Tuesday 5 February 2019

Articles Welcome to Issue 66 WATNOW: Adam



Contents Guide

Who Reviews
It Takes You Away
Kerblam!
The Witchfinders
Tsuranga Conundrum
Marco Polo audio book
The Good Doctor
By Tony J Fyler

Beyond The TARDIS
SJA: The Eye of the Gorgon, part 2
by Andrew Allen

Big Finish Reviews+
Short Trips – The Last Days of Work
Master of Callous
The Syndicate Master Plan Vol 1
Muse of Fire
Survivors, series 8
The Crash of the UK-201
By Tony J Fyler

Connections
Ab Fab (Tribute to June Whitfield)

Fans Fiction
The New Adventures of Lady C
Chapter Two by Sarah Cambridge
Mitchell: Return to the Fold
Chapter One By DJ Forrest

Interviews
Matt Jago: Matt’s Custom Art
Nathan ‘Buster’ Sussex

Profiles
The Abzorbaloff

Articles
WATNOW: Adam Cast


Editor’s Note

So, we skipped January after such a busy Christmas, and it’s paid off handsomely. We’re bigger and better and my mojo has returned. For how long is questionable, but having completed Chapter One of Mitchell’s new story this morning, during breakfast, I’m happy at last. Happy that finally after many frustrating months, I’m writing again and that’s got to be worth little victory dances around the Office.

This month Tony has been busy reviewing tons of Big Finish and Who Reviews for us. Reece and I bring you a couple of Profiles to check out. Andrew brings us our first SJA of the year, and Sarah delights us with chapter two of her Lady C Adventures, which are always awesome to read.

We have interviews with Nathan Sussex – catching up on his Hollyoaks character and Matt Jago, for his awesome designs on Converse and Vans trainers which you may have seen on social media sites, especially John Barrowman’s Page, showing off a cool pair of Star Wars ones.

Content that my story is now taking off well, I’m off to make a start on Chapter 2.

Enjoy Issue 66, WATNOW: Adam

Djak




Articles Where Are They Now - Adam Cast? by DJ Forrest



Adam was perhaps one of the creepiest of all the episodes of Torchwood in the second series. The entity that created the ID of Adam lived in the void between worlds. It fed off the memories of the past and present and was drawn to this world by Jack’s most recent and past memories. It integrated itself into the Torchwood team, assuming links with the very person it touched, removing memories they held, and added fresh convincing memories that allowed the team to believe that Adam had been a member of Torchwood for three years, when in fact it was no more than a few days, if that.

When Jack discovered the truth, and that Ianto really hadn’t killed any of those women he was solely convinced that he had, Jack knew that the only way to get rid of the bad memories was for each member of the team, bar Adam of course, to take a retcon pill strong enough to wipe out the past 48 hours. In doing so, Adam would permanently disappear from their memories and be permanently wiped from existence.


Bryan Dick

‘Adam Smith’


‘Wasn't it lovely? Playing in the sand, no one knowing what was ahead. Your dad laughing. Gray, safe and happy. I don't want to die. You take that pill and you will lose everything I've given you. Wipe me out now and you will lose all your memories of your father. He will cease to have existed for you.’

Bryan born Feb 1st, 1978 in Denton Holme, Carlisle, UK began his television acting career in 1992, appearing as young Henry Pratt in The Life and Times of Henry Pratt. From there he played roles in Merseybeat, Dalziel and Pascoe, Blue Murder, and Foyle's War before playing alongside David Tennant in the musical miniseries Blackpool, which had many of us, buying the box set and playing it to death. He was the side kick DC Blythe to Tennant's love sick DI Peter Carlisle. It was a fun series to watch, second time round.


He played Adam in 2008, Torchwood, and although I wasn't fond of his character, the outtakes were hilarious.

Since Torchwood he's played Jake Barton in All the Small Things, Sykes in Being Human, Daniel Stafford in Ashes to Ashes, Lucas Ballinger in Silent Witness, Benjamin Sammy in Death in Paradise, Solicitor General Richard Riche in Wolf Hall and in 2018 played Ramsey Sawyer in The Split.


Demetri Goritsas

Jack's Father, ‘Franklin’


‘Run. Take Gray. Keep him safe.’

Demetri born August 24th, 1971 in Eugene, Oregon, USA from Greek and Norwegian parents, grew up in British Columbia and spent his adult life living in London.

Demetri played Jack's father in Adam, as well as appearing uncredited in Exit Wounds in 2008. He appears in the TW Declassified documentary in the episode Past Imperfect. (I must rewatch these)

His television credits begin in 1995 with Little Women where he played Bhaer's Student. Since then he's played characters in both television and film, including Parker in Saving Private Ryan in 1998. In 2002 he played a Com Tech in The Bourne Identity, News Anchor in Thunderbirds in 2004 and a Radio Operator in Sky Captain and the World of Tomorrow (only wish that film had been better). A year before Torchwood Adam, he had played Asa Trenchard in National Treasure: Book of Secrets.


Since Torchwood Demetri has voiced video game Enslaved: Odyssey to the West with additional voices in 2010, and Apache: Air Assault. He was also Tanner in video Game Driver: San Francisco in 2011 and Felix Leitner in 007 Legends in 2012. In 2018 was the voice of Survivors in Overkill's The Walking Dead video game.



Lauren Ward

Jack's Mother


‘Where's Gray? Where's Gray? Where is he, son? Where is he?’

Born June 19th, 1970 in Lincoln, Nebraska, USA. Began her TV and film credits in 1997 when she played a Student in the film comedy In & Out.


Since then has gone on to play Alecia - IBS in Broken News in 2005, Torchwood three years later, along with Miriam Walker in A Touch of Frost, finishing up with Kiss Me First as Mrs Klasna in 2018.


Jack Montgomery

Young ‘Jack’


‘We were running so fast. One moment his hand was in mine.’

Jack was born on February 17th, 1992 in Alvechurch, Worcestershire, UK. He played the Young Jack in the episode Adam in 2008.


His acting credits for television and film began in 2006 when he played Young Simon in Tristan + Isolde. He went on to play Ben Trent in first episode of Primeval in 2007. Played Jack a year later in Torchwood. He played 3 different characters for Doctors series, from 2006 - 2010 and in 2014 played Sean McCormac in WPC 56 in 2014. Not much else is written since then, but that's not to say he's not working away in theatre somewhere. We'll keep you posted on that score.


Ethan Brooke

Young ‘Gray’


‘Dad. Mom said I could play too.’

There's very little detail regarding Ethan Brooke. Since Torchwood, he voiced characters for Kinect Disneyland Adventures in 2011. He was uncredited for his character Gray in Exit Wounds in 2008.


Rhys Myers

Young ‘Adam’


‘Can I play? My name’s Adam. Let me play. Before it gets dark.’

Using Jack's last memory of his father and brother on Boeshane Peninsula beach, Adam destroyed the last happy memory Jack held of his family by imposing a Young Adam on the beach, forcing the younger Jack to react badly in front of his father, by pushing the 'young Adam' out of the family game of ball.

Rhys' only credit is as Young Adam in the episode. There is nothing listed before or after this. And believe me, I’ve tried all search channels.









Profiles Abzorbaloff by Reece Morris-Jones



A one-off (so far) monster designed by the winner of a competition, The Abzorbaloff is a gag monster, reviled by many Doctor Who aficionados along with the episode he appears in, Love and Monsters. Regardless, as a character, the Abzorbaloff acts as a metaphor for a toxic part of the Doctor Who fandom and asks viewers to do some self-reflection.

The Abzorbaloff comes from the planet Clom, which was the twin planet of Raxacoricofallapatorius. Despite a passing resemblance to the Slitheen of Raxacoricofallapatorians, when confronted by the Doctor about the resemblance he seemed to treat them with contempt. Possessing of an ability to absorb the memories and experiences of anyone he touched, whose bodies were then absorbed into the creature as part of its digestion, it posed as a wealthy human businessman called Victor Kennedy.

The Abzorbaloff infiltrated and quickly took over the group called LINDA, a small group of people with an interest in the Doctor. ‘Victor’ then changed the purpose of the group to being one obsessed about finding the Doctor, to better allow him to absorb the Timelord’s memories and experiences.

Eventually defeated by the absorbed members of the group, who stretched the monster’s skin, allowing Elton Pope to break his cane, shattering his limitation field and allowing The Doctor to defeat him.

Though somewhat silly in appearance and manner, The Abzorbaloff asks the viewer to consider how they approach their fandom of the Doctor. Is it something healthy? A way to connect with others over a shared passion and enrich your life? Or is it an unhealthy obsession, one that focuses on detailing the Doctor and his experience, possessing them, just because you can?

The episode comes down firmly on one side of the question, but shows through the character of Elton, that it is possible to use such an obsession in a healthy way, perhaps even reaching catharsis.

Interviews Nathan Sussex by DJ Forrest



A Catch Up with Nathan!

It’s been a while since we last chatted to Nathan, so it was great to catch up and chat over his latest role, now sadly finished, but what an ending to a fantastic storyline on the soap Hollyoaks.

Hi Nathan, playing a character such as the football coach, what were your initial feelings about playing Buster, and did you know the extent of Buster's history at the beginning?

Nathan: I wasn’t told very much about the storyline when I first auditioned for the part, they tend to keep tight lipped about storyline and characters (in case it gets leaked) that early in the audition process but I was told that he was a successful sportsman with a dark secret.

How far ahead, episode wise do you record up to?


Nathan: Hollyoaks are about 2 months ahead in the filming schedule so when you are filming scenes outside in January you are actually filming spring scenes so it can get very chilly indeed when you are wearing short sleeved costumes.

You had a lot of support from the Manchester Survivors Charity how harrowing was it hearing the survivor’s stories, did it create a lot of sleepless nights, thinking about them and how much pressure is on you to portray a character similar to the real-life coach serving time at HMP?

Nathan: Survivors Charity were instrumental in the storyline’s success. We had tremendous support throughout, and they were always on hand to discuss any issues or concerns and we would have regular meetings with them because it was important to them that we got the story right and it was told truthfully. Some of the stories we were told were very emotional and we also had Steve Waters (Offside Trust) on board who was one of the first men to come forward which catapulted the Barry Bennel case.

Have you faced any backlash from the storyline as Buster?


Nathan: I get asked this a lot, and to be honest, I haven’t had any negative response from the public. Fans of the show were so invested in the characters and the story that when I get asked, they are so supportive and love talking about the storyline.

Francesca Gorman, who won the signed script from you, asks: How did you prepare yourself for the storyline?

Nathan: Good question! Obviously, it’s a very sensitive subject to delve into so I used what resources were available online and read a lot about the Bennel case which was happening at the same time we were filming our scenes and I also spoke with Survivors (charity) I was given a lot of insight into the world of a perpetrator.

How do you unwind after each shoot from playing Buster?

Nathan: My filming days were very long on Hollyoaks but you do get some downtime as you are not needed every day so I would explore parts of Liverpool which has some great sights and of course I would socialise with some of the cast who I became really good friends with. I had to relocate to Liverpool, so it got quite lonely at times so mixing with cast was really nice.

You've posted up a fair few photos of your time in the Village with the lads - will you be keeping in touch with everyone once filming has come to an end?


Nathan: I do love a selfie...or two! It’s inevitable when working so closely with people that you strike up friendships very quickly and I became close to a few of my cast members particularly Gary Lucy (Luke) and my little family unit Jacob Roberts (Damon) & Adam Woodward (Brody) and not forgetting Aedan Duckworth (Ollie) who I had most of my scenes with.  I do text them from time to time to see how they are, and I speak to Lysette Anthony (Marnie) Harvi Virdi (Dr Malek) I was really lucky to work with such lovely and generous people

It's now January, and the trial is just starting. Buster has pleaded not guilty and so it's going to be a lengthy process unless Ollie fails to show for court. Another face in the courtroom means that there's possibly another victim of his abuse. Will the court story extend beyond January or will your story end this month?

Nathan: For now, Buster has been sentenced and will carry out his time in prison, there are no plans to extend the story but, with Soapland, never say never!

From playing a recurring role in Emmerdale as a police officer, to playing Buster in Hollyoaks - has this role elevated you to someone we should be expecting to see a lot more of in the future - because I want to see you in bigger roles after Hollyoaks? Have you had offers coming in since playing Buster?


Nathan: I feel very lucky to have been given this opportunity and as actors we all want to be able to work regularly and make a living from this profession but, it is a very precarious industry and one that doesn’t offer the security that a regular job does. A show like Hollyoaks does raise your profile a bit and puts you on the Radar but doesn’t necessarily guarantee you work so for now I am back to being a jobbing actor and auditioning for roles when they come up.

Some actors who play such definitive roles, take away a sense of pride or understanding of their characters, like a humbling experience. What have you taken away from playing Buster? What has Buster taught you?

Nathan: That’s a difficult question but a good one! I guess the only thing I have learnt from Buster is the awareness of such an issue and the effect people like him have on lives.

John Barrowman survived the 'jungle' in November/December 2018 - would you ever consider entering I'm a Celebrity, or does this kind of telly not appeal to you?

Nathan: I would never rule out the possibility of the jungle. I would probably make great TV as I would struggle eating what they eat in there, I have a very weak stomach. Let’s just leave it at that.

Do you have a new role in the pipeline that you can share with us?

Nathan: Straight after Hollyoaks I made a Horror Thriller called “The Wrong Place” which was shot on location in South Wales which will be out this year and may make an appearance on one of the streaming channels and I will be filming another Horror in March called “Next Door” which is an anthology of short films which actually stars a few ex soap actors that you will recognise. Other than that, I am auditioning for a few roles so I may have more to report later in the year.

Thank you so much for the interview, Nathan. 

Photograph credits go to Lime Pictures and Claire Cousins Photography (headshot)



Interviews Matt Jago - Custom Art Designer by DJ Forrest



Custom Art designers are popping up a lot these days, and I’d love to be as artistic as they are, with their canvas paintings on Converse and Vans trainers, these are real pieces of work that you’d want to treasure forever. I’m not sure, after spending a vast amount of money on a piece of art, I’d want to take them out in the rain though.

We caught up with Matt Jago who came to our attention after a photo was posted on social media by John Barrowman, showing off his rather fancy pair of Converse with Captain Jack and the Tardis on them.  Naturally, we wanted to know more, and after locating Matt on Twitter, then viewed more of his artwork on his website, we wanted to know more.

Hi Matt, thanks for this opportunity.

Have you always had artistic flair or have you had to hone your craft through uni or is this a natural talent crafted on your love of all things sci fi?


Matt: It's definitely a natural talent which has grown massively over the years. I have always loved being arty since a young age but didn't attend art school or uni for it.

I certainly wasn't as good as I am now when I started painting the shoes 8 years ago.

You have an awesome Etsy page, I love all of them. Do you just paint shoes?

Matt: At the moment I'm busy with the shoes yes. But will be painting canvases very soon.

How did you meet John in order for him to own a pair of your shoe art?

Matt:  I met John at Supanova Brisbane. He came to my stall and actually purchased my Star Wars converse for his display back home and then he placed a custom order for the Dr Who/Torchwood pair.


Do you do commissions for other celebrities or people in general?

Matt:  I do take commissioned orders, yes. The majority of my work is commissioned. John is my biggest celeb so far.

Are you a fan of the genres you paint for?

Matt: I do get a lot of different requests for different genres and I am definitely a fan of the comics/sci-fi/musical genres I paint.


I would imagine that painting onto canvas, especially shoes, doesn't leave room for error. How do you prepare before each painting?

Matt:  I actually create designs on Photoshop first, so I have a clear image of how I want the shoes to look before I paint.

How long does it take to complete an order (as such)?

Matt: The timing does depend on what I am painting but for example the John Barrowman pair took 16 hours in total. Which is actually super fast for two portraits, the Tardis, Torchwood tower and I also added the DW logo and Torchwood logo to the tongues.


Can you move for shoes in your house? Or do you have a workshop?

Matt:  I do work from home and I do have a huge stack of shoes in boxes. I order in the shoes on a weekly basis, so I have a nice flow of shoes in and out.

How many years have you been painting shoe art for and when did your interest in this kind of art begin?

Matt: I've been painting on shoes for 8 years and it all started with a birthday gift for my brother. That led on to a couple of people asking for a pair then a couple more and there was a lot of interest, so I started a Facebook page and I took off.

Other than Etsy, do you have anywhere else that showcases your work?


Matt:  I have a website store http://www.MattsCustomArt.com  where you can order any shoe I have on there or place a custom order and I'm also on Facebook, Instagram and Twitter at @MattsCustomArt.

Because the shoes are painted, would it streak if you wore them in the rain. or if they were damp?

Matt: The paint is totally permanent. It won't run or fade in the rain. And can be washed.

Thank you so much for the interview.

Matt: Thank you very much

Photos for the cover and indeed the interview are courtesy of Matt Jago
Credit John Barrowman for photo of proudly showing off designer shoes.


Fans Fiction Mitchell: Return to the Fold by DJ Forrest



Chapter One

Gwen Cooper was having a really bad morning. It began with the flashing red blip on her computer screen. It was also flashing on Jack’s in his office. Jack, as she knew it, was still somewhere off planet, and as much as she hoped he was safe, right now, she really wished he was here. With her. In this office.
   Red blips as they were used to regarding them as, and often raised excitement in Toshiko’s eyes, were not something that Gwen regarded with joy. Red blips signified trouble. It had been weeks since Mitchell and Clark had returned from wherever they’d been. Neither of them had talked about the incidents onboard the battlecruiser. Least of all Goodson. Gwen glanced towards his vacant desk and sighed heavily. She’d need to call in. See how he was. Pick up any groceries. Give a reassuring smile. No longer military. No longer sure of his role within Torchwood. No longer capable of believing the words from anyone who knew him, Clark Goodson had locked himself away in his flat, and cut communications with everyone. Everyone that is except Gwen Cooper. Somehow, her face seemed to bring a radiance of light into his life. It just wasn’t enough to convince him, that he belonged anywhere in the world. He’d been used. Manipulated. He was tired of it all.
   Marley was busy at her desk, analysing the same Rift patterns since the return of the two boys. It was, if anything, a distraction. It took her mind off the questions that were building and the stabbing pains behind her eyes. Every now and then Gwen sensed that Marley would eventually ask that one question she wouldn’t be able to answer.
   The phone rang. It was Andy.
   ‘I thought you might be interested in a case. I could do with a bit of help, to be honest.’

   It hadn’t taken much encouragement to get her out of the building. Several mauled bodies lay across an open space of flooring in ‘Long Stop Over’ fast food restaurant in Splott. A cleaner had discovered them at the start of her shift. She sat in the back of the ambulance, wrapped in a blanket, face drawn and pale.
   ‘I called you, because…well, look at them.’ Andy pointed. ‘Those aren’t human teeth marks on that body, or that one, and those…’
   Gwen noticed how much paler Andy was, and she couldn’t blame him. The smell of blood and body juices was sour on the nose and at the back of her throat.
   ‘Can you not open a window?’ She glanced about the room at the large bay windows, the décor sprayed with blood from floor to tiled ceiling. A mural of modern art that would be snapped up in a gallery. All windows displayed no openings.
   Gwen studied the bodies. All of them wore the logo of the company. ‘How did the attacker get in?’
   ‘The back door was wide open. Traces of blood led out that way. We’ve got foot prints. A lot of them. Which is why I called you.’ Andy led her through to the kitchen area. A set of red paw prints decorated the once washed floor. They led outside into the back yard where overturned bins scattered torn open black bin bags, that lay on the concrete ground.        
   ‘I’ve put a call out for escaped lions and big cats in general and wolves but…not heard back as of yet.’
   At the mention of wolves, Gwen looked up. She pulled her phone from her pocket and called Marley.
   ‘I need you to focus your attention on that blip reading. Need to know where it is. Call me when you find it.’
Gwen pocketed her phone. ‘Andy, I need to ask a favour.’

Mitchell Harkness balanced nimbly on the overhanging branch of the oak tree, twenty feet off the ground. Below him, unaware of his presence stood a muntjac deer. Its short stubby horns close to its head, not yet fully grown, it’s tight coarse hair bristling in the breeze, it ate quietly, one ear twitching, picking up the sounds around it. Now and then it lifted its head as it ate. It sensed that it wasn’t alone. For the past few weeks, many of its eating places had been overshadowed by human voices. It had grown used to them. But there was something else drifting on the wind. A new scent. Suddenly without warning, it bolted for the woods.
   Mitchell sighed and lowered his head. He sat down on the branch, legs swinging below and tilted his head at an angle towards the long meadow grass swaying in the gentle breeze.
   ‘I almost had it.’ He yelled towards the long grass.
   ‘You were dawdling.’ A voice yelled back. An old voice. As old as the meadow.
   ‘I needed to get the angle right. She would have speared me with her horns.’
   ‘You hesitated. She sensed that.’ An old man, with white hair and a grey muzzle straightened up,hands on hips, looked towards the young man in the tree. ‘Don’t think I don’t know why you’re not wanting to attack her.’
   ‘She’s done nothing to hurt me. Why would I want to hurt her?’
   ‘It’s the way of the warrior. You don’t know when you might need to learn survival skills.’
   ‘I’ve got by up till now on my instincts.’  Mitchell jumped down from the branch and dusted the lichen from his pants.
   ‘You can’t always guarantee that there will be fast food restaurants on every street corner. If you’re out in the wilds, you can’t rely on modern establishments to feed you. You have to be able to fend for yourself.’
   ‘I’m not hungry enough to eat deer.’
   ‘You weren’t hungry for rabbit either.’ The old man narrowed his eyes. ‘What are you hungry for?’
   ‘Chips.’ Mitchell looked to his old carer hopefully. ‘Come on, Greer. I’ve been out here for a week now, and none of this makes any sense. I’m not like Wolf. I’m not like my father. I’m not who you think I am. This is not going to save my life.’
   Greer’s eyes narrowed. He cuffed the boy across the head, taking Mitchell by surprise. His voice commanded authority and he growled angrily at the boy.
   ‘You have no idea how much danger you will be in without my training. Do you think Jack Harkness will protect you when Caleb demands you back in the fold? No. Jack Harkness is a coward. He will always run at the sign of trouble. He has no courage in him unlike your father. A proud and honourable man. You will do well to remember that. Now get up and give me two laps around this field. Move.’ Greer roared.

Mitchell fell onto his bed that evening, exhausted. He had little energy to shower, or to eat. He heard his phone buzzing like an erratic bumble bee trapped in a box and reached for it on the bedside cabinet. There were several missed calls. All from Marley.
   He switched on the shower and pulled up the blind in the bathroom, opening the window a touch. He locked the door for privacy and called Marley, waiting on her answer. It was good hearing her voice. He smiled. She didn’t have to do anything, but she lit a candle in his heart, and he would do anything for her.
   ‘Hey, where were you, I’ve been calling for ages?’ Her broad accent a welcome break from the grating old man voice of Greer.
   ‘I’m safe.’ He replied. A familiar tone of ‘don’t ask’ wearing thin around the edges.
   ‘Is it raining?’
   ‘What do you want, Marley?’ He sighed.
   ‘We’ve detected a low level signal of activity in a Scottish settlement, that we’re going to need to check out. Scotland, Mitch. If we wrap this up quick enough, I could take the train and meet mum and dad.’ She sounded happy. For once in her life so far, she felt a glimmer of hope and Mitchell was going to destroy it in one word.
   ‘No!’ His voice boomed around the small bathroom.
   ‘Are you alright up there, son?’ Old Greer called from the bottom of the stairs.
   ‘Yeah, dropped the soap. Sorry.’
   Even now he could picture Marley grinning. He’d given up his location.
   ‘You can’t go to see them, what if she’s there.’
   ‘Then I’ll go when she’s not. Mitch, I don’t have to physically touch them to see them. I just…’ he heard her voice break. He pictured tears welling, and emotions of a family she knew she’d never ever see again, and an alternate family there in Glasgow, and she so badly wanted her Mum to wrap her arms around her and tell her everything was going to be OK.
   ‘I’ll call you back in a few minutes. I need to get dressed.’

It was more than a few minutes by the time Mitchell had showered and dressed and in his room pulling on a pair of sneakers. He felt invigorated after the shower. He called her again.
   ‘Where are you?’ He asked.
   ‘Pulling up outside your safe house.’ She replied.
Mitchell’s blood ran cold.
   ‘What? No. Stay in the car. Do not get out.’ Grabbing a few essentials, he opened his window and escaped into the night.
   Marley sat in the car for a few minutes before switching off the engine.
   ‘Yeah right. Like that’s going to happen.’

Marley stood outside the quiet, unassuming cottage just on the outskirts of the derelict military training ground that had been closed since the early 90s for a new housing scheme, which never happened because of funding issues. It was now a haven for flora and fauna. The house needed a fresh lick of paint, its garden tidying up but it was a safe house, and Torchwood, she knew wouldn’t want to draw attention to a decorated dwelling sticking out like a sore thumb against a wilderness backdrop.
   The front of the house was in complete darkness. She caught brief flickers of torchlight at the back of the house. Instinct had taught her to be on her guard at all times. Torchwood had taught her to keep her wits about her. Never leave doubt room to move. She removed her gun from her shoulder holster and removed the safety. The light of the moon shone brightly against the house and grounds, allowing her safe passage around the building. She crept stealthily towards the back door, hidden from view by the hawthorn hedge that wrapped its way around half the garden, a metal fence the rest of the way.
   The back door sat open and a foul acrid stench drifted out into the night air. It caught at the back of her throat. She took a step back, contemplating her next move. It should have been to call Gwen. She didn’t.
   The torchlight in the back room went off.

Gwen sat sipping a cup of coffee in an all night café. The table was covered in photographs and details of each lay beside them. Andy sat opposite, an empty plate and a fresh coffee beside him. The photographs of mutilated bodies with their throats ripped out and gored flesh made him wish he’d not asked for a bacon sandwich with ketchup – but it had been a long shift, and he doubted very much that he’d be leaving any time soon. Lunch seemed such a long time ago.
   ‘So, what do you think it is, Gwen? Are we looking at animal or alien?’
   ‘I don’t know, Andy.’ She splayed her hand out to match the score marks on a particular photo. It did look like it could be an animal but it seemed too random, too frenzied.
   ‘Only we’ve run a check on escaped circus animals and zoos nearby and nobody has come back to us about a missing lion or bear. Not that we get many lions or bears released into the wild…unless you class the black cat on Bodmin moor.’
   ‘That’s just a hoax Andy, to drum up business.’
   ‘So, it could be alien then? Or…’ he studied her hand against the photo. ‘Werewolves?’
   ‘Don’t be daft Andy and keep your voice down.’ She frowned. ‘It could be Weevils. They attack at random. Although, there’s not been any sightings of them in years. We thought after the Rift closed up that they disappeared with it. If it is them though, we need to know what’s brought them to the surface again.’ She gathered the papers and slipped them back into their folders.
   ‘I’ll need copies of these, Andy.’ She pushed the files towards him. He pushed them back.
   ‘They’re yours. I took copies for myself. Nobody is sure what made these, and to be honest, we could do with some outside help.’
   She smiled gratefully and laughed. ‘You’re one of the team, Andy. Thank you.’
He smiled. Finally, Torchwood were letting him in.
   ‘No.’ Gwen stopped his daydreams dead.
   ‘Oh, but…’
   ‘If this is Weevils, you need special training to handle them, and I wouldn’t want to see you get hurt. You understand. It’s not something you’d be able to write up in a report and be believed by your team. We see this every day, Andy, and we have the tools to deal.’
   ‘So, I’m just your tea and bacon butty man, with files of unsolved murders?’
   ‘Yeah, something like that.’ She laughed.
   ‘Right then. That’s me told. I’ll be off.’ He grated his seat back and pushed it back under the table. ‘Find who is doing this, Gwen, if I can’t be there. Be careful.’
   Gwen watched him go as she drained her mug of coffee. She said good night to the café owner and went to her car, parked outside. There was an angry sky above her. A storm was coming. By about now on any other night, Jack would send her a text. Something was coming. They’d be in the Hub, with Jubilee pizzas and the team would work together to find the culprits and end their games. Now. Now it was just Gwen, a silly girl from an alternate universe, a young Welshman who was suffering a mental breakdown, and a wolf boy who could be Jack’s son, and Jack, wherever the hell he was now.
   Gwen climbed into her car as her phone buzzed in her pocket. It was Rhys. They were out of milk.

Mitchell, back pack on, ran hell for leather through the heavily wooded forest. Low branches reached down to him as he leapt over exposed roots and shallow ditches. His heart pounded against his chest. His legs screamed to ease up. Still he ran on. He had no need of a torch. He knew the lay of the land, he’d ran it often enough.

Marley was already too far from her parked car to make a run for it. She’d weighed up her chances of survival. She contemplated calling Gwen but the voice on the end of the phone would belittle her to the point that Marley would hang up and go it alone. She was merely cutting out the middle man, or woman.
   ‘Come on Marley, toughen up old girl. You’re Torchwood. Geoff would go in.’ Except in like Flynn Geoff was already dead. Dead from Elvis the tufty haired crocodile. He’d let his guard down. He’d put them both in danger. She was not like Geoff. She was Marley Hanratty and she was Torchwood. Fumbling nervously for her Maglite torch, she switched it on and entered the darkened building, her heart in her throat.

The porch entrance gave way to a short hallway with rooms on either side. Dust spores floated in the light of the torch as she edged her way inside, gun ahead of her, light fixed to the gun for added measure. Bloody finger streaks smeared the walls ahead of her. It told a story of desperate futile hopes of escape. Bloodied hand prints, clinging to door frames in a bid to evade full capture. Splayed blood patterns from wall to ceiling, pooling on the ground where a body lay mauled. The body itself indistinguishable. She couldn’t identify male from female.
   Quick movements of the torch around each room showed nothing but a bloodied mess and foul odour but the strongest was coming from the main living quarters. Her heart pounded in her chest. Her eyes nipped from the stinging aroma of death. The stench of blood and body juices clung to the back of her throat. She was going to throw up. She swallowed, pushing back the bile and her sausage roll from earlier and the quarter of a pound of Midget Gems she’d worked through in the car. She had to see this through. She had to find Mitchell safe.
   She made her way to the small kitchen and stifled a scream. Lying in the doorway, wearing a military great coat, was a heavily mauled body of a man. His face was disfigured but he was the size and shape of Captain Jack Harkness. Tears pricked her eyes. She knelt beside the body lying prone on the ground and felt for a pulse. There was none.
   A trickle of memory caught her by surprise. She knew these markings. She’d seen them before. Back in her old life. Geoff, Geordie, that girl with the Swedish name she couldn’t pronounce and called her Dahlia for short. They had found a mansion of grizzly murders. Unfathomable to the local police squad. Torchwood had an inkling of its merit. Torchwood knew most of the murders and murderers. This one. This one had stumped even them.
   ‘It’s not weevils.’ Geoff had said. Knowledgeable beyond measure. Geoff had even proved that fact.
   ‘How many fingers do weevils have?’
   It couldn’t be the same. An alternate universe would have the flip side of this reality. If it wasn’t Weevils in the last, perhaps it was in this, but Geoff was correct about the fingers. She shone her torch at the score marks on the walls.
   ‘It’s not Weevil.’ She croaked.
   She made her way cautiously towards the living quarters, shining her torch this way and that, detecting blood splatters on walls and dripping from ceiling. She was nearing the lair. She could taste it in her mouth. It was warmer in the centre of the building. Her foot connected with another body. She froze. This one groaned. Shining her torch at the body at her feet she was horrified to discover an old man, blood spatters on his clothing, but he was sleeping, blinking only from the glare of light in his eyes. She felt warm breath against her neck and froze. Someone else was in the room with her. Someone a little taller. His acrid breath as sour as the bodies on the ground.
   ‘Who do we have here then, walking so freely into our den?’ It growled in a deep gruff voice, full of menace.
   ‘Den?’ Marley was wracked with a painful understanding of just what she’d walked into. She felt a warmth down the inside of her right leg hurried to her shoes.
   ‘You’re trespassing on private property. I need you to leave.’ Marley spoke, struggling to maintain an air of authority. She was trembling.
   ‘The door was open. It seemed a fair invite. And you’re a long way from home, doll.’ He chuckled darkly as he circled her. The body at her feet continued to snore.
   ‘You’re Scottish?’
   ‘Aye, is that a crime?’
   ‘No. Why so far South?’
   ‘A change of scenery. I was looking for someone.’
   ‘Looks like you found them.’ Marley swallowed back her sick for a second time.
   ‘Trespassers. Homeless. Those looking for a bed and breakfast. They got their bed, and I got breakfast. Dinner. And supper.’ He growled, his whiskery cheek brushed against hers.
   ‘Who are you?’
   ‘Death.’
   She gasped as his cold wet nose touched her ear. She yelled out in fright, loosening off a round from her pistol that went wide and clipped a chunk of plasterboard along the corridor. Marley herself lost her footing and fell, dropping the torch in the process. Her gun clattered to the floor as hard as her hand and she yelled in pain.
  
   As if by magic, all the lights in the house flicked on at the same time, illuminating the entire living quarters, showing Marley the devastation at her feet. A radio played in the kitchen, a tinny noise barely blanketing any emotion that would swallow up the bloodbath in the lounge.
   Marley stared in horror at the wolf man before her, blinking at the strong blinding light that had hit him so hard, unable to fully adjust. He was part male and part wolf. His long clawed fingers had identified him as the killer of all those people she had seen in the folders back home, and were currently in a folder on Gwen Cooper’s kitchen table, where Gwen herself pored over them, trying to match them against Weevil attacks. Laptop on and photographs random creatures that could prove beyond a shadow of a doubt that a weevil could not have done it.
   Marley had found the killer. The killer had found Marley. Marley would not live to tell the tale. She felt as helpless as the victims that lay at her feet. She would never be found. Never be identified. Would never feel the love of another against her. Would never get to see her Mum and Dad, or the new Mum and Dad she wanted to meet. All of this had been for nothing. She was going to die in an empty safe house, where one of these bodies could be Mitchell.
   Tears fell, like the rain hammering the windows. She was done for.

The older of the two wolf men got slowly to his feet. He saw the terrified young woman on the ground and the young male, claws trained ready to rip her throat out.
   ‘Time to die, hen.’ He leered.
   ‘No! Stop! No more!’ The old man yelled. ‘There’s been enough death.’
   ‘She’s seen us. She risks our identity.’
   ‘You’ve risked our identity since we came here. You’re the one they’re all looking for. Low profile Caleb ordered. You could destroy us all.’
   ‘If I kill her, nobody needs to worry. We kill all those who come here.’
   ‘No more.’
   Marley saw the younger man’s shoulders sag. He turned to the older wolfman and nodded. ‘Alright, have it your way, Kayiler’ The old man smiled.
   ‘Good, now just…’ Before he could utter another word, he was overpowered by the younger wolfman and lay unconscious on the ground, a large gaping wound in his left flank.
   In the kafuffle Marley reached for her gun, as the young wolfman straightened up, she fired a shot into his right flank, and three in his chest. He was taken completely by surprise. Staggering back, he was momentarily winded. It did little good.
   ‘Shit….Shit.; Marley cried.

High above, crouched on the balustrade, Mitchell watched the scene unfold below him. He’d only read about the wolf men in Greer’s history books, hand written and handed down through generations, Greer’s books were a masterpiece – and every word was true.
   Caleb had sent scouts to find Mitchell and bring him back into the fold, and Greer, just like Wolf, had been his guardians, to protect him from that, to train him, and ready him for the moment when everything changed, and he had to be ready.
   Kayiler and Swiftbone had been sent as scouts to bring back the young ‘prince’ to be the new heir of the tribe. Swiftbone was the second in command and by rights, the new heir. He knew the tribe as well as all the rest of the pack but he showed little grace or sincerity that would ensure their safety, and he was impatient, and that would cost him dearly.
Kayiler, according to the stories by Greer, was the old tribal member, there to shepherd the younger wolf, to teach him of the old ways. He had obviously failed, and when they returned to the settlement, Caleb would punish him.
   Marley meant the world to him, but at this moment in time, she was the spanner in the works, and ideally, if she was dead, their identity would go unnoticed. They would disappear as quickly as they came. But this was Marley. This was a death he couldn’t have on his conscience. Swiftbone had to be stopped.
   He watched as the wolf man came into view and threw himself off the balustrade, landing on the back of the young man, bringing him to his knees. He tossed a small hand held black box towards Marley.
   ‘Open the box Marley. You can kill him with these. Do it!’ Mitchell yelled before raining down punches that knocked the wind out of the wolf man’s sails. It wasn’t long before Swiftbone regained his composure and fought back, snapping and snarling and throwing clawed fists towards the young male assailant.
The shock of the weight on his back knocked the wind from his sails and his anger into overdrive.
   Kayiler opened his eyes. He felt groggy from the assault, and a pain lingered against his thigh. He saw the girl, horrified and overwhelmed by all she saw, and the black box with a silver bullet lying beside it. His eyes widened.
   Swiftbone and Mitchell crashed over furnishings and fixtures and fittings. Mitchell ducked and dodged every blow but landed several against the riled wolf man.
   Marley trembled as she removed the magazine from its housing. She was going into shock. Her teeth chattered and tears streaked her cheeks. She hadn’t noticed the old man move from his position. Hadn’t seen him until it was too late, and his ‘human’ hands closed over hers and the gun in her possession. Their eyes met and for a faint moment, she saw a hope in his eyes that she hadn’t seen before. He took the gun from her, fed the bullets into the magazine and clicked it back into its housing.
   As Swiftbone focused on the boy now pinned against the ground, his right hand claws outstretched, he stopped. Before him lay the prince and he laughed. He called over to the older man.
   ‘Hey, we’ve found him.’ He got to his feet, stepping away from the boy and turned to face Kayiler. To his horror he found him standing beside the girl, a gun in his hand, pointed directly at the younger wolfman.
   ‘Hey, what are you…?’
   ‘It’s over.’ He pumped three rounds into Swiftbone’s chest and saw him fall. He was dead and human again by the time his body hit the ground.
Silence fell across the room. After a few moments, Kayiler called to Mitchell.
   ‘You can get up now. It’s over.’
   ‘Says you with the gun in your hand. Marley?’
   ‘She’s safe. I won’t shoot you. You are Porlicanthus’s boy. Your father was a great warrior and friend. Stand up and let me see you properly.’
   Mitchell rose to his feet, wiping his hands on the back of his trousers.

   ‘How did you know we were here?’ Kayiler asked after a while.
   ‘Greer. He was getting agitated. Said my time was coming and I needed to train. He looked scared.’
   ‘Greer is still alive?’
   ‘Yeah.’
   ‘Greer is my brother. I haven’t seen him in years. Not since the division. Caleb wanted loyalty. Greer wasn’t as committed. To be honest, many of us weren’t. Caleb had no vision of its survival through the dark times. Too many youngsters to control, to brain wash.’
   ‘So why does he want me?’
   ‘You’re the son of a great warrior. His son. Caleb realises that young blood will only work with young blood as its leader. You are destined to be the leader of a great pack and we need you on board.’
   ‘I’m not a wolf.’
   ‘You are Porlicanthus’ son. In you is the will to survive and hunt and be the strong warrior leader we need. You have to come back with me.’
   ‘No, I don’t. I’m part of Torchwood now. This is where I need to be. You can’t force me to come with you.’
   ‘He can, Mitch.’ Marley replied, trembling still. ‘He’s still got the gun.’
   ‘We need to leave now before daylight. You turn 25 in less than 48 hours. And you have initiation into the fold. I saw you brought transport.’ He threw the question to Marley. ‘You need to drive us to Scotland. Now.’ He pointed the gun directly at Marley’s head. ‘I’m not afraid of death. Are you?’
   ‘OK. But we have to make a detour first.’
   ‘NO. I forbid it.’
   ‘Then she dies, and you’ll have to kill me, because I will not go until we’ve been to Glasgow, and Marley says goodbye to her parents. Is that clear?’