

William Patrick Riley

'Hat Check Boy'

 "Love the vintage coat." 

Hat Check Boy took a shine to Jack's coat as he stepped into the restaurant, and for that he received an offer that might have been hard to refuse, if Jack had the time.


 

Since Torchwood, played Sam in Chicago Fire in 2013 and Michael in Paranormal Whacktivity in the same year. Nothing after this point.

 

Marty Ryan

'Older Guard'

"That sounds like you. I'm on my way." 

Ryan played the Older Guard whose younger partner had just been knocked out by Rex, Rex then assumed his identity and amazingly played him correctly. 

Since Torchwood, played Richard - the Old-Fashion, and Ron Silverman in Golden Touch in 2011. Played Mourner #2 in How I Met Your Mother in 2012, along with Timothy in Workaholics and Captain Williams in COPS: Skyrim series. Played Sid in Cavemen in 2013, along with Zach Mischer in Grey's Anatomy and O'Hare Attorney in Perception in 2014.

 


In 2016 played Oskar in Drifting. Played Dean Rusk in Hawaii Five-0, Bowling Captain in Dr. Ken and in 2017 played Rick in Shameless. In 2018 played Mr Miller in This Is Us. Played Don in Modern Family in 2020, and an Umpire in Young Sheldon, followed by Dan Greer in Smartphone Theatre series.

  

Inger Tudor

 'Mrs. Owens'

 Plays a happily married woman who suddenly realises that her husband is not as squeaky clean as she thought he was, or maybe she did know... 

Since Torchwood, played Judge Foley in House M.D. followed by Gloria Huff in The Caterpillar's Kimono in 2013. Played Dr. Chatwin in Hand of God in 2014 followed by Teresa Jackson-Turnipseed in Turnipseed: Legacy, film short in the same year. 

Between 2015 - 2016 worked as producer and executive producer of Shakespeare in the Sphere television series. Played D.A. Nichols in The Lost One. Played Winifred Chapman in Aquarius. Played Mom in Ghosts 'n Stuff. Played Nicole in Goliath and Renee Johnson in film short On Time. In 2017 played an African Woman in Lemon. Played Head Nurse Regina in Elizabeth Blue. Played Juror #3 in Doubt and Miriam Waymon for 6 episodes of The Trial. In 2018 voiced The Local Pedestrian Population in Red Dead Redemption II video game, and was the voice of Matron in The Man with the Golden Gun: The Radio Play video in 2020. Also in this year, played Cheryl Davis for The Front Lines short and Paulette Poitier in Y'All-R Family television series.

In post-production plays Rose McClendon in Voodoo Macbeth and plays Ingrid (Mother Superior) in Nuns with Guns television movie that is credited as filming - which may or may not be at the present moment - due to Covid-19.

Tuesday, 4 April 2017

Locations The Middle Men by Steven Barber





THE MIDDLE MEN

The fourth series of Torchwood brought the cast and crew to a whole New World: North America. As part of the production deal with STARZ, much of Torchwood Miracle Day would take place in the United States, China, South America as well as the United Kingdom, creating an international scope and scale to the production.

This month’s episode, The Middle Men, was shot in only a handful of locations, only two of which were new. Interiors, as before, were shot at the Warner Brothers lot up in the San Fernando Valley, and we returned to Angel’s Gate Park for the “American Auschwitz”.

WARNER BROTHERS LOT








CICADA RESTAURANT



A second shooting site for this episode was back in downtown Los Angeles at the very chic Cicada Restaurant and Club, a famous LA property that has undergone a number of transformations over the years while retying its spectacular deco and glamor interiors. The facility is used for private parties, film and tv production, special events and assorted projects.

Opened originally in 1928 in the art deco Oviatt Building, the property was, perhaps appropriately to Torchwood Miracle Day, originally the Rex il Ristorante, a fixture for Hollywood and entertainment types. It’s truly one of downtown LA’s art deco gems. You may be able to sneak a peek if the main doors are open and there isn’t any kind of event going on. The front entryway, which is really quite lovely, is usually open to the public for viewing.

To read a little about this property, where to find it, and its history and services, check it out at: http://www.cicadarestaurant.com




I was fortunate enough to have attended and photographed a wedding at Cicada a few years ago. I can’t share those shots, for obvious reasons, but here is what the bathroom looks like. Opulence and grandeur, even in the ‘loo.





WILSHIRE GRAND BUILDING




The third new shooting site, and one in which I had some trouble gaining access to the interior, is the Wilshire Grand Building at the corner of, surprise! Wilshire Boulevard and Grand Avenue. It’s easy to find…just follow Wilshire to its easternmost intersection and look right. The building is one of three sharing this famous location, with the telecommunications-intensive One Wilshire at the head of the table, while the Wilshire Grand Building sits on the southwestern corner.

Wilshire Boulevard is one of the longest streets in LA, and certainly one of the most famous. It runs from the very center of downtown Los Angeles out to Santa Monica, ending at the bluff overlooking the Pacific Ocean.

One Wilshire, as well as the Wilshire Grand, are a short block away from Cicada, and they can both be visited on the same trip, and staying at the same parking area for that matter. Again, access to the building itself is more restricted, so you’ll be unable to visit the actual shooting locations of the building, but a casual glance at the outside gives you a feel for the area and the role it played in Miracle Day.







And a return to ANGELS GATE PARK, SAN PEDRO



As noted last month, Angels Gate Park area played a government concentration and execution base in which those people deemed Category One were quite literally burned out of existence. (This begged the question whether tiny little semi-sentient ashes continue to flutter around the LA basin, but that’s a question for a different time and website.)



Walking around Angels Gate park, which is a former World War II -era military site, is a fairly creepy affair…at least on an early Sunday morning when few other people are likely to be around. That’s an appropriate response, I think, for a location that for all intents and purposes played the role of an American Auschwitz. Walking around the locale — with virtually no restrictions, unlike the majority of TORCHWOOD shooting sites — you cannot help but recall those scenes in the barracks as the Torchwood members went undercover to discover the secrets of the camp.

Angels Gate has a far less nefarious role in real life, having been reborn in 2011 as the Angels Gate Cultural Center, dedicated to artistic projects and cultural exchange. Visitors are welcome to walk the grounds and check out some of the art classes and installations to be found around the campus.



Complete schedules and a map can be for here: http://angelsgateart.org/visitor-info/




That’s it for this month. Next month we continue our excursion through TORCHWOOD’S LaLaLand with a visit to Griffith Park, the vast wild lands in the center of Los Angeles.

Sunday, 15 January 2017

Articles Episode Breakdown The Middle Men by DJ Forrest



Episode broadcast 12th August 2011
Written by Russell T Davies and John Shiban

This episode began to get down to the nitty gritty. It was steering the story in the direction of Phicorp and who they could be. It also leads to a dramatic cliff hanger for the next episode Immortal Sins. We meet a familiar face (if you’re a fan of Ghostbusters – took me long enough to realise that) and learn of his role in the episode. It’s an interesting dinner date with Stuart and Captain Jack.

It’s sky scrapers and office romances, where deals are made and sometimes broken. Of men in control but not of all the facts. Stuart is busy in his sky scraper office at Phicorp HQ, in LA, when his secretary calls reminding him of his meeting with Phicorp executive board at four o’clock. She also tells him of the paperwork she’s pulled together on the Shanghai deal. Stuart is not his usual self, and Janet picks up on that. He insists he’s fine, couldn’t be happier and insists she call him Mr Owens at the office.

On the television, a psychiatrist is explaining that suicide is impossible now, since the miracle, but people are still finding ways to get as close to death as possible.
   ‘It’s the philosophy of the 45 Club. People who believe that jumping from forty-five floors up or higher is the only guaranteed way to lose consciousness forever.’

Stuart Owens makes a call to Zheng in Shanghai, China. It’s 11pm over there. Stuart insists the information he requests is for his eyes only. Zheng complies.
   ‘In 1999 a large parcel of land near Shanghai centre was purchased by a division of PhiCorp. That’s where the records end. I need to know exactly what’s happened to the land since then.’
   ‘PhiCorp construction?’
   ‘Not on paper. There are subsidiaries, shell companies.’ Stuart says.
   ‘May I ask what this is about?’
   ‘Do you need to know?’
   ‘It could be of some help’.
   ‘Of course, you are aware of the changes going on in the world.’
   ‘Yes. My Uncle was dying. Now he's not.’ Zheng replies.
   ‘I'm trying to understand what happened, whether PhiCorp had anything to do with it. I believe this construction site is key.’
   ‘I asked my uncle what happened. He told me to never question a Miracle. You may not like what you find.’
   ‘He may be right.’
   ‘Call me back in a few hours.’ Stuart says.

Zheng Yibao heads down an alleyway and shoots the lock off a metal gate. He sneaks inside the lot. Later in the day, Stuart phones Zheng again.

High up on the roof of a skyscraper, where the wind whips your face harder than a wet fish wielded by a mad fishmonger Zheng reports back. There was nothing to see. It was a dead end. He ends the call and joins the Shanghai 45 Club.

In San Pedro, Rex records his statement for the camcorder. He states who he is and who he works for, then pauses, and changes his mind. He’s not with the CIA, or any US government authority.
   ‘I’m with Torchwood. And we’re gonna expose everything that’s going on here, everything that I just witnessed.’ He pulls the painkillers from his pocket that Vera had prescribed for him and feels bitter inside at her loss. He pops a few pills to take the edge of his other pain.
   ‘They're calling them Category Ones, and from what I've seen, don't ever let them call you that. The minute you hear Category One, you'd better get the hell out of Dodge, because they are going to burn you. That's what this place is for. Incineration. And we all know the drill. They'll start with the Category Ones, the ones who can't protest. Then they'll go on to convicted felons or illegal immigrants, hell, anyone we just don't like, because everybody gets sick, which means one day everybody ends up here. Those ovens are waiting for all of us. But I will tell you one thing. I'm gonna find the bastard that killed Vera. Oh, yeah, and I'm gonna burn his ass.’ He growls.

Inside the office at San Pedro camp, Esther tries unsuccessfully to get hold of Vera, unaware of what has happened. Rachel downs tools. It’s home time, and since they don’t pay overtime, she’s not going to stay a moment longer.

Outside, there’s a queue to leave the camp.
As Rachel tells Esther about money she can’t move from her bank, Esther notices Maloney walking alone, and Vera nowhere in sight. She glances back at Rachel and makes her excuses.
   ‘Hey, I forgot my cell. You go on ahead. Don’t wait for me.’

In Colin Maloney’s office, Ralph is bricking it. He witnessed Maloney shooting the visiting doctor but not what happened next. Colin is agitated, convincing himself that the matter has been dealt with. Nobody would ever know. Ralph is falling apart. Although he scrubbed his fingers raw, he knows that there would be evidence on him that wouldn’t easily be removed. The tiny flecks of blood under the nails. He demands to know what Colin did with the body.
Colin tries to justify his actions, after changing his shirt, in case he should ever be able to get a game of Badminton in, he convinces himself it’s not his fault, and as Ralph presses him on the use of the Modules, he digs an even bigger hole for himself.
   ‘It's the system. The module was storage. We were supposed to use it as storage until some Senator signs some paperwork and gives the command. I just did things a little early, that's all.’
   ‘But what did you do?’ Ralph persists.

Esther enters the Admin office to find the next shift already at her desk. Playing her role perfectly, she insists that the organisation who recruited them, hadn’t passed the message down the line that Esther was to do a double shift, forcing the young woman out of Esther’s seat, mumbling back out of the room. Esther keeps her eyes on the two in Maloney’s office. Gathering up a handful of papers from her desk, she knocks on the Office door and enters.

Maloney knows he can’t trust anyone with what he’s done, and the more he tries to remain calm, the more chaos enters his day to day life. Ralph continues to stand petrified across the desk from him, as Esther informs Maloney that she has some forms for him. Admitting she’s new, she has no idea what kind of forms they are.
He insists she leaves them on his desk, then causes her to wonder after he explains his shirt change, for a game of Badminton.
It takes her by surprise. Gathering her thoughts, she asks if he would like something to drink. He doesn’t, and insists she leaves his office. NOW!

As she leaves, Ralph bleats.
   ‘Oh my God, I did not agree to this.’
   ‘Everything’s gonna be fine.’ Maloney insists, if only to assure himself.
   ‘But we murdered her.’
   ‘No. No. The Modules were designed to kill, therefore death within this compound is legal.’
Ralph knows that that can’t be true, but Maloney is taking a stand. In his eyes, murder is legal, while on the camp. She was fatally wounded, would never have survived. She was technically a Category One.

Tony’s having a rough day. While Esther tries to eavesdrop on Maloney, he decides to offload his troubles on her, criticising the office staff who covered the day shift.
   ‘They’re illegal immigrants, all of them. They can’t even spell. Look at this. This is wrong.’ He tells her, showing off every page of misprints.
Inside the office, Ralph continues to panic, while Maloney who is still trying to convince himself that he’s in the clear, tells Ralph what he’s going to do next.
   ‘You're gonna take her car and drive it into San Pedro. You know that shopping mall, the Constitution Mall? Drop it off there. It's a huge car park, thousands of cars. And we've got trucks that go past there every half hour, so just authorise yourself a drive back. She goes missing, it's got nothing to do with us.’
Colin tells Ralph that he needn’t worry about a thing as Vera Juarez is now just a pile of dust. Ralph blanches.
   ‘Oh Jesus.’
     Colin gives them an alibi.
   ‘And we put this place on red alert, complete lockdown. Because lockdown means that every member of the staff is logged and noted. It'll give us a perfect alibi. She disappeared halfway across town while we were on duty all night.’ Maloney makes a call.
   ‘Security? Yeah, give me the chief. We’re going to Condition One.’

Still filming out near the Modules, activity is happening around him. Rex continues to record.
 
Soldiers mobilise and begin Lockdown procedures. In the Admin department, Maloney informs his current staff of the situation.

Outside, Rex is determined to get the news out, somehow.

Esther tries to contact Vera again and is instantly caught by Maloney.
   ‘I said it’s lockdown, miss, what is it?’ Maloney tries to remember her name.
Esther introduces herself again and insists it was a call home. Maloney is adamant that no phone calls will be allowed, reminding her to check the rule book. All exterior calls must all be authorised by the man himself.
   ‘What about visitors, sir? Shouldn’t we escort them out? Isn’t that observer still here? The one from Washington, Dr Juarez?’
   ‘No, she left. She’s gone. As a matter of fact, she said I was running an excellent command. Very good indeed. That’s her exact words. Very good indeed.’
Esther is less than convinced.

In Cowbridge Overflow camp, Gwen seeks out Dr Patel who signed off on the papers for her Dad to be marked down as Category One. Desperate to save him, Gwen insists that the young Indian doctor change the details as he’s not as bad as she’s making out. Of course, as Patel explains, letting one away would mean letting the others away too. She has her orders, and that is it. It’s not her department.
Of course, that’s like waving a red rag to a bull as far as Gwen Cooper is concerned, so it’s only a matter of time before Gwen plans another breakout with her father, and this time she aims to succeed.

In a Los Angeles bar, Janet, the young secretary to Stuart is standing at the bar when she receives a text from an unknown number. She replies, curiously. Captain Jack makes his move and walks up to her.
   ‘No Janet, you don’t know me, but I know you.’
Sounding like a creepy stalker, Jack explains how he knows her and what he wants. Realising that Jack is one of the good guys and her boss isn’t, Janet agrees to help him.

In a swanky restaurant in LA, Jack leaves his great coat with a hot ‘coat boy’ and heads upstairs to surprise Owens who is contemplating the salad.
   ‘I’d go for the steak if I were you.’ Jack says, interrupting the date. ‘With a very large bourbon and a pack of cigarettes. Why not? We’re gonna live forever, right, courtesy of PhiCorp?’
Owens tries to calm what could be a fiery situation, insisting Jack may have the wrong table, but far from it.
   ‘You're Stuart Owens, aren't you? You're the Chief Operating Officer for PhiCorp Industries.’
Impressed, Owens asks who Jack is.
   ‘I’m a friend of Janet’s, your secretary. We met at a bar, the one you were planning on going to after dinner. Does your wife know?’
Jack hits a raw nerve; the wife leaves them alone. Owens calls after her but Jack prevents him from leaving, insisting that if he did, his associates holding Janet, would hurt her. Aware that Owens would need proof, he hands over his mobile. Janet plays her part convincingly.
Owens asks what Jack wants.
   ‘The truth.’ Jack says, seated in Elizabeth’s chair.
   ‘About what?’
   ‘The Miracle. How was it done? Why was it done? How can it be undone?’
   ‘Why would I have the answer?’
   ‘When the day came, PhiCorp was ready. We found warehouses stocked with painkillers waiting for the Miracle to come along.’
   ‘That's your smoking gun?’
   ‘You're a man in charge. You knew it was coming.’
   ‘Mister.’
   ‘Harkness. Captain Jack Harkness.’
   ‘Are you with the military?’
   ‘Freelance. I represent the people who are trying to stop PhiCorp.’
   ‘So, that security breach on the thirty third floor.’
   ‘That was us.’ Jack says.
   ‘It's not me you're after. In fact, I've been trying to find out the truth just as much as you. I'm not a bad man, Mister Harkness.’
   ‘Captain.’ Jack insists.
   ‘I'm not a bad man, Captain. I'm not a good one, either. I'm a middleman in every sense of the word. And faced with the thought of being who I am for God knows how long, I'm just as keen as you to find out exactly what's going on. Especially with the stock market threatening to collapse, a man like me needs insurance. You don't believe me. You think I'm the epitome of evil, the devil in a three-piece suit.’
   ‘In my experience, that's how it works.’
   ‘Your experience must be rather simple. You have a rather archaic view of good versus evil, don't you?’

   ‘Tell me who's behind this.’
   ‘I've been trying to find out. I've sent agents all over the world following the paper trail, the backroom deals, the holding companies within holding companies. That's when I came face to face with the true face of evil.’
   ‘The system itself.’
   ‘Precisely. If the schemes and conspiracies are being plotted, then they must be seen only as patterns, waves, shifts that are either too small or too vast to be perceived. Someone is playing the system right across planet Earth with infinite grace, beyond any one person's sight. No, I'm sorry, Captain, but PhiCorp isn't controlling this. Profiting, yes, but this is part of a much larger design way beyond any of us.’
   ‘But how can you be part of it and not know what's going on?’
   ‘Let me give you an example. These warehouses full of drugs, no doubt you'd love to uncover an incriminating memo dated the day before Miracle Day signed by me authorising the stockpiling of painkillers. The truth is, a pattern like that began say maybe five years ago with the systematic increase in production in random factories around the world, based on market share projections. What was the warehouse?’
   ‘Washington DC, Third and Boston.’
   ‘I'd imagine transportation of the drugs to the Third and Boston was then carried out over a twelve-month period by, say, maybe five different haulage companies outsourced to seven or eight different independent suppliers.’
   ‘So, that means everyone's to blame.’ Jack says.
   ‘Everyone and no one. Whoever is behind this, they don't show themselves. Not to me, not to you. But to play the system like this, the markets, the politics, industry, they had to be planning this for a very long time. I wish I knew who they were.’
   ‘I was told that the miracle involves geography. Does that mean anything?’
   ‘No. But there is one word that my operatives picked up dating back to the mid-nineties and then erased.’
   ‘What is it?’
   ‘The Blessing.’
   ‘What does it mean?’
   ‘There was a document from Italy from a source inside the Council of Ministers, a contact then deceased. It simply referred to The Blessing. It said, they have found The Blessing.’

Downstairs, the cavalry have arrived. 
   ‘It seems my wife called the authorities. Hmm.’
Jack has gone.

 At the San Pedro overflow camp, Rex has no way out, unless… Taking the red peg from inside his jacket, he clips it onto the lapel, knocks over a few barrels, and lies down on the ground, eyes closed. A young guard hears the commotion and checks it out, only to be knocked out by Rex when he leans too close to the ‘patient’. Changing into the young guard’s clothing – the perfect fit – he responds to the man’s radio, when the older guard tries to get his attention.
   ‘Billy, do you read me, what’s going on?’
Rex informs him that he’s needed at the Module. They need more men at the Module, and suggests he head there pronto as he’s already there. Insisting that he didn’t listen when discussion about the checkpoint was brought up, the older guard buys the new instructions, knowing the younger guard wasn’t good at listening to commands. Lucky break there, Rex!

Rex heads to the security gate. He uses Billy’s card to open the security gate. A tannoy above his head orders him to identity himself. Unsure of how he could get away with it, mumbles that he’s going out for a smoke. Hoping again that there wouldn’t be a huge party on the other side, he steps through, and is surprised by half the platoon. Awkward!
   ‘Who the hell are you?’

Ralph bursts into Maloney’s office reporting back about Rex. A man with a camera breaching the compound. Poor Ralph, any more trouble and he’s going to require a new pair of briefs. Maloney too, and as much as he tries to convince himself that all is fine, you can tell by his complexion that it hasn’t just crossed his mind that Rex could ruin everything.

Esther can see the pair flustering in the office and decides to try again with paperwork, insisting a few forms require signatures. Maloney snaps. He doesn’t require Esther to walk with him anywhere, and as she heads out after Ralph, Tony calls her back. The annoying, irritable man who has read his Rule book, knows it inside out and back to front, insists Esther remains in the Department.
   ‘How blonde are you? It’s a lockdown. We haven’t got clearance. Got to stay at your desk.’

In the Generator Room at the San Pedro Camp, poor Rex is chained to a metal strut. He shouts at Maloney, angry at the way his girlfriend was treated, hurt and broken, his shirt open revealing his chest wound, he continues to berate Maloney as he enters the room. Maloney dismisses the soldiers.
   ‘I need to know who you are.’ Maloney says. Rex has already given his details to the soldiers but does it again, demanding to know who he’s talking to. Maloney fills him in of his position as Director of the San Pedro facility. Rex, despite chained and helpless, insists that as the head of the facility, Maloney stands to face the charges of the injustices happening in the San Pedro facility. Of course, Maloney, heart sinking realises that the net is tightening and begins to break down. But curiously, looks at the footage that Rex has taken, yet still denies that what he’s seeing is real.
Rex of course, at this point has no idea that the man he’s barking at, murdered his girlfriend. He tries to turn it around, hoping that Maloney will become the hero, and give the information to the police. It’s damning evidence of what is going on inside the Compound.

Esther meanwhile knows something is wrong and needs to get out of the office. She pops her head around the door and asks Ralph the details of the man caught breaching the compound and finds out his current location. Despite calls from Tony that nobody leaves the office, she heads out regardless.
   ‘I’m reporting you.’ Shouts Tony.

Maloney, tears in his eyes, watches the death of Vera Juarez in technicolour. He’s crying.

Esther spies Maloney’s golf cart parked outside the Generator building.

Maloney spots Rex’s scar and pats his trousers, muttering to himself. Rex frowns. The man is clearly distraught, but no amount of convincing him to call the authorities will snap him out of what he’s currently doing. Rex hopes he’s looking for a set of keys to release him.
   ‘I just can’t focus, can’t think. I’ve never been too practical. I’m more of an ideas man. I’m very good at Badminton.’ Maloney mutters. He produces a pen from his top pocket. ‘It’ll have to do.’ Stepping towards Rex, who is curious of the pen, until Maloney moves the fabric of his shirt away from the wound, exposing it fully, shouts and begs for the man, not to do anything stupid, raises his voice, begging and screaming in pain as the pen is pushed into the wound, causing blood to pour from the wound. It’s then that Rex realises, that Maloney is the killer.
   ‘It was you.’
   ‘I’m sorry.’ Maloney sobs.
   ‘You killed her.’
   ‘I’m very sorry. It’s just been such a long day. All I want to do is go home.’ Again, he pushes the pen into Rex’s body, forcing more blood to pour from the exposed wound.

His cries of pain alert Esther to his whereabouts, and she innocently calls out to Maloney, distracting him. She informs him of a phone call back in the office. It’s Vera, calling for him. At this point, only Esther is in the dark. Rex calls out to her. Tells her to run. Tells her that Vera is dead. Maloney is the killer.
Her reactions are too slow. Maloney needs to tidy this situation up. Fast. He grabs Esther by the hair and slams her into a wall, and starts laying into her. Esther fights back, gouging her thumbs into Maloney’s eyes. Further tussles and he’s trying to strangle the life out of her. Esther wrestles free and in a double handed hold, crushes Maloney’s windpipe. The man stops fighting and remains still.

Distraught, she goes to Rex, tears in her eyes. The Watch Analyst has turned into a field agent, and this was her first kill. Except, as Rex explains, nobody dies. He needs to get free and insists that she return to the body and get the keys for the cuffs. After returning and fishing them out of his pocket, she makes to leave as Maloney grabs her ankle and brings her crashing to the floor. This time he’s got the perfect strangle hold, and there’s nothing Esther can do.
Ralph fires a shot and Maloney falls to the side, relieving the pressure on Esther’s throat.
   ‘This has got to stop.’
Grateful, Esther thanks him and returns to Rex.

At the Overflow camp in Cowbridge, Rhys finds a perfect truck for transporting his father in law. It’s still got the keys in. As he’s prepared to move, Pidgeon knocks on the window, and demands to know what he’s doing.
   ‘My job, isn’t it? Don’t scare a man like that.’ Rhys snaps at him, heart still recovering.
   ‘Patient transfer at this time of night?’ Pidgeon queries.
Rhys tells him it’s his job, that his supervisor gave him the orders for the patient transfer at 5 am. Pidgeon asks the name of the supervisor.
   ‘Captain Jack Harkness.’ Rhys replies. ‘He ordered me.’
Pidgeon didn’t see the name listed and went off to make some calls. Rhys waited. Over at the other side of the Overflow camp, Gwen waited also. It was getting late, and Rhys would have ‘Hell to pay’ if he didn’t turn up soon.
   ‘Not long now Dad, I promise.’

Pidgeon comes back to Rhys. There’s no movement for another hour. After more discussions, Pidgeon goes off to make another phone call. Rhys, tired of waiting a moment longer, drives off.

With more patients, due to arrive soon from abroad, two hospital staff prepare to move the Category Ones to the Ovens. Gwen begins to push her Dad’s trolley bed out towards the soon to be waiting Rhys. It’s a tight squeeze, weaving around many of the rooms, and one door proves difficult, but thanks to a cleaner, she can get through.

Rhys is full of apologies as Gwen berates him for his tardiness.
   ‘I was on time, only this officious bastard held me up.’
   ‘Why didn’t you just run him over or something?’
   ‘I’m not the running over type, you know that. Anyway, I drove off when this silly bugger was on the phone. He’s probably followed me.’
They opened the tailgate and got the old Dad into the back of the truck just at the moment the patrol came around the corner.
   ‘Take Dad home.’ Gwen instructs Rhys. ‘There’s something I’ve got to do here before I go to the States.’
   ‘You’re going back to America?’ Rhys is shocked.
   ‘We’ve got to find out what’s behind all of this, and put a stop to it once and for all. But before I do, I haven’t finished with this place yet.’
As Pidgeon spots Rhys, and Rhys spots Pidgeon, Gwen pulls him into a kiss before they go their separate ways.

Discarding her nurses uniform, Gwen pops into a bathroom and puts in the Eye-5 contact lenses and hopes someone back at the base is listening.
Jack is searching for any mention of The Blessing when the Eye-5 software comes alive on screen.
   ‘Hello. Anybody home?’
   ‘You’re a sight for sore eyes.’ Jack smiles typing his response.
   ‘Jack, is that you?’
   ‘In the flesh. You OK?’

From her vantage point, Gwen informs Jack that she’s coming back, to the fight, but after finding a box of plastic explosives, she’s just got something she’d like to show him. Tilting the mirror so Jack can see what’s about to happen, informing her that he’s opened up the radio link, so she can send her message.
   ‘This is the truth for the whole world to see. We let our governments build concentration camps. They built ovens for people in our names. Now I don't care if the whole of society bends over and takes this like a dog, I'm saying NO.’
Gwen detonates the plastic explosives, destroying all the Modules. Jack laughed heartily.
   ‘That’s my girl.’

Outside the San Pedro Overflow Camp, Esther is far from calm. In her haste to be part of the work team, she had submitted her own name. She would be on the system. Rex calms her as best he can. She’d saved his life. She’d become the lion and not the mouse. He knew this was still new to her.
   ‘It’s OK, you’re allowed to feel like this.’ He hugged her. ‘This is not over, not for Torchwood, and I need you in this fight.’

In the apartment, Jack, Esther and Rex watch the television. The News forecaster shows the horrors of what the Overflow camps would rather you didn’t see. Jack’s pleased, Rex less so.
   Despite all their best efforts, the Press Secretary announces that there will be no backing down on the crisis of the Category Ones process. It will carry on as normal.
   ‘You see that, they should be shutting down those camps right now. They’re just talking about it.’
   ‘At least we’ve made it public.’ Esther says.
   ‘Torchwood wasn’t designed to fight politicians. If we really want to stop this happening, we need to look at the bigger picture, find out what the Blessing is.’ Jack tells them.

Gwen arrives back on US soil and calls her husband for the umpteenth time. Still no answer. Leaving another message, she hears her name called on the tannoy, and hurries towards the white courtesy phone.
   ‘This is Gwen Cooper. Hello, this is Gwen Cooper, you said I had a message.’
   ‘Lenses.’
   ‘What? What did you say?’
   ‘Lenses.’

Staggered by who else would know about Torchwood’s Eye-5 software. In the restroom she applies the lenses and stares at the mirror in front of her. She receives a message that rocks her to the core.
   ‘We have your mother. We have your husband. We have your child.’
   ‘Who. Who are…Who are you? What do you want? What do you want!’
After a pause, she receives the answer.
   ‘Bring us Jack.’


Next - Immortal Sins – Issue 44.