Showing posts with label Simon Fisher-Becker. Show all posts
Showing posts with label Simon Fisher-Becker. Show all posts

Tuesday, 4 February 2020

The Whoniverse Round-Up February 2020



February 2020


Paul Kasey

We caught up with Paul Kasey recently and we were excited to discover that he was back in Doctor Who’s latest season in two roles. Kasey explained that it was his first time on Doctor Who without a mask. He played Harold Green in Nikola Tesla’s Night of Terror episode. He was sporting red eyes, which I took to be contact lenses but was informed that this was a visual effect that was added later.


Kasey also appeared in the episode Fugitive of the Judoon on the 26th January, as Ko Sho Blo. I hope he returns for more Who soon.


Julie Barclay


Julie Barclay is currently busy working on a new project that will be out sometime later this year. It’s an Indie film for the BFI, called Martyrs Lane, directed by Ruth Platt and stars Denise Gough (Stella), Steven Cree (TW: Uncanny Valley), Anastasia Hille (Keeping Faith), Hannah Rae (Broadchurch) and Kiera Thompson (Three More Sleeps).

Hannah and Kiera play sisters in the story.

Julie plays Janet ‘a lonely isolated woman struggling to care for her elderly mother’ in this ghost horror story.

Martyrs Lane Facebook Page gives an insight into the filming and worth a follow, guys. 



Simon Fisher-Becker

My Dalek Has Another Puncture is the second in Simon’s autobiographical trilogy, full of accounts of his life after Doctor Who, from auditions, castings, filming and recordings. It’s an interesting read and should ideally adorn everyone’s bookshelf.


It’s available now in paperback for £9.99 on Amazon. It’s also available to purchase in Kindle format.



Steven Savile

On the topic of new books to read. Steven Savile has a new book out. In eBook form only at the moment but one that looks like my kind of read. Tell me you’re not just a little bit tempted?


Scavenger Summer.

The summer of 1986. A summer of beachcombing and skinny dipping, of amusement arcades, karate games and Penny Falls, of first loves, fumbled experiences, excitement and possibilities. A summer where anything could happen. Those teenage days truly were the best ones of my life. Right up until the moment I found my mother’s body washed up on the beach.



If you have any news you would like to share with us. Something that we can post up in our Round Up. Do please get in touch.

See you in March.




Thursday, 4 October 2018

Big Finish Reviews+ The Eleventh Doctor Chronicles by Tony J Fyler



Tony’s in Eleventh Heaven.

Full disclosure – it took me until A Christmas Carol to see Matt Smith as the Doctor. There are Reasons, and you don’t need to know what they are, but the point is, it took a while for his Doctor to convince me it was anything more than a collection of tics in ghastly tweed suit.
But when you watch the Eleventh Doctor now, at some distance from the weekly over-dissection of being the newest episodes, he’s a stone cold masterclass.

In which spirit, woohoo, and wahay! The Eleventh Doctor has arrived at Big Finish!

With…out Matt Smith in it…Oh.

There’s a sense about the whole ‘Chronicles’ idea at Big Finish of ‘Why would you do that?’ – they’re stories featuring New Who Doctors, without any of the actors who played the New Who Doctors in, and it’s worth bearing in mind, there are fans who are annoyed that William Hartnell and Jon Pertwee have been recast, despite the significant inconvenience of their being dead, so the idea of recasting lead actors who are still alive is enough to make them heap their Big Finish CDs together in a pile and set light to them.

Well, perhaps not quite, but almost.

For those who have less of a problem with there being more Doctor Who in the world, the Chronicles are a chance to tell full New Who stories while getting around the real-life issues of actors having post-Who careers. While both David Tennant and Matt Smith have been agreeable to the idea of returning to their Doctors at Big Finish, and Tennant has so far done so twice (or twice and a bit if you’re in the know), getting recording windows with New Who Doctors post-Who is agonisingly difficult. Step forward, Jacob Dudman, who voiced Tennant’s Doctor in the Tenth Doctor Chronicles, and here elbows out all contenders to also play the Eleventh Doctor.

Let’s get this out of the way before we go any further. The Eleventh Doctor is a role Dudman appears to have been born to play. His Eleventh Doctor goes beyond uncanny, and he could quite easily play the role for decades to come, because while he’s technically not Matt Smith, if, say, Matt Smith lost all scrap of his voice, he could hire Dudman as a replacement voicebox, to go everywhere with him and say the things he needed to say.

It would be weird, certainly, but he could do it, and apart from the whole ‘two bodies’ thing, nobody’d much notice the difference.

So with that firmly understood, welcome back to the world of the Eleventh Doctor. This first Eleventh Doctor Chronicles set takes us through the Eleventh Doctor’s life and friendships on a buffet principle – a little of this, a little of that, giving an overall picture of the Time Lord’s essential self.

The Calendar Man by AK Benedict is a classic Eleven and Amy story, with that kind of mythic fairy tale sense of their early adventures. They follow a distress signal to a colony world with a problem it doesn’t remember it has, where people go missing in the mist, and then disappear from the memories of the world, including their families. The Calendar Man is coming for them, and only one young woman seems immune.

Benedict makes the Calendar Man something rather interesting - a villain that can even scare the Doctor, in a story that captures that sense of early Eleven whimsy and darkness. The solution relies on the Doctor’s personal bravery, but equally on the actions and characters of his friends, and there’s a solid heart-punch in the forgetful people’s forgetfulness too. A classic switcheroo with a twist at the end gives you plenty to grab hold of, and also some pretty heavyweight dramatic consequences. The Calendar Man kicks the set off with a cracking mystery and some honest personality-beats, and Dudman, as mentioned, is so good as the Eleventh Doctor, it’s practically identity theft.

The Top Of The Tree, by Simon Guerrier is an exhausting, relentless, ravening beast of a story.

Guerrier brings the Eleventh Doctor and Kazran Sardick (Danny Horn reprising his TV role) into a tree-world, where there’s a strong potential for ghastliness and danger almost everywhere you look. It’s a whole ‘Ecosystem Of Death’ deal, with bravery, sacrifice, more than a touch of horror and the kind of antithetical environment that frankly only Mother Nature (and now Simon Guerrier) would create, to put living creatures through the mill in order to sharpen their instincts and force them to adapt. When Kazran and the Doctor get separated from the Tardis, run into a species of evolving humanoids and discover that almost everything they touch is either horribly dangerous or downright lethal, they’re going to have to climb for their lives. The relentlessly dangerous environment of The Top Of The Tree, and the psychological trauma of some of the things we find out on our way through the story, makes it an exhausting listen, because by the end of it, you feel like you too have been through the evolutionary mill, but Guerrier, like Benedict, gives great Eleventh Doctor – particularly in terms of having conversations in which he assumes the  most likely response of the other party, based on his own somewhat skewed but endearingly barking mad outlook on life. Horn’s return is always going to be fun, because the Kazran Diaries will always fill in the gaps in our head-canon of A Christmas Carol. The Top Of The Tree is one that you’ll take a deep breath before re-listening to, but one that you’ll want to revisit for the character-work, despite the exhaustingly vertical storytelling and the sadness along the way.

Ohh, Dorium Maldovar. Who doesn’t love Dorium Maldovar? He’s clever and waspish and blue, for goodness’ sake, not loving Dorium Maldovar should probably be illegal.  
Hardly surprising then that bringing Simon Fisher-Becker, the man beneath the Maldovar, into official Big Finish stories is one of the better decisions the company’s made this year. He’s absolutely one of the best things in The Light Keepers, by Roy Gill. 

There are some pretty interesting issues tackled in the story – you could argue there are comments on fracking in there, as well as the rights of indigenous people. Mostly though, if we’re honest, it’s Fisher-Becker’s Dorium and the chance to learn more about him, while having him be spectacularly cross with the Eleventh Doctor, that will nail The Light Keepers to your ears and make you want to come back to it. Dudman and Fisher-Becker together are superb, a galactic odd couple whose dialogue is both beautiful and hilarious.

The actual Big Bad in The Light Keepers is a returning enemy, and it’s learned a new trick since the last time we heard it. Whether it works or not partly depends on a) whether you heard the stories in which it appeared previously, and b) whether you thought it worked originally, but Gill certainly gives the new twist enough vigour that it feels like it has a reason to be at the heart of things here either way, giving the villain probably its strongest showing to date.

‘Jane Austen. Amazing writer, a brilliant comic observer, and—strictly amongst ourselves—a phenomenal kisser.’

So said the ever-incorrigible Clara Oswald.

If you ever wanted to hear the story in which Clara kissed Jane (at least for what seems the like the first time)…buckle up, space-babies, because Alice Cavender has you covered in False Coronets.

This is not, however, some internet fan-fiction where Jane and Clara get their smooch on for the sake of it. It’s a kickass ‘time’s gone wrong’ story of Regency alien nastiness, and what might have happened if England had followed France’s lead and lopped off the heads of its aristocrats in a big revolution.

Anti-revolutionary propogandist-in-chief? Your own, your very own Jane Austen, locked in a cell and awaiting execution, before she had a chance to write all the books that Clara loves so much. And so, as much to put right this affront to literature as to do the history-saving thing, the Eleventh Doctor and Clara skip back to try and find out what’s gone wrong, collapse the living botheration out of the revolutionary timeline and get home in time for tea and Persuasion.

It’s a complicated one, this, but that’s what you get with alternative timeline stories. Nevertheless, the combination of Cavendar’s relentless commitment to never be boring, Dudman’s continuing quest to put the actual Matt Smith out of a job, and the bright, engaging voice-work of Nathalie Buscombe as Miss Austen means you feel like you’re in a sparkling quadrille – there may be twirls and partner-swapping and bowing galore, but it’s always bright, and controlled, and going somewhere interesting. In a more run-of-the-mill collection, False Coronets would be an eeeeasy stand-out. Here though, with more than something to recommend every story, it punches at least at the weight of the other three. And then, y’know, it has Clara kissing Jane Austen. So…there’s that too.

The Eleventh Doctor Chronicles is, for our money, the brightest, most energetic, and most fun of the Chronicles sets so far, and while Dudman is a scarily convincing Tenth Doctor in the absence of David Tennant, his Eleventh Doctor takes personification to almost absurd new levels. More Eleventh Doctor Chronicles might conceivably hurt somebody’s feelings, somewhere.

They wouldn’t hurt ours in the slightest. 

*Cough, cough* Eleventh Doctor and Strax, anyone?

Tuesday, 5 June 2018

Articles Welcome to Issue 59 - WATNOW: Combat




Contents Guide

Articles
WATNOW Cast: Combat

Interviews
Interview with Simon Fisher-Becker

Connections
Bulletproof
Safe

Who Reviews
Target Zone:
The Sea Devils
The Tenth Planet
Ribos Operation

Fans Fiction
Luck be a Lady of Time



Editor’s Note

It’s been mad daft busy in the office this month, and with numerous reviews still to put together, some of this month’s mammoth reviews are going to be a few days late.
The Captain is off to Liverpool on Wednesday in search of a missing Weevil – like we really need to look for more – it’s not as if they’re hard to spot – or smell…

We’ve got a wonderful interview with Simon Fisher-Becker which we want to share with you this month. Simon was a joy to interview, once I remembered to remove the yellow Post it Note covering the camera!

We have a new entry in our One Photo Short Story Fans Fiction this month, which launches our new Lady C Adventures. If you’re unsure of Lady Christina De Souza from Planet of the Dead Doctor Who episode, then read our Luck be a Lady in Time this month to find out more.

We have two Connections this month – Bulletproof, Noel Clarke’s new cop series on Sky One, and Safe, which began on Netflix last month and is a bloody awesome drama series starring Amanda Abbington and Michael C. Hall.

OK, still tons left to do before lights out tonight.

Thanks, as always to our contributors, and most especially my fantastic team. 

Welcome to Issue 59 – WATNOW: Combat

Djak









Interviews Simon Fisher-Becker by DJ Forrest



I've discovered quite by accident that breaking the ice in any interview is usually me trying to look intelligent but having absolutely no clue when it comes to how to master the simple things in life - such as, trying to understand why I can see Simon on the screen but he can't see me. It wasn't so much that Skype had updated everything, it was more to do with me, not removing the piece of paper over the camera on the laptop!!!

I found Simon to be an absolute delight to interview, oh how we laughed, and his stories were an absolute dream to listen to, that I realise now, I need to order a copy of his autobiography.

The interview began with Harry Potter and the Philosopher's Stone.

Did you wear a harness for the Great Hall scene as the Friar Ghost?

Simon: Yes, I was strapped to a see-saw. It was very bizarre. I mean, most of the stuff was done, hanging twenty feet from the ceiling of a giant studio, but when it came to that bit, they tied me or harnessed me to a see saw, So when I started the shot I was upside down and a (tanker) was put on my head and then they raised the see saw and then I came up and as I came up, I just had to do the (Simon puts on the ghostly friar voice). I did that about three or four times, made me a bit dizzy.


I'd imagine it would be a bit sore would it not from wearing the harness?

Simon: Well, it was bizarre when all the blood is rushing to my head, but it was fine because everything else we were just hanging - literally.

Are you as well known for your Harry Potter role as you are for your Doctor Who role as Dorium?

Simon: I think those that don't know Doctor Who do know me remarkably from playing the Fat Friar. All I know is that I did Harry Potter in 2000, and apart from getting the occasional bit of fan mail no conventions were interested in me at all. But as soon as I got into Doctor Who of course, I was sailing all over the world, and flying and walking because of Doctor Who, but the fans who were Harry Potter fans instantly knew what I did because you all go Googling and whatevering, and many of you go find things about me that even I can't remember.

So, it's on equal measure, so sometimes, even at a Doctor Who convention, people are more interested in my Harry Potter stuff, which is absolutely wonderful. And in fact, in August, I'm going off to Baltimore for Potterverse! So, I'm going specifically for Harry Potter which is wonderful.

The first time I saw you on television was in the series Afterlife.

Simon: Afterlife? Oh my gosh! You have dug very deep! (laughs)

Now thanks to Netflix I can watch an entire boxset back to back, and I thought, oh I remember that, and then 'oh that's that's...' (points at imaginary screen).

Simon: And I must admit, what I liked to see was the shot they had more of my eyes looking in the rear view mirror. I liked that bit. I enjoyed that very much. I think we filmed that in Bristol or somewhere round there.

It was a sad story that one - Roadside Bouquets.

Simon: Yes, and I liked the twist, that final shot that gives away the final answer. Oh no I thoroughly enjoyed that. And the driving was actually done on the main road. It wasn't a side strip. So not only did I have to remember my lines, but I had to actually drive. I wasn't even on the back of a trailer.

Oh, so proper, proper driving.

Simon: Proper driving and speaking at the same time. I don't know, what's the world coming to?

What or who inspired you to become an actor?


Simon: As a child, the first sort of theatre thing I saw of course was panto. And of course, Panto is very glittery and amazing, and I must have been about five when I saw my first panto. But I've always watched television and always gone to theatre, and I can always say, now, that I'm 57, that I always hankered at the idea of being an actor, and I had some outings when I was at school. I never seriously considered myself to be a professional actor at all until I was made redundant from my first job. I had a bag of money and what to do, what to do? So, I decided to use the money to do a post graduate drama course and it was the best decision I made.

So, what was the first theatre production you were involved in?

Simon: If we go back to school, the first thing was a production of Oliver. And because of my size I was automatically cast as Mr Bumble - I fit the prop -  but I thoroughly enjoyed it, of course. I had no real idea, although there was the thought of 'oh I wish I could do that' there was no real idea. So, I couldn't perform properly, until I did that.

My first professional production i.e., when I left college, was a tour of Alice in Wonderland and I played the Griffin, so there we go. My first professional line was with the mock turtle.

Your autobiography My Dalek Has a Puncture - where does the idea for the title come from?

Simon: It's fully explained in my book, which people can get from Fantastic Books Publishing - but in simple terms I was asked to write an autobiography, and I sort of fumbled a lot because I couldn't think of a title. I gave up on the idea of 'On the Cutting Room Floor' because a lot of my TV and film work to start off with was all cut. It was my experience with Harry Potter as well. A vast majority of what we did was cut.


I was an actor at some convention where Daleks were being paraded around and part of their competition was they had to go around the whole arena that we were in and the celebrity guests were asked to judge for who's the best. And there was this young girl in the corner crying and when I asked her what the problem was, she just said "My Dalek's got a puncture.' (sobby voice) And then Ping that was it

The first edition has done very well, and I've been commissioned to write 'My Dalek Has Another Puncture' and then 'Let Zygons be Zygons'. And hopefully they're both out this year through Fantastic Books Publishing. 

So, it's not available in the shops, you have to order in online?

Simon: I think you can buy it on Amazon. You can buy the paperback on Amazon and an eBook through Amazon, but if you want a hardback copy, you just have to go to Fantastic Books Publishing. https://www.fantasticbooksstore.com/authors/simon-fisher-becker

How long were you in make up for when you were playing Dorium Moldovar?

Simon: It's difficult to tell because the first day of course, they shaved my head but overall for costume and makeup it was about two hours.


I wasn't sure if you wore a cap over your head initially.

Simon: Well let's be honest, when we did the first read through Steven Moffat came to me and asked if I'd be happy to have my head shaved. Using the excuse that HD reveals all and a skull cap looks like a skull cap! And of course, you don't say 'No' to Steven Moffat. When they first shaved my head, the extraordinary thing was I discovered the shape of my head and the back of it looked like the dark side of the moon. So, to some it looks like I'm wearing a skull cap anyway.

Are you still touring with your Dalek autobiography?

Simon: I did the first tour of which I was very pleased broke even. Since then I've been doing them mostly at Conventions when asked but I haven't gone on another theatre tour yet. But you never know!

Well if you ever come towards Carlisle it'll be fantastic.

Simon: Yes, I know Carlisle. I'll let everybody know!

When you're not acting or touring, how do you relax?

Simon: I think it's fair to say and I think my husband would agree, that I rarely relax. (laughs) I'm always doing something, and because I do all the travelling, I have to record a lot of stuff on TV. On the rare occasions when I can say that I'm not going to do anything else, I will have a feast of what I've recorded, even then it's a challenge, as I'm thinking, I shouldn't be watching this or, there's something I've got to be doing.

And the spin off from doing the plays and that, I've been asked to do my autobiography and also to do my bits of writing, so I've always got that ticking over in my head. I try to spend as much time of my spare time with my husband as I can, because I'm always off travelling.

So, it's always good to catch up kind of thing - time out.

Simon: So, I'm sort of torn. I have my agent Kim Barry at Jaffrey Management company and I also have my event manager Matthew Campbell of M and M Famous Faces and he's continuously keeping me busy.

Simon was surprised when I told him we'd interviewed Matthew last year for the website. I told Simon I found Matthew an interesting person - a lad who started with nothing and now had a business and a list of famous names on his books.

Simon: Oh, no he's very good, and he did literally just start, and in fact I have to thank Ian MacNeice for that because Matt was looking after me and  Ian could see what Matt was doing for me and Ian said, 'Do you think the boy would do something for me?' and that's where I first sort of trickled the idea to Matt that he should start up his own booking agency and he's done extremely well. He's very young and much younger than most bookers. He's hard working. He can be a bit like a terrier with a bone.

He gets very chuffed when the fans ask him for an autograph. For me, he's an example...you're always hearing in the Press how teenagers and young people today are lazy and things, which they're not. They work as hard as any of us and Matt is a perfect example of that.

I liked your profile photo the other week - would you ever sport a Brian Blessed beard again?


Simon: (laughs) Will I? Well I suppose...I naturally like to shave and to be honest when I do grow a beard it looks a bit moth eaten because there are holes, there are patches. It looks as though a little mouse has burrowed in. So, I tend to keep myself clean shaven but if I had to grow a beard for something, I'm quite happy to try. It's better than having stick on and then it drops off half way through a scene. (laughs)

I just dug that photo out because there was this thing you know Your First Head Shot, and alas I can't find my very first head shot, because of course when I first started out people were chipping things out on stone, so the idea of having a jpeg was very difficult. But I did find that photo, which was a good 26 years ago

Were you a fan of Doctor Who before you took the role of Dorium?

Simon: Yes, absolutely. I was born in '61 and so I do remember the latter part of William Hartnell and changing into Patrick Troughton, and so I always say that Troughton is my Doctor and of course, Matt Smith is my Special Doctor because I got to work with him, but yes I've been a fan and now that I'm associated with it, it is quite extraordinary and the response to Dorium is marvellous and I thank and adore the fans and I always try to follow up any fan mail etc.

I mean, what I've been doing, is some people as you know sort of ask the same sort of questions, so I've started vlogging. I did it for a while and then one or two things happened, and I sort of kept a low profile, but I've started up again. And I will admit that sometimes I'm deliberately provocative, but I like to stimulate a conversation. I had a lot of people say - when are you going to do some more vlogs, we enjoyed that, so I now have my own sort of Youtube channel. Please feel free to subscribe!


I will be vlogging more. I've done two now so I will probably do another two in a few weeks’ time.  www.fisherbecker.info   website - links etc will be on there.

When you first got the script, what drew you to the character of Dorium?

Simon: It was very fortunate that the instructions were very short and clear. It just said - Dorium, large blue man, think Sydney Greenstreet. And those who don't know who Sydney Greenstreet is he's American. 

He's an English actor who did extremely well in America and in one of my favourite films, Casablanca, he plays a black marketeer. And also another thing about Sydney Greenstreet is he keeps very still on screen and mainly because he's large. And when you're large, and if I show you (Simon rocks from side to side) I only have to make the slightest movement and it looks as if it's a strike 12 earthquake, a seismic shift. So, I keep very still and keeping very still helped with the dramatic effects with Dorium, and then when the scripts came along there were some very funny lines as well as some very disturbing ones. Thank you, Steven Moffat, for writing a full 3D character for me to play with and it was absolute fun!

Was it claustrophobic between takes when Dorium's head was in a box?

Simon: It was a little. The worst time was when they were getting ready to do a take and they'd go, Right, Ready! (laughs) and then they'd close the door and I'd immediately within seconds was sweating cobs, and the sweat was very salty as well and if it dripped into my eyes it was like...So, they closed the door and on more than one occasion they then decided to have a continued conflab, so I was just sort of stuck there.


I remember on one occasion Matt said: Oh, we've forgotten Simon! And you could hear him coming over and I was stuck in this giant box with my head out the top and then put the Dorium's box on, so it was claustrophobic. And I can definitely say that on one occasion when they opened the door there was a definite psshhhhh (sound of escaping air) (laughs). But it was alright, it was good fun.  And I had the good fortune of course with the Wedding of River Song, and then it was just me as Dorium and the Doctor. So it was just me and Matt Smith who was utterly kind and delightful
and respectful and I thank him very much.

Did you get a fit of the giggles when you were on set?

Simon: Yes! I mean we can, always can. I know Dan Starkey is very funny! Neve McIntosh (check Spelling), very funny indeed. And it's just something that happens on the spur of the moment. In the past when I've tried to give examples they sound very boring, but to us at the time it was hysterical.

There is a little bit of subconscious tension - none of us want to mess it up. Television and film are really a technical medium and so the idea unless you're a big, big star, you could do take after take after take. If there's a take and they're happy with all the lighting and sound and everything else, the fact that you did a duff one they'll just print it anyway. (laughs) See it's lovely paranoia. I do understand why some actors say they don't watch themselves on television because you always and I find this, that you do watch yourself and you're always saying 'Oh, they chose that one.' or 'I could have done that differently'.

And then in another scenario at least in Doctor Who we had a read through, so all of us knew exactly what the story and what the arc is because sometimes everything is always top secret. You only get the pages that you're involved in and nobody will tell you what's happened before and nobody's going to tell you what is going to happen afterwards and there's been many times when I've just seen the whole thing that I thought 'Well if I knew that I would have delivered my lines in a slightly different way.' There we go that's show business, lovey!

There's a couple of new productions you're involved at the moment - Humber City: The Rising Tide, you play Cllr Arthur Boyd, can you tell us anything about that?

Simon: Humber City is a futuristic sci fi detective story, in simple terms. Peter Goundrel (check spelling) is the chappie who directs and produced it and wrote it and full credit to him. He saved up every penny can for us to do it, and it's taken years. He gets together a bag of money, he says 'I've got a bag of money to do a scene. Can you do this month, that month...', and so over the years, and of course he's a huge sci fi fan, so he's got a lot of Doctor Who actors involved.

I read that Terry Molloy and Sophie Aldred are in it as well.

Simon: Ah yes, the lovely scene with Sophie was that it was really very, very good, it was excellent fun as well. When it's out we'll be thinking 'Oh my gosh!' You know, I'm talking years. Years and years. I've been involved with it for about four years I think, and I would like to give full credit to people. So, Peter is a perfect example of 'Well if nobody will back me I'll back myself.' So, I'll raise the flag for him and say 'Tally Ho!'

You're also in the post production of The Great Director playing Alfred Hitchcock.

Simon: Oh yes! It came up very quickly. I got a call from my agent and I was abroad at the time. I literally landed at Heathrow airport and had to go to a studio to do a casting and I was the chosen one. And the same thing happened when they eventually got around to filming - I was abroad, came back, through to the studios. It was really good fun, I'm really looking forward to this when it comes out.

That sounds absolutely fantastic, I mean, Hitchcock himself has written so many brilliant stories.

Simon: It's so very exciting, it is! (Simon puts on his best Hitchcock impersonation). (laughs)

Will these films come directly to the television or to the cinema, or straight to DVD?

Simon: I very much hope that The Great Director gets a proper distribution because it's a very good film indeed.

You're also in another film, Indie film with Nicholas 'Buffy' Brenden.

Simon: Oh yes, Richard Calvert is the writer and director of the Indie. I did a short with him called Pundemic for which I was nominated for Best Actor in a Short. Very good film. I haven't yet done my bit. I know I'm contracted to do it.

Filming starts in August. Are you able to divulge what that may be about?

Simon: (laughs) That's all I know!

Thank you so much for the opportunity of the interview

Simon: Thank you! And can I just say Thank you again because you've asked some difficult questions that caught me out!